Poland Box Office for Don Jon (2013)
Theatrical Performance (US$) | ||
Poland Box Office | $869,695 | Details |
Worldwide Box Office | $41,268,579 | Details |
Home Market Performance | ||
North America DVD Sales | $4,331,433 | Details |
North America Blu-ray Sales | $2,842,148 | Details |
Total North America Video Sales | $7,173,581 | |
Further financial details... |
Synopsis
Jon Martello is a strong, handsome, good old fashioned guy. His buddies call him Don Jon due to his ability to “pull” a different woman every weekend, but even the finest fling doesn’t compare to the bliss he finds alone in front of the computer watching pornography. Barbara Sugarman is a bright, beautiful, good old fashioned girl. Raised on romantic Hollywood movies, she’s determined to find her Prince Charming and ride off into the sunset. Wrestling with good old fashioned expectations of the opposite sex, Jon and Barbara struggle against a media culture full of false fantasies to try to find true intimacy.
Metrics
Movie Details
Production Budget: | $5,500,000 |
Poland Releases: | November 15th, 2013 (Wide) |
Video Release: | December 31st, 2013 by Fox Home Entertainment |
MPAA Rating: | R for strong graphic sexual material and dialogue throughout, nudity, language and some drug use. (Rating bulletin 2281, 7/17/2013) |
Running Time: | 90 minutes |
Keywords: | Internet, Addiction, Relationships Gone Wrong, Romance, Religious, Delayed Adulthood, Relationship Advice, Sexual Fetishism, Screenplay Written By the Star, Directing Yourself |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Voltage Pictures, HitRecord Films, Ram Bergman Productions |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for December 31st, 2013
December 29th, 2013
This Tuesday is New Years Eve, so it should come as no surprise that there are almost no new releases worth talking about. In fact, it is arguably weaker than last week, because last week had Insidious Chapter 2, which was a big hit for a September release. This week the biggest, and best, new release is Don Jon, which earned amazing reviews, but failed to make an impact at the box office. There are almost no extras on the DVD, but the Blu-ray has several exclusive extras and it is the Pick of the Week. It's not the only new release that is worth checking out, but it is close to the other new release that is worth checking out.
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2014 - Awards Season: Slave Earns Independence
November 28th, 2013
Independent Spirit Award started the Awards Season this week, handing out its nominations. 12 Years a Slave led the way with seven nominations, but it wasn't the only film to pick up multiple nominations.
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Weekend Wrap-Up: Gravity Earns Tons of Money
October 8th, 2013
Gravity crushed expectations, and records, over the weekend with more than $55 million. This topped the previous biggest October weekend by more than $3 million. On the other hand, Runner Runner went nowhere opening well below the lower end of predictions. Overall, the box office rose 16% from last year reaching $127 million. Unfortunately, last year had much better depth and 2013 was 11% lower in the year-over-year comparison. 2013 is still ahead of 2012, but the lead has been cut to just 0.9% at $8.05 billion to $7.98 billion.
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Weekend Wrap-Up: Partially Cloudy
October 1st, 2013
It wasn't a great weekend at the box office, as four of the five films in the top five missed expectations. On the other hand, no film in the top five really bombed, so it wasn't a bad weekend either. It was solidly mediocre. Cloudy with a Chance of Meatballs 2 opened in top spot with just over $34 million. This was better than its predecessor opened with, but below the lofty expectations. Overall, the box office pulled in $109 million over the weekend, which was 26% higher than last weekend. On the other hand, it was 9% lower than the same weekend last year. Year-to-date, 2013 still has a lead over 2012, but it has shrunk a little bit over the past two weeks. After this weekend, the lead was down to 1.2%, or $7.90 billion to $7.81 billion. It's not reason to panic, yet, but an extended losing streak late in the year is harder to recover from than one that happens in spring.
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Weekend Predictions: Blue Skies Ahead
September 27th, 2013
Cloudy with a Chance of Meatballs 2 leads a group of four wide releases (three wide releases and a wide expansion, if you want to get technical). It should have no problem being the biggest hit of the weekend. It has a good chance of having the biggest opening weekend of the month. The other films coming out this week will be fighting for a smaller portion of the overall box office, but that's to weak competition, all should grab a spot in the top five. Last year, September ended with Hotel Transylvania, which debuted with $42.52 million; that's a good target for Cloudy with a Chance of Meatballs 2. Second place went to Looper, which pulled in $20.80 million. That will top any of the other new releases coming out this week, but I'm hoping there will be better depth this year and 2013 can eke out a win.
