Australia Box Office for The Disappearance of Eleanor Rigby (2014)
| Theatrical Performance (US$) | ||
| Australia Box Office | $9,920 | Details |
| Worldwide Box Office | $1,825,141 | Details |
| Further financial details... | ||
Synopsis
Once happily married, Conor and Eleanor suddenly find themselves as strangers longing to understand each other in the wake of tragedy. The film explores the couple’s story as they try to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.
Metrics
Movie Details
| Australia Releases: | March 12th, 2015 (Wide) |
| Video Release: | February 3rd, 2014 by Anchor Bay Home Entertainment |
| MPAA Rating: | R for language. (Rating bulletin 2340, 9/17/2014) |
| Running Time: | 123 minutes |
| Keywords: | Romance, Relationships Gone Wrong, Recut |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dreambridge Films, Standard Deviations |
| Production Countries: | United States |
| Languages: | English |
DVD and Blu-ray Releases for February 3rd, 2015
February 2nd, 2015
It is a slow week on the home market, and will remain a slow week until the winter blockbusters start coming out. According to Amazon.com, this week the biggest release is John Wick. Granted, the Blu-ray Combo Pack is Pick of the Week material, but the film only made $43 million at the box office, so it likely won't sell a lot on the home market. The other two contenders for Pick of the Week are The Overnighters on DVD or Blu-ray and Dear White People - Buy from Amazon: DVD or Blu-ray. Are three are worth picking up. The Overnighters is arguably the best, but I love the Film Noir style in John Wick, so I'm awarding that one the Pick of the Week.
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Per Theater Chart: Skeletons Eat Their Fill
September 17th, 2014
There were a number of films in the $10,000 club this weekend, led by The Skeleton Twins, which earned an average of $25,379 in 15 theaters. The Disappearance of Eleanor Rigby was next up with an average of $19,295 in four theaters. Both of these films have lots of room to expand. My Old Lady also did well with an average of $11,335 in 11 theaters, which is more impressive, because it was a Wednesday release. On the other hand, its reviews are merely good and likely not good enough to thrive in limited release. No Good Deed was right behind with an average of $11,150 in nearly 2,200 theaters.
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Weekend Estimates: No Good Deed Enjoys Surprise Win
September 14th, 2014
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Movie fans are ignoring the critics this weekend and turning out in big numbers to see No Good Deed. The thriller, starring Idris Elba and Taraji P. Henson will easily win the weekend with an estimated $24.5 million, in spite of earning only 17% positive reviews from critics. Audiences are giving the film a 71% positive score so far, which represents a huge difference of opinion. Dolphin Tale 2, which was considered the more likely weekend winner, and is enjoying excellent reviews from critics and moviegoers alike, is under-performing at the box office and should make about $16.5 million according to Warner Bros., down from the $19.2 million opening for the first film in the franchise.
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Limited Releases: Skeleton Key to Box Office Success
September 12th, 2014
There's a large number of limited releases, including a few that are earning good reviews and strong buzz. One of these is The Drop, but it is opening in too many theaters and I think that will hurt it at the box office. If I were to guess, The Skeleton Twins will be the biggest hit on this week's list.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/03/13 | 34 | $5,694 | 5 | $1,139 | $5,694 | 1 | |
| 2015/03/20 | 52 | $2,308 | -59% | 5 | $462 | $9,920 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/12/2015 | $5,694 | 5 | 5 | 10 | $9,920 | 5/28/2015 |
| North America | 9/12/2014 | $77,181 | 4 | 139 | 377 | $587,152 | 8/8/2019 |
| South Korea | 4/10/2015 | $118,568 | 0 | 0 | 0 | $331,876 | 8/29/2018 |
| Rest of World | $896,193 | ||||||
| Worldwide Total | $1,825,141 | 8/8/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Jessica Chastain | Eleanor Rigby |
| James McAvoy | Conor |
Supporting Cast
| Nina Arianda | Alexis |
| Viola Davis | Professor Friedman |
| Bill Hader | Stuart |
| Ciaran Hinds | Spencer Ludlow |
| Isabelle Huppert | Mary Rigby |
| William Hurt | Julian Rigby |
| Jess Weixler | Katy Rigby |
| Nikki M. James | Sia |
| Jeremy Shamos | Evangelist |
| Wyatt Ralff | Philip |
| Brendan Donaldson | Casimir Waiter |
| Daron P. Stewart | Guy Walking on Bridge |
| June Miller | Elderly Woman |
| Lawrence Cioppa | Elderly Man |
| Julee Cerda | Nurse |
| Sasha Eden | Coffee Truck Barista |
| Johnathan Fernandez | Bar Fight Guy |
| Justine Salata | Bar Fight Girl |
| Musto Pelinkovicci | Ukrainian Cabbie |
| Raphael Feldman | Paramedic |
| Michael King | Paramedic |
| Jimmy Palumbo | Rental Car Attendant |
| Will Beinbrink | Gary the Dentist |
| Ryan Eggold | Guy from Club |
| Marta Milans | Phoebe |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ned Benson | Director |
| Ned Benson | Screenwriter |
| Cassandra Kulukundis | Producer |
| Ned Benson | Producer |
| Jessica Chastain | Producer |
| Todd J. Labarowski | Producer |
| Emanuel Michael | Producer |
| Kirk D'Amico | Executive Producer |
| Peter Pastorelli | Executive Producer |
| Brad Coolidge | Executive Producer |
| Melissa Coolidge | Executive Producer |
| Jim Casey | Executive Producer |
| Kim Waltrip | Executive Producer |
| Kristina Boden | Editor |
| Christopher Blauvelt | Director of Photography |
| Kelly McGehee | Production Designer |
| Stacey Battat | Costume Designer |
| Son Lux | Composer |
| Monika Mikkelsen | Casting Director |
| Jason Sokoloff | Unit Production Manager |
| Shahrzad "Sheri" Davani* | First Assistant Director |
| Scott Friedman | Second Assistant Director |
| Abbi Jutkowitz | Additional Editor |
| Jennifer Lane | Post-Production Supervisor |
| Manny Siverio | Stunt Coordinator |
| Chris Barnes | Marine Stunt Coordinator |
| Ashley Hudson | Script Supervisor |
| Meredith Marciano | Extras Casting Director |
| Jason Jordan | Music Supervisor |
| Sarah Shatz | Stills Photographer |
| Jerry Stein | Sound Mixer |
| Justin Gray | Sound Mixer |
| Colleen Callaghan | Hairstylist |
| Valerie Gladstone | Hairstylist |
| Maya Hardinge | Make up |
| Rondi Scott | Make up |
| Jodi Baldwin | Wardrobe Supervisor |
| Sheila Bock | Set Decorator |
| Carrie Puchkoff | Assistant Editor |
| Annette Kudrak | Music Editor |
| Robert Hein | Supervising Sound Editor |
| Dave Patterson | Supervising Sound Editor |
| Sylvia Menno | Dialogue Editor |
| Tony Martinez | Dialogue Editor |
| Gavin Hecker | Foley Mixer |
| Roberto Fernandez | Re-recording Mixer |
| Dave Paterson | Re-recording Mixer |
| Robert Hein | Re-recording Mixer |
| Vico Sharabani | Visual Effects Supervisor |
| Son Lux | Score Producer |
| Son Lux | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.