New Zealand Box Office for Diary of a Wimpy Kid: The Long Haul (2017)

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Diary of a Wimpy Kid: The Long Haul
Theatrical Performance (US$)
New Zealand Box Office $557,334Details
Worldwide Box Office $35,609,577Details
Home Market Performance
North America DVD Sales $2,372,071 Details
North America Blu-ray Sales $894,568 Details
Total North America Video Sales $3,266,639
Further financial details...

Synopsis

A family road trip to attend Meemaw’s 90th birthday party goes off course—thanks to Greg’s newest scheme to get to a video gaming convention. This cross-country adventure turns into an experience the Heffleys will never forget.

Metrics

Movie Details

Production Budget:$22,000,000
New Zealand Releases: July 7th, 2017 (Wide)
Video Release: August 1st, 2017 by Fox Home Entertainment
MPAA Rating: PG for some rude humor.
(Rating bulletin 2472 (Cert #50985), 4/19/2017)
Running Time: 91 minutes
Franchise: Diary of a Wimpy Kid
Keywords: Sequel With Lead Character Recast, Sequels Without Their Original Stars, Road Trip, Convention / Conference, Video Game, Delayed Sequel, Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Color Force, TSG Entertainment, Fox 2000 Pictures
Production Countries: United States
Languages: English

Home Market Releases for August 8th, 2017

August 8th, 2017

Guardians of the Galaxy Vol 2

Summer has likely ended at the box office, while it is about to begin on the home market. Guardians of the Galaxy Vol 2 is the first of the summer monster hits to come out on the home market. Granted, it is only out on Video on Demand this week, but it is still a contender for Pick of the Week. There are a couple of other contenders, including Cinematic Titanic: The Complete Collection and Re-Animator: Limited Edition 2-Disc Blu-ray, but in the end, I went with Guardians of the Galaxy Vol 2. More...

Home Market Releases for August 1st, 2017

August 2nd, 2017

Colossal

There is no monster hit coming out this week, but that doesn’t mean there are no new DVD / Blu-rays worth picking up. In fact, there are six Pick of the Week contenders. This includes Slither: Collector's Edition, which took home the title in a close race. There are also two co-winners of the Puck of the Week for best Canadian release, Colossal on Blu-ray Combo Pack and I am the Blues on DVD. More...

Weekend Predictions: Atomic Blonde and The Emoji Movie Take On Dunkirk

July 27th, 2017

Atomic Blonde

The final weekend of July has two wide releases, Atomic Blonde and The Emoji Movie. Neither are expected to be monster hits, but both could be profitable at the box office. Atomic Blonde’s reviews are excellent and its connections to the John Wick movies could get people into theaters. The Emoji Movie still has no reviews and its buzz is incredibly negative. I haven’t seen buzz this negative since Diary of a Wimpy Kid: The Long Haul. This does give Dunkirk a real shot at repeating on top of the chart. This weekend last year, Jason Bourne opened with nearly $60 million, which will likely be more than both new releases this year earn. Even if Dunkirk has better legs than expected, there’s little hope 2017 will win in the year-over-year comparison. More...

Weekend Wrap-Up: Pirates Sinks Lower with $78.47 million, Takes 2017 With It

May 31st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Memorial Day long weekend wasn’t as potent as expected as both new releases struggled. Pirates of the Caribbean: Dead Men Tell No Tales led the way with $78.47 million over four days. This marks the third year in a row where no film released on Memorial Day long weekend earned at least $100 million over four days. I’ve heard some talk that this means it is losing its importance as a long weekend. However, I think the actual answer is much simpler, as it is also the third weekend in a row where no wide releases have earned overall positive reviews. I don’t think the box office power of Memorial Day has dropped since X-Men: Days of Future Past came out. I just think the quality of films has dropped since then. Speaking of lack of quality, Baywatch was DOA earning just $27.71 million over five days and unlike Dead Men Tell No Tales, it likely won’t do significantly better internationally. Despite both new releases struggling, the holiday helped the overall box office grow 14% from last weekend to $141 million. Unfortunately, this was 14% lower than the same weekend last year. 2017 still maintains its lead over 2016, but that lead as slipped to 2.6% or $110 million at $4.46 billion to $4.35 billion. More...

Weekend Wrap-Up: Aliens Crash, but Still Top Chart with $36.16 million

May 23rd, 2017

Alien: Covenant

As expected, Alien: Covenant earned first place on the weekend box office chart. However, it had a strange journey there. Everything, Everything earned more during its opening weekend than it cost to make, which is great news for the studio. On the other hand, Diary of a Wimpy Kid: The Long Haul will be the last entry in this franchise for a long time. Meanwhile, Guardians of the Galaxy Vol 2 became only the second film released in 2017 to hit $300 million domestically. Unfortunately, the good news didn’t outweigh the bad news and the overall box office fell 10% from last weekend to $122 million. Compared to last year, the weekend box office was 11% lower. Fortunately, 2017 still has a $130 million lead over 2016 at $4.23 billion to $4.10 billion, so there’s no reason to panic. More...

