Russia (CIS) Box Office for НЕ ВОЛНУЙСЯ, ОН ДАЛЕКО НЕ УЙДЕТ (2018)
| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $173,387 | Details |
| Worldwide Box Office | $4,522,504 | Details |
| Further financial details... | ||
Synopsis
John Callahan has a lust for life, a talent for off-color jokes, and a drinking problem. When an all-night bender ends in a catastrophic car accident, the last thing he intends to do is give up drinking. But when he reluctantly enters treatment—with encouragement from his girlfriend and a charismatic sponsor—Callahan discovers a gift for drawing edgy, irreverent newspaper cartoons that develop an international following and grant him a new lease on life.
Metrics
Movie Details
| Production Budget: | $3,500,000 |
| Russia (CIS) Releases: | August 23rd, 2018 (Wide), released as НЕ ВОЛНУЙСЯ, ОН ДАЛЕКО НЕ УЙДЕТ |
| Video Release: | October 2nd, 2018 by Lionsgate Home Entertainment |
| MPAA Rating: | R for language throughout, sexual content, some nudity and alcohol abuse. (Rating bulletin 2490 (Cert #51206), 8/23/2017) |
| Running Time: | 113 minutes |
| Keywords: | Drunk Driver, Paralysis, Artists, Comic Strip, Biography, Addiction, Rehab / Former Addict, Romance, Sundance Film Festival 2018 |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Anonymous Content, Iconoclast Films, Amazon Studios |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for October 9th, 2018
October 9th, 2018
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It’s not a bad week on the home market. The two biggest releases, Hotel Transylvania 3: Summer Vacation and Skyscraper, are both worth checking out, but not close to being Pick of the Week contenders. As for the best of the best, Eighth Grade is really the only choice, while Thelma Todd & Zasu Pitts: The Hal Roach Collection was the runner up. Killing Eve: Season One and Recovery of an MMO Junkie: The Complete Series could have been contenders, if they had significant extras.
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Home Market Releases for October 2nd, 2018
October 2nd, 2018
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It’s an off week on the home market with no blockbusters to deal with. There are two solid midlevel hits, The First Purge and Sicario: Day of the Soldado, but neither of those are Pick of the Week contenders. (Ant-Man and the Wasp is also coming out this week, but only on Video on Demand). There are some high quality picks: Leave No Trace, Three Identical Strangers, Molly, The Spiral Staircase, and Hyouka. It was a close race, but in the end, I went with Leave No Trace Blu-ray as Pick of the Week.
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Theater Averages: Getting Smarter
August 9th, 2018
The Miseducation of Cameron Post was the only film in the $10,000 club this past weekend earning an average of $24,319 in two theaters.
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Theater Averages: Eighth Grade earns an A plus
July 18th, 2018
Eighth Grade had the best theater average of the year with $65,949 , topping the previous champ, Isle of Dogs, by nearly 10%. On the other hand, Isle of Dogs opened in 27 theaters vs. 4 for Eighth Grade. Second place went to Don’t Worry, He Won’t Get Far on Foot with an average of $20,835 in four theaters. The only other member of the $10,000 club was the overall box office leader, Hotel Transylvania 3: Summer Vacation, which pulled in an average of $10,629.
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Limited and VOD Releases: Grade A Limited Releases
July 13th, 2018
There are several films based on real life events on this week’s list, three of which look like they were precision engineered to win Oscars. Of these, only Don’t Worry, He Won’t Get Far on Foot is earning good reviews. It’s not even earning the best reviews of the week, as Eighth Grade takes that title. Those two films could be in a battle for top spot on the theater average chart over the weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/08/24 | 15 | $51,330 | 120 | $428 | $51,330 | 1 | |
| 2018/08/31 | - | $30,992 | -40% | 120 | $258 | $107,768 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/21/2018 | $10,179 | 39 | 39 | 56 | $21,362 | 2/1/2019 |
| Australia | 9/28/2018 | $39,267 | 28 | 29 | 123 | $184,531 | 11/16/2018 |
| Brazil | 12/28/2018 | $37,152 | 35 | 35 | 91 | $98,542 | 2/16/2019 |
| France | 4/6/2018 | $120,994 | 0 | 0 | 0 | $295,039 | 6/29/2018 |
| Germany | 8/17/2018 | $35,906 | 0 | 354 | 371 | $149,330 | 11/16/2018 |
| Italy | 8/29/2018 | $151,397 | 0 | 1646 | 1648 | $377,828 | 1/22/2019 |
| Lithuania | 8/24/2018 | $13,568 | 28 | 28 | 55 | $27,967 | 11/27/2018 |
| Mexico | 12/7/2018 | $39,725 | 53 | 53 | 100 | $105,377 | 2/1/2019 |
| Netherlands | 6/15/2018 | $45,251 | 38 | 342 | 503 | $259,659 | 10/19/2018 |
| North America | 7/13/2018 | $83,339 | 4 | 266 | 640 | $1,441,705 | 8/31/2022 |
| Portugal | 6/29/2018 | $6,935 | 13 | 14 | 43 | $21,351 | 8/22/2018 |
| Russia (CIS) | 8/23/2018 | $51,330 | 120 | 120 | 241 | $173,387 | 1/8/2019 |
| South Korea | 7/26/2019 | $32,929 | 54 | 54 | 96 | $90,582 | 8/14/2019 |
| Spain | 7/6/2018 | $27,571 | 41 | 41 | 72 | $86,290 | 8/30/2018 |
| United Kingdom | 10/26/2018 | $5,424 | 11 | 11 | 39 | $21,461 | 12/16/2018 |
| Rest of World | $1,168,093 | ||||||
| Worldwide Total | $4,522,504 | 8/31/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Joaquin Phoenix | John Callahan |
| Jonah Hill | Donnie |
| Rooney Mara | Annu |
| Jack Black | Dexter |
Supporting Cast
| Carrie Brownstein | Suzanne |
| Beth Ditto | Reba |
| Kim Gordon | Corky |
| Mark Webber | Mike |
| Udo Kier | George |
| Angelique Rivera | Terry Alvarado |
| Olivia Hamilton | Nurse Lily |
| Steve Zissis | Elias |
| Heather Matarazzo | Shannon |
| Rebecca Rittenhouse | Bonnie |
| Ron Perkins | Morton Kimble |
| Rebecca Field | Margie Bighew |
| Emilio Rivera | Jesus Alvarado |
| Sunny Suljic | Skateboard Kid |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Gus Van Sant | Director |
| Gus Van Sant | Screenwriter |
| William Andrew Eatman | Story by |
| Jack Gibson | Story by |
| Gus Van Sant | Story by |
| John Callahan | Based on "Don't Worry, He Won't Get Far on Foot" |
| Nicolas Lhermitte | Producer |
| Steve Golin | Producer |
| Mourad Belkeddar | Producer |
| Charles-Marie Anthonioz | Producer |
| Brett J. Cranford* | Executive Producer |
| Scott Robertson | Co-Producer |
| Christopher Blauvelt | Director of Photography |
| Jahmin Assa | Production Designer |
| David Marks | Editor |
| Gus Van Sant | Editor |
| Danny Glicker | Costume Designer |
| Danny Elfman | Composer |
| Kathy Driscoll-Mohler | Casting by |
| Francine Maisler | Casting by |