Egypt Box Office for Devil's Due (2014)
Theatrical Performance (US$) | ||
Egypt Box Office | $216,748 | Details |
Worldwide Box Office | $36,146,087 | Details |
Home Market Performance | ||
North America DVD Sales | $2,582,314 | Details |
North America Blu-ray Sales | $1,422,510 | Details |
Total North America Video Sales | $4,004,824 | |
Further financial details... |
Synopsis
After a mysterious, lost night on their honeymoon, a newlywed couple finds themselves dealing with an earlier-than-planned pregnancy. While recording everything for posterity, the husband begins to notice odd behavior in his wife that they initially write off to nerves, but, as the months pass, it becomes evident that the dark changes to her body and mind have a much more sinister origin.
Metrics
Movie Details
Production Budget: | $7,000,000 |
Egypt Releases: | January 29th, 2014 (Wide) |
Video Release: | April 29th, 2014 by Fox Home Entertainment |
MPAA Rating: | R for language and some bloody images. (Rating bulletin 2301, 12/11/2013) |
Running Time: | 89 minutes |
Keywords: | Newlyweds, Found Footage, Troubled Pregnancy or Miscarriage, Unexpected Pregnancy, Occult, Filmed By a Character, Body Horror |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Davis Entertainment |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for April 29th, 2014
April 28th, 2014
According to Amazon, the top best selling new release of the week is Space Battleship Yamato on Blu-ray Combo Pack. Huh? This is a live action remake of a 1970s Anime series, and according to Amazon.com, it is the number one selling new release of the week. Either this is an incredibly slow week, or there's something wrong with Amazon.com's algorithm. It's mostly the former. Gloria is easily the best movie on this list, but the reviews on the DVD are weak. Star Trek: Enterprise: Season Four has a lot of extras and the season was arguably the best in the show's short run, but the Blu-ray is expensive and even the best season isn't as good as the average TNG season. I finally got to the review for Knights of Badassdom and I loved the Blu-ray, but I'm not sure there is a wide enough audience for the movie. I was tempted to go with Space Battleship Yamato as Pick of the Week. In the end, I went with Gloria.
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Weekend Wrap-