Russia (CIS) Box Office for Женщина, которая убежала (2020)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $22,402 | Details |
Worldwide Box Office | $143,714 | Details |
Further financial details... |
Synopsis
Gamhee has three separate encounters with friends while her husband is on a business trip. Youngsoon is divorced, has given up meat and likes to garden in her backyard. Suyoung has a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin works for a movie theater. Their meeting is polite, but strained. Before long, their shared history bubbles to the surface. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. The Woman Who Ran is a subtle, powerful look at dramas small and large faced by women everywhere.
Metrics
Movie Details
Russia (CIS) Releases: | November 6th, 2020 (Wide), released as Женщина, которая убежала |
Running Time: | 77 minutes |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | Republic of Korea |
Languages: | Korean |
Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/5/2020 | $400 | 3 | 3 | 5 | $3,695 | 11/25/2020 |
New Zealand | 10/22/2020 | $222 | 1 | 1 | 3 | $541 | 10/19/2022 |
North America | 7/9/2021 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 1/8/2021 | $1,239 | 3 | 3 | 6 | $4,448 | 6/29/2021 |
Russia (CIS) | 11/6/2020 | $8,691 | 85 | 85 | 122 | $22,402 | 10/19/2022 |
South Korea | 9/17/2020 | $22,138 | 143 | 143 | 223 | $71,611 | 10/21/2020 |
Spain | 7/16/2021 | $11,959 | 26 | 26 | 65 | $41,017 | 8/6/2021 |
Worldwide Total | $143,714 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Sang-soo Hong | Director |