Slovakia Box Office for Earth: One Amazing Day (2017)
Theatrical Performance (US$) | ||
Slovakia Box Office | $45,277 | Details |
Worldwide Box Office | $12,197,853 | Details |
Further financial details... |
Metrics
Movie Details
Slovakia Releases: | November 3rd, 2017 (Wide) |
Video Release: | January 9th, 2018 by BBC |
MPAA Rating: | G |
Running Time: | 95 minutes |
Keywords: | Nature Documentary, Voiceover/Narration, Animal Lead |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | BBC Earth Films, Earth Film Productions Ltd, SMG Pictures |
Production Countries: | United Kingdom |
Languages: | English, Mandarin |
Home Market Releases for January 23rd, 2018
January 22nd, 2018
It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month.
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2017 Awards Season: PGA Nominations
January 5th, 2018
The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) It is a strange year for the PGAs, as there was a tie resulting in 11 films being nominated for the top prize.
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Theater Averages: Something Good Comes out of Florida
October 11th, 2017
The Florida Project dominated the theater average chart earning over $150,000 in four theaters for an average of $39,208. This is easily the best new release of the week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/03 | 9 | $11,504 | 28 | $411 | $11,504 | 1 | |
2017/11/10 | 11 | $9,344 | -19% | 25 | $374 | $25,204 | 2 |
2017/11/17 | 12 | $8,027 | -14% | 16 | $502 | $34,868 | 3 |
2017/11/24 | 13 | $3,609 | -55% | 14 | $258 | $41,823 | 4 |
2017/12/01 | 20 | $1,359 | -62% | 9 | $151 | $43,235 | 5 |
2017/12/15 | 19 | $718 | 6 | $120 | $45,277 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/23/2018 | $15,899 | 31 | 31 | 31 | $15,899 | 3/26/2018 |
China | 8/11/2017 | $1,590,000 | 4285 | 4285 | 4285 | $7,250,000 | 10/12/2018 |
Czech Republic | 10/26/2017 | $6,881 | 15 | 55 | 369 | $288,332 | 1/1/2019 |
France | 9/7/2018 | $450,075 | 0 | 0 | 0 | $1,167,878 | 10/11/2018 |
Germany | 3/16/2018 | $701,547 | 0 | 0 | 0 | $2,654,762 | 6/11/2018 |
Italy | 4/20/2018 | $104,038 | 0 | 0 | 0 | $104,038 | 4/23/2018 |
Lithuania | 5/4/2018 | $5,073 | 69 | 69 | 162 | $22,261 | 11/22/2018 |
Mexico | 5/4/2018 | $8,600 | 0 | 0 | 0 | $8,600 | 9/10/2018 |
Netherlands | 1/19/2018 | $48,875 | 72 | 72 | 140 | $131,217 | 9/12/2018 |
New Zealand | 3/23/2018 | $6,119 | 21 | 21 | 65 | $17,698 | 5/7/2018 |
North America | 10/6/2017 | $45,480 | 70 | 70 | 72 | $81,345 | |
Russia (CIS) | 3/15/2018 | $0 | 0 | 1 | 27 | $71,371 | 5/12/2019 |
Slovakia | 11/3/2017 | $11,504 | 28 | 28 | 98 | $45,277 | 12/20/2017 |
South Korea | 2/22/2018 | $102,342 | 231 | 231 | 277 | $214,985 | 4/6/2018 |
Taiwan | 4/20/2018 | $0 | 0 | 0 | 0 | $15,837 | 9/13/2018 |
United Kingdom | 10/20/2017 | $37,861 | 88 | 88 | 162 | $108,353 | 1/18/2018 |
Worldwide Total | $12,197,853 | 5/12/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Richard Dale | Director |
Fan Lixin | Director |