South Korea Box Office for Dior and I (2015)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $69,346 | Details |
| Worldwide Box Office | $2,338,242 | Details |
| Further financial details... | ||
Synopsis
Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons’ first haute couture collection as its new artistic director—a true labor of love created by a dedicated group of collaborators. Melding the everyday, pressure-filled components of fashion with mysterious echoes from the iconic brand’s past, the film is also a colorful homage to the seamstresses who serve Simons’ vision.
Metrics
Movie Details
| South Korea Releases: | August 6th, 2015 (Wide) |
| Video Release: | June 30th, 2015 by The Orchard |
| MPAA Rating: | R for some language. (Rating bulletin 2378, 6/17/2015) |
| Running Time: | 89 minutes |
| Keywords: | Fashion |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | CIM Productions |
| Production Countries: | France |
| Languages: | English, French, Italian |
Per Theater Chart: Overnight Success
June 24th, 2015
The top two films on the per theater chart were also the top two films on the overall box office chart. Jurassic World led the way with an average of $24,840, while Inside Out was close behind with an average of $22,919. The best new limited release was The Overnight, with an average of $17,674 in three theaters. The final film in the $10,000 club was The Tribe, which earned $11,094 in its lone theater.
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Per Theater Chart: Machina Saves Box Office
April 15th, 2015
Ex Machina's opening weekend was surprisingly potent earning an average of $59,316 in four theaters. This is the biggest per theater average for a film that opened in 2015. I was not expecting that. On the other hand, I was expecting Clouds of Sils Maria to do well, and it did, earning an average of $20,603 in three theaters. Furious 7 remained in the $10,000 club with an average of $14,815 in more than 4,000 theaters.
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Weekend Estimates: Furious 7 Easily Top Again, Passes $250 Million
April 12th, 2015
With little in the way of direct competition, Furious 7 will maintain a comfortable lead at the box office this weekend, according to studio estimates released on Sunday morning. Universal is projecting a $60.6 million weekend, for a total of $252.5 million after 10 days in release. That will make the film the 9th-fastest to the $250 million mark (see current list here). With the film’s international box office total rushing to $548 million so far, it will have topped $800 million globally by the end of the weekend, moving it past Fifty Shades of Grey to become, by a healthy margin, the top-grossing movie worldwide in 2015.
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Limited Releases: Forecast is Cloudy
April 10th, 2015
It is an excellent week for limited releases with two films earning stunning reviews and loud buzz: Clouds of Sils Maria and Ex Machina. I think the former has a better chance to expand significantly, but hopefully both will find audiences in theaters. There are also a number of other limited releases earning amazing reviews: About Elly, Black Souls, The Sisterhood of Night, etc. In fact, there are too many to think all of them will thrive.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/09/04 | 16 | $1,568 | 6 | $261 | $65,978 | 5 | |
| 2015/09/11 | - | $152 | -90% | 1 | $152 | $66,590 | 6 |
| 2015/09/18 | 19 | $400 | +163% | 1 | $400 | $67,207 | 7 |
| 2015/09/25 | 23 | $245 | -39% | 1 | $245 | $67,470 | 8 |
| 2015/10/09 | 38 | $180 | 1 | $180 | $68,159 | 10 | |
| 2015/10/16 | 33 | $1,062 | +490% | 1 | $1,062 | $69,346 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/26/2015 | $65,333 | 17 | 19 | 136 | $431,449 | 6/15/2015 |
| Austria | 9/4/2015 | $5,433 | 10 | 10 | 31 | $20,433 | 11/17/2015 |
| Belgium | 7/8/2015 | $3,687 | 4 | 4 | 10 | $27,900 | 8/11/2015 |
| Brazil | 8/27/2015 | $13,688 | 13 | 13 | 32 | $51,501 | 9/30/2015 |
| Germany | 6/25/2015 | $0 | 0 | 5 | 19 | $5,121 | 10/20/2015 |
| Hong Kong | 5/1/2015 | $54,662 | 13 | 13 | 48 | $168,986 | 11/26/2018 |
| Netherlands | 7/9/2015 | $14,140 | 13 | 14 | 36 | $37,634 | 11/3/2015 |
| New Zealand | 4/2/2015 | $0 | 0 | 23 | 97 | $237,704 | 6/8/2015 |
| North America | 4/10/2015 | $45,772 | 26 | 95 | 201 | $1,028,953 | 11/18/2015 |
| Portugal | 9/10/2015 | $0 | 0 | 4 | 8 | $2,257 | 10/20/2015 |
| Russia (CIS) | 8/1/2024 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 8/6/2015 | $0 | 0 | 6 | 11 | $69,346 | 10/20/2015 |
| United Kingdom | 3/27/2015 | $0 | 0 | 27 | 37 | $256,958 | 6/26/2015 |
| Worldwide Total | $2,338,242 | 11/26/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Raf Simons | Himself |
Interviewee(s)
| Marion Cotillard | Herself |
| Anna Wintour | Herself |
| Pieter Mulier | Himself |
| Florence Chehet | Herself |
| Monique Bailly | Herself |
| Cathy Horyn | Herself |
| Catherine Riviere | Herself |
| Sidney Toledano | Himself |
| Fulvio Rigoni | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Frederic Tcheng | Director |
| Frederic Tcheng | Screenwriter |
| Frederic Tcheng | Producer |
| Guillaume De Roquemaurel | Producer |
| Ha Yang Kim | Composer |
| Michael Galbe | Music Supervisor |
| Julio C. Perez | Editor |
| Virgile Van Ginneken | Sound Mixer |
| Gilles Piquard | Cinematographer |
| Juliette Lambours | Line Producer |
| Chiara Girardi | Line Producer |