United Kingdom Box Office for Diego Maradona (2019)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $1,175,035 | Details |
| Worldwide Box Office | $2,635,723 | Details |
| Further financial details... | ||
Synopsis
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None was more feared. But how they ached for success… On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world's most celebrated football genius and the most dysfunctional city in Europe were a perfect match for each other. Maradona was blessed on the field but cursed off it; the charismatic Argentine, quickly led Naples to their first-ever title. It was the stuff of dreams. But there was a price… Diego could do as he pleased whilst performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Metrics
Movie Details
| United Kingdom Releases: | June 14th, 2019 (Limited) |
| MPAA Rating: | Not Rated |
| Running Time: | 130 minutes |
| Source: | Original Screenplay |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | On The Corner Films |
| Production Countries: | United Kingdom |
| Languages: | English, Spanish |
Limited and VOD Releases: The Pros and Cons of Limited Releases
September 20th, 2019
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Most of the positively reviewed films on this week’s list are documentaries, including Midnight Traveler, which could find a receptive audience on the art house circuit. On the other hand, Promare is the film I’m most interested in seeing.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/06/14 | 9 | $359,059 | 139 | $2,583 | $359,059 | 1 | |
| 2019/06/21 | 12 | $165,658 | -54% | 195 | $850 | $774,562 | 2 |
| 2019/06/28 | - | $59,179 | -64% | 117 | $506 | $990,008 | 3 |
| 2019/07/05 | - | $31,545 | -47% | 61 | $517 | $1,063,367 | 4 |
| 2019/07/12 | - | $16,780 | -47% | 37 | $454 | $1,110,534 | 5 |
| 2019/07/19 | - | $13,013 | -22% | 19 | $685 | $1,141,923 | 6 |
| 2019/07/26 | - | $9,625 | -26% | 5 | $1,925 | $1,150,409 | 7 |
| 2019/08/02 | - | $8,587 | -11% | 8 | $1,073 | $1,145,189 | 8 |
| 2019/08/09 | - | $6,085 | -29% | 7 | $869 | $1,157,953 | 9 |
| 2019/08/16 | - | $2,275 | -63% | 5 | $455 | $1,175,035 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/26/2019 | $78,458 | 53 | 53 | 184 | $291,968 | 12/11/2020 |
| Czech Republic | 7/19/2019 | $37,402 | 44 | 44 | 164 | $195,587 | 10/19/2022 |
| France | 8/2/2019 | $55,148 | 38 | 44 | 82 | $113,263 | 8/18/2019 |
| Italy | 9/27/2019 | $3,696 | 8 | 8 | 8 | $238,392 | 10/9/2019 |
| Netherlands | 8/9/2019 | $119,294 | 77 | 77 | 360 | $487,488 | 10/19/2022 |
| New Zealand | 8/8/2019 | $11,663 | 20 | 20 | 58 | $27,472 | 9/10/2019 |
| North America | 9/20/2019 | $0 | 0 | 0 | 0 | $0 | |
| Poland | 7/19/2019 | $33,490 | 50 | 50 | 50 | $40,252 | 10/19/2022 |
| Slovakia | 8/16/2019 | $10,661 | 41 | 41 | 79 | $30,031 | 9/10/2019 |
| South Korea | 12/12/2019 | $7,243 | 26 | 26 | 47 | $36,235 | 1/2/2020 |
| United Kingdom | 6/14/2019 | $359,059 | 139 | 195 | 593 | $1,175,035 | 8/21/2019 |
| Worldwide Total | $2,635,723 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Diego Armando Maradona | Himself |
Interviewee(s)
| Maria Rosa Maradona | Herself |
| Claudia Villafane | Herself |
| Cristiana Sinagra | Herself |
| Diego Armando Maradona Jr | Himself |
| Corrado Ferlaino | Himself |
| Ciro Ferrara | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Asif Kapadia | Director |
| Asif Kapadia | Screenwriter |
| James Gay-Rees | Producer |
| Paul Martin | Producer |
| Chris King | Editor |
| Antonio Pinto | Composer |
| Lina Caicedo | Archive Producer |
| Fiametta Luino | Archive Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.