France Box Office for Doubles vies (2018)
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| Theatrical Performance (US$) | ||
| France Box Office | $1,131,476 | Details |
| Worldwide Box Office | $3,499,472 | Details |
| Further financial details... | ||
Synopsis
Set amidst the bohemian intelligentsia of the Parisian publishing world, Non-Fiction traces the romantic and emotional fallout that results when a controversial writer begins blurring the line between fact and fiction, using his real-life love affairs—including a passionate fling with an actress who happens to be married to his editor—as fodder for his explosive new novel.
Metrics
Movie Details
| France Releases: | January 18th, 2019 (Wide) |
| MPAA Rating: | R for some language and sexuality/nudity. (Rating bulletin 2554 (Cert #51919), 11/21/2018) |
| Running Time: | 107 minutes |
| Keywords: | Set in Paris, Set in France, Publishing Industry, Writing and Writers, Relationships Gone Wrong, Infidelity, Film Actor |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sundance Selects, Vortex Sutra, ARTE France, Playtime, Arte France Cinema, Canal Plus, Cine Plus, Cinecap, Cineventure 3, Cofinova 14, Indefilms 6, La Banque Postale Image 11, Manon 8, Sofitcine |
| Production Countries: | France |
| Languages: | French |
Theater Averages: Endgame more than Doubles the Competition
May 9th, 2019
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Avengers: Endgame remained on top spot on the theater average chart with an average of $31,614. This isn’t that far behind Captain Marvel’s $35,599 average it earned during its opening weekend. The only other member of the $10,000 club was Doubles vies, which is French for Two Vies. ... It’s been a while since I made a joke that bad and I’m not apologizing. That film earned an average of $14,927 in two theaters.
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Weekend Estimates: Endgame and Force Awakens in Real Fight
May 5th, 2019
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The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week.
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Limited and VOD Releases: Into the Light
May 3rd, 2019
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There are not a ton of limited releases coming out this week, but there are some that are certainly worth checking out. This includes two documentaries, Ask Dr. Ruth and Meeting Gorbachev. However, the movie I most want to see is Shadow.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 5/24/2019 | $27,150 | 15 | 15 | 15 | $60,960 | 6/14/2019 |
| Brazil | 4/19/2019 | $0 | 0 | 30 | 30 | $67,431 | 5/4/2019 |
| Bulgaria | 1/10/2020 | $1,198 | 0 | 0 | 0 | $8,165 | 1/22/2020 |
| France | 1/18/2019 | $0 | 0 | 194 | 356 | $1,131,476 | 2/12/2019 |
| Italy | 12/18/2018 | $0 | 0 | 22 | 59 | $771,371 | 7/12/2019 |
| Lithuania | 4/5/2019 | $1,209 | 10 | 10 | 22 | $3,237 | 6/4/2019 |
| Netherlands | 2/15/2019 | $26,717 | 25 | 25 | 25 | $49,856 | 2/19/2019 |
| North America | 5/3/2019 | $29,853 | 2 | 89 | 387 | $704,919 | |
| Portugal | 2/28/2020 | $14,442 | 13 | 13 | 29 | $30,144 | 6/30/2020 |
| Romania | 7/19/2019 | $0 | 0 | 8 | 14 | $12,090 | 9/3/2019 |
| Russia (CIS) | 7/4/2019 | $18,543 | 72 | 72 | 109 | $34,227 | 10/19/2022 |
| South Korea | 11/25/2018 | $1,124 | 2 | 44 | 82 | $57,239 | 6/7/2019 |
| Spain | 4/12/2019 | $134,579 | 60 | 75 | 235 | $500,388 | 5/9/2019 |
| Turkey | 5/3/2019 | $5,975 | 37 | 37 | 56 | $11,907 | 5/16/2019 |
| United Kingdom | 10/18/2019 | $56,062 | 24 | 24 | 24 | $56,062 | 10/23/2019 |
| Worldwide Total | $3,499,472 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Juliette Binoche | Selena |
| Guillaume Canet | Alain |
Supporting Cast
| Vincent Macaigne | Léonard |
| Nora Hamzawi | Valérie |
| Christa Théret | Laure |
| Pascal Greggory | Marc-Antoine |
| Sigrid Bouaziz | Editora |
| Lionel Dray | |
| Antoine Reinartz | Encargado |
| Laurent Poitrenaux | |
| Aurelia Petit |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Olivier Assayas | Director |
| Olivier Assayas | Screenwriter |
| Yorick Le Saux | Director of Photography |
| Simon Jacquet | Editor |
| Nicolas Cantin | Sound Mixer |
| Daniel Sobrino | Sound Mixer |
| Aude Baudasse | Sound Mixer |
| Dominique Delany | First Assistant Director |
| Francois-Renaud Labarthe | Production Designer |
| Jurgen Doering | Costume Designer |
| Charles Gillibert | Producer |
| Ly Nha Ky | Associate Producer |
| Sylvie Barthet | Line Producer |