Croatia Box Office for The Duke (2022)
Theatrical Performance (US$) | ||
Croatia Box Office | $660 | Details |
Worldwide Box Office | $14,329,323 | Details |
Further financial details... |
Synopsis
In 1961 Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge—a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage.
Metrics
Movie Details
Croatia Releases: | January 19th, 2023 (Limited) |
Video Release: | July 26th, 2022 by Sony Pictures Home Entertainment |
MPAA Rating: | R for language and brief sexuality. (Rating bulletin 2670 (cert #53106), 3/3/2021) |
Running Time: | 96 minutes |
Keywords: | 1960s, Set in London, Heist, Comedy Drama, Biography, Political Activist, Political, Museum |
Source: | Based on Real Life Events |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Pathe, Ingenious Media, Screen Yorkshire, Neon Films |
Production Countries: | United Kingdom |
Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2023/01/20 | 16 | $339 | 14 | $24 | $339 | 1 | |
2023/01/27 | 19 | $192 | -43% | 15 | $13 | $660 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/31/2022 | $466,819 | 261 | 261 | 1362 | $2,312,254 | 11/14/2022 |
Croatia | 1/19/2023 | $339 | 14 | 15 | 29 | $660 | 2/3/2023 |
Italy | 3/3/2022 | $299,588 | 0 | 0 | 0 | $916,255 | 10/20/2022 |
Netherlands | 3/17/2022 | $142,803 | 78 | 91 | 686 | $965,058 | 6/13/2022 |
New Zealand | 3/31/2022 | $91,545 | 96 | 96 | 545 | $520,056 | 10/20/2022 |
North America | 4/22/2022 | $25,776 | 4 | 353 | 1,275 | $1,526,970 | 11/1/2022 |
Spain | 5/20/2022 | $0 | 0 | 0 | 0 | $0 | |
United Kingdom | 2/25/2022 | $1,330,820 | 651 | 651 | 3238 | $6,600,269 | 5/25/2022 |
Rest of World | $1,487,801 | ||||||
Worldwide Total | $14,329,323 | 2/3/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Roger Michell | Director |
Richard Bean | Screenwriter |
Clive Coleman | Screenwriter |
Nicky Bentham | Producer |
Cameron McCracken | Executive Producer |
Jenny Borgars | Executive Producer |
Andrea Scarso | Executive Producer |
Hugo Heppell | Executive Producer |
Peter Scarf | Executive Producer |
Chris Bunton | Executive Producer |