Finland Box Office for The Dressmaker (2015)
Theatrical Performance (US$) | ||
Finland Box Office | $43,707 | Details |
Worldwide Box Office | $24,374,909 | Details |
Home Market Performance | ||
North America DVD Sales | $479,773 | Details |
North America Blu-ray Sales | $68,836 | Details |
Total North America Video Sales | $548,609 | |
Further financial details... |
Synopsis
A glamorous, worldly dressmaker returns to her small Australian hometown to seek the truth behind her notorious reputation. Tilly Dunnage, who cares for her eccentric mother, schemes with the local sergeant who has secrets of his own, and falls for local farmer Teddy. As she starts to unravel her scandalous past, she transforms the town’s women with her exquisite creations. Armed with only her sewing machine and haute couture style, Tilly shows she is a force to be reckoned with and that revenge never goes out of style.
Metrics
Movie Details
Production Budget: | $11,900,000 |
Finland Releases: | April 15th, 2016 (Wide) |
Video Release: | December 27th, 2016 by Broad Green |
MPAA Rating: | R for brief language and a scene of violence. (Rating bulletin 2442 (Cert #50669), 9/14/2016) |
Running Time: | 118 minutes |
Keywords: | Fashion, You Can't Go Home Again, Agoraphobia, Dysfunctional Family, Romance, Life in a Small Town, Country Mouse, City Mouse, Australia |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Screen Australia, Ingenious Senior Film Fund, Embankment Films, Film Art Media , White Hot Productions, Film Victoria, Soundfirm, Motion Picture Lighting |
Production Countries: | Australia |
Languages: | English |
Home Market Releases for December 27th, 2016
December 26th, 2016
This Tuesday is the day after Boxing Day. I don’t know if there is a worse possible day to release something on the home market. There are a few films on this week’s list you could call busted Oscar bait, but almost nothing that is a contender for Pick of the Week. Fortunately, it is almost nothing and not completely nothing. A Man Called Ove is the best release and the DVD or Blu-ray are clearly the Pick of the Week.
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Theater Averages: Jackie Tackles Lion Earning Average of $55,743
December 6th, 2016
Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters.
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Theater Averages: Asura has Maddening Opening with $10,627
October 12th, 2016
Asura: The City of Madness was the only film in the $10,000 club with an average of $10,627 in two theaters. Interestingly, Operation Mekong nearly rose to that milestone with an average of $9,511 in 17 theaters.
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Theater Averages: The Week’s Best Average Money can Buy is $9,511
September 28th, 2016
Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446.
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Weekend Estimates: Magnificent Seven Rides to $35 Million Opening
September 25th, 2016
The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition.
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Friday Estimates: Magnificent was Merely Okay with $12.7 million
September 24th, 2016
The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it.
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Limited and VOD Releases: Dirty 30 is Apt Description
September 23rd, 2016
Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/04/15 | 6 | $43,707 | 37 | $1,181 | $43,707 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/10/2016 | $67,800 | 54 | 54 | 68 | $102,356 | 11/29/2018 |
Australia | 10/30/2015 | $2,258,574 | 384 | 384 | 3117 | $14,966,763 | 2/19/2024 |
Brazil | 5/20/2016 | $64,328 | 0 | 0 | 0 | $115,466 | 11/15/2018 |
Finland | 4/15/2016 | $43,707 | 37 | 37 | 37 | $43,707 | 6/9/2016 |
Italy | 4/29/2016 | $810,797 | 0 | 0 | 0 | $1,893,582 | 6/9/2016 |
New Zealand | 10/30/2015 | $180,078 | 83 | 86 | 740 | $1,315,996 | 2/17/2016 |
North America | 9/23/2016 | $185,165 | 36 | 174 | 873 | $2,022,115 | 3/6/2017 |
Oman | 3/17/2016 | $378 | 1 | 1 | 1 | $378 | 12/31/2018 |
Philippines | 11/4/2015 | $17,133 | 25 | 25 | 25 | $17,133 | 12/30/2018 |
Portugal | 12/3/2015 | $43,271 | 19 | 19 | 66 | $168,237 | 6/9/2016 |
Russia (CIS) | 8/5/2016 | $29,918 | 78 | 78 | 158 | $94,925 | 12/31/2018 |
Singapore | 1/28/2016 | $17,174 | 6 | 6 | 16 | $44,470 | 6/9/2016 |
South Korea | 2/11/2016 | $6,250 | 0 | 176 | 209 | $365,074 | 9/9/2018 |
Spain | 3/18/2016 | $268,143 | 124 | 124 | 531 | $1,215,730 | 6/9/2016 |
Taiwan | 1/8/2016 | $20,395 | 9 | 9 | 35 | $216,505 | 6/9/2016 |
Thailand | 1/7/2016 | $69,889 | 40 | 40 | 112 | $186,793 | 6/9/2016 |
Turkey | 11/6/2015 | $41,218 | 32 | 32 | 90 | $151,185 | 12/30/2018 |
United Arab Emirates | 3/17/2016 | $21,766 | 4 | 4 | 9 | $58,740 | 12/31/2018 |
United Kingdom | 11/20/2015 | $358,668 | 202 | 202 | 573 | $1,395,754 | 6/9/2016 |
Worldwide Total | $24,374,909 | 2/19/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kate Winslet | Tilly Dunnage |
Judy Davis | Molly Dunnage |
Liam Hemsworth | Teddy McSwiney |
Supporting Cast
Hugo Weaving | Sergeant Farrat |
Julia Blake | Irma Almanac |
Shane Bourne | Evan Pettyman |
Kerry Fox | Beulah Harridene |
Rebecca Gibney | Muriel Pratt |
Caroline Goodall | Elsbeth Beaumont |
Gyton Grantley | Barney McSwiney |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jocelyn Moorhouse | Director |
Jocelyn Moorhouse | Screenwriter |
P.J. Hogan | Screenwriter |
Rosalie Ham | Based on the novel “The Dressmaker” by |
Sue Maslin | Producer |
Gavin Poolman | Executive Producer |
Michael Shyjka | Executive Producer |
Tim Haslam | Executive Producer |
Hugo Grumbar | Executive Producer |
Ian Kirk | Executive Producer |