Friday Estimates: Aliens Dominate Friday with $15.35 million, Everything’s Okay, Wimpy Not so Much

May 20th, 2017

Alien: Covenant

As expected, Alien: Covenant earned first place on Friday’s box office chart. This is a little better than originally predicted, but in line with our adjustment after Thursday’s previews. Unfortunately, it is not all good news. The reviews are 73% positive, which is good, but it only managed a B from CinemaScore, which is low enough to hurt its legs. We’re still going with just over $40 million over the weekend and over $100 million in total, but this might not be enough to be a real financial success. More...

Thursday Night Previews: Aliens Take a Bite Out of Thursday with $4.2 million in Previews

May 19th, 2017

Alien: Covenant

Alien: Covenant opened with $4.2 million in previews last night, which is about what we expected. Maybe it’s a bit higher that anticipated. In fact, it is a little better than the $3.7 million Kong managed. The film won’t have the same legs, as it is a sequel and those tend to be more front-loaded. Furthermore, its reviews have slipped to 72% positive, which isn’t good enough to truly help its legs. We predicted a little under $40 million, but now a little over $40 million seems more likely. More...

Weekend Predictions: Can Aliens Invade First Place?

May 18th, 2017

Alien: Covenant

Alien: Covenant is looking to unseat Guardians of the Galaxy Vol 2 for top spot on the box office chart this weekend. Meanwhile, Diary of a Wimpy Kid: The Long Haul and Everything, Everything are just trying to survive in counter-programming roles. The prognosis for those two is mixed. Meanwhile, this weekend last year, there were five films that earned more than $10 million over the weekend. This year, there might be only two. Hopefully the new releases aren’t that bad, while the holdovers don’t completely collapse. If this happens, 2017 could win in the year-over-year comparison for the second weekend in a row. If not, then 2017's winning streak will end at one. More...

Contest: Make an Arrangement

May 11th, 2017

Alien: Covenant

There are three wide releases coming out next week, but only one of them, Alien: Covenant, has any real chance at earning first place. (Diary of a Wimpy Kid: The Long Haul and Everything, Everything could become midlevel hits.) Because of this, it’s the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Alien: Covenant.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: May

May 1st, 2017

Guardians of the Galaxy, Vol. 2

April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth. More...

Diary of a Wimpy Kid: The Long Haul Trailer

March 16th, 2017

Family comedy starring Jason Ian Drucker, Tom Everett Scott and Alicia Silverstone opens May 19 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/07/07 8 $32,163   68 $473   $131,583 1
2017/07/14 5 $98,463 +206% 68 $1,448   $314,529 2
2017/07/21 7 $110,885 +13% 66 $1,680   $522,869 3
2017/07/28 14 $9,828 -91% 52 $189   $538,732 4
2017/08/04 16 $9,441 -4% 53 $178   $542,008 5
2017/08/11 23 $4,978 -47% 30 $166   $539,170 6
2017/08/18 22 $6,821 +37% 33 $207   $547,769 7
2017/08/25 27 $4,059 -40% 31 $131   $544,579 8
2017/09/01 - $2,830 -30% 19 $149   $542,639 9
2017/09/08 30 $2,029 -28% 15 $135   $553,213 10
2017/09/15 23 $3,354 +65% 21 $160   $557,334 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/23/2017 $70,243 92 267 1370 $3,924,050 8/14/2017
Germany 6/2/2017 $297,000 0 0 0 $1,850,194 6/29/2018
Italy 8/11/2017 $188,324 0 0 0 $585,520 9/5/2017
New Zealand 7/7/2017 $32,163 68 68 456 $557,334 9/18/2017
North America 5/19/2017 $7,126,084 3,157 3,174 10,137 $20,738,724
Spain 7/28/2017 $182,847 154 154 485 $769,744 8/24/2017
Turkey 5/19/2017 $89,155 0 116 167 $179,189 2/26/2019
United Arab Emirates 5/26/2017 $105,000 0 0 0 $105,000 12/20/2018
United Kingdom 5/26/2017 $1,847,610 561 561 2707 $6,899,822 6/28/2017
 
Worldwide Total$35,609,577 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jason Ian Drucker Greg Heffley

Supporting Cast

Alicia Silverstone Susan Heffley
Tom Everett Scott Frank Heffley
Charlie Wright Rodrick Heffley
Owen Asztalos Rowley Jefferson
Wyatt Walters Manny Heffley
Dylan Walters Manny Heffley
Joshua Hoover Mac Digby
Chris Coppola Mr. Beardo
Kimberli Lincoln Mrs. Beardo
Mira Silverman Brandi Beardo
Sonia Mazarino Maria
Roscoe Orman Gordon
Carlos Guerrero, Jr. Luis
Bob McGrath Bob

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Bowers Director
David Bowers Screenwriter
Adam Sztykiel Screenwriter
Brett Baer Screenwriter
Dave Finkel Screenwriter
Jeff Kinney Story based on ‘Diary of a Wimpy Kid: The Long Haul’
Nina Jacobson Producer
Brad Simpson Producer
Timothy M. Bourne Executive Producer
Anthony B. Richmond Director of Photography
Aaron Osborne Production Designer
Troy Takaki Editor
Gregory Richard Composer
Julia Michels Music Supervisor
Mary Claire Hannan Costume Designer
Joulles Wright Costume Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.