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2013 Preview: September
September 1st, 2013
August ended, and we should be very grateful for that. Lee Daniels' The Butler was a surprise hit, while We're the Millers did better than expected. However, most other films that were expected to be solid hits failed to live up to expectations. Fortunately, August of 2012 was even worse, so 2013 regained the lead on the year-to-year comparison during the month. Looking forward, there is exactly one film that will likely become more than a midlevel hit in September: Cloudy with a Chance of Meatballs 2. That film has a chance to reach $100 million in total. Most of the rest of the new releases will be lucky if they get halfway there. Fortunately, September of 2012 was even worse. Hotel Transylvania was a surprise hit, earning nearly $150 million, and there were a few others that topped $50 million, but there were also several outright bombs. If we can avoid those types of bombs, then 2013 should continue its winning streak.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/11/22 | 6 | $127,645 | 90 | $1,418 | $470,264 | 2 | |
2013/11/29 | 7 | $76,243 | -40% | 86 | $887 | $603,333 | 3 |
2013/12/06 | 6 | $53,296 | -30% | 78 | $683 | $689,965 | 4 |
2013/12/13 | 6 | $68,641 | +29% | 80 | $858 | $783,193 | 5 |
2013/12/27 | 8 | $14,469 | 25 | $579 | $869,695 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Austria | 11/15/2013 | $0 | 0 | 23 | 73 | $143,239 | 12/13/2015 |
Belgium | 11/20/2013 | $113,238 | 25 | 25 | 82 | $258,026 | 12/13/2015 |
Brazil | 12/6/2013 | $311,764 | 165 | 165 | 307 | $784,904 | 12/13/2015 |
Croatia | 11/14/2013 | $0 | 0 | 7 | 22 | $100,062 | 12/30/2018 |
Finland | 11/1/2013 | $0 | 0 | 12 | 12 | $232,417 | 12/13/2015 |
France | 12/25/2013 | $1,224,274 | 215 | 215 | 215 | $1,224,274 | 12/13/2015 |
Germany | 11/14/2013 | $0 | 0 | 186 | 289 | $683,786 | 12/13/2015 |
Italy | 11/28/2013 | $484,731 | 114 | 114 | 296 | $1,115,992 | 12/13/2015 |
Mexico | 11/29/2013 | $204,164 | 174 | 174 | 378 | $576,626 | 12/13/2015 |
North America | 9/27/2013 | $8,677,009 | 2,422 | 2,422 | 9,016 | $24,477,704 | 5/6/2016 |
Peru | 6/5/2014 | $0 | 0 | 1 | 1 | $46,294 | 12/30/2018 |
Poland | 11/15/2013 | $0 | 0 | 90 | 359 | $869,695 | 12/30/2018 |
Serbia and Montenegro | 10/31/2013 | $0 | 0 | 9 | 18 | $27,184 | 12/30/2018 |
Singapore | 11/7/2013 | $0 | 0 | 2 | 7 | $188,371 | 12/13/2015 |
Spain | 10/31/2013 | $0 | 0 | 31 | 53 | $677,389 | 12/13/2015 |
Switzerland | 11/7/2013 | $0 | 0 | 21 | 31 | $513,457 | 12/13/2015 |
Thailand | 11/28/2013 | $22,779 | 14 | 14 | 28 | $55,831 | 12/13/2015 |
United Kingdom | 11/15/2013 | $0 | 0 | 140 | 203 | $1,296,985 | 12/13/2015 |
Rest of World | $7,996,343 | ||||||
Worldwide Total | $41,268,579 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Joseph Gordon-Levitt | Jon Martello |
Scarlett Johansson | Barbara Sugarman |
Julianne Moore | Esther |
Supporting Cast
Rob Brown | Bobby |
Glenne Headly | Angela Martello |
Brie Larson | Monica Martello |
Tony Danza | Jon Martello, Sr. |
Jeremy Luke | Danny |
Italia Ricci | Gina |
Lindsey Broad | Lauren |
Amanda Perez | Lisa |
Sarah Dumont | Squins |
Sloane Avery | Patricia |
Loane Bishop | |
Arin Babarian | |
Arielle Reitsma |
Cameos
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Joseph Gordon-Levitt | Director |
Joseph Gordon-Levitt | Screenwriter |
Ram Bergman | Producer |
Nicolas Chartier | Executive Producer |
Ryan Kavanaugh | Executive Producer |
Tucker Tooley | Producer |
Thomas Kloss | Executive Producer |
Megan C. Rogers | Production Designer |
Lauren Zuckerman | Editor |
Nathan Johnson | Composer |
John Houlihan | Music Supervisor |
Leah Katznelson | Costume Supervisor |
Bruce Wayne Gillies | Line Producer |
Venus Kanani | Casting |
Mary Vernieu | Casting |
Jeff Franks | Co-Producer |
Cindy Coburn | Set Decorator |
Pawel Wdowczak | Sound Mixer |
David Chrastka | Supervising Sound Editor |
Gary A. Rizzo | Re-recording Mixer |
Tony Villaflor | Re-recording Mixer |
Karen E. Goulekas | Visual Effects Supervisor |
John Hartigan | Special Effects Coordinator |
Brian O'Sullivan | Assistant Director |
Jason Presant | Second Unit Camera |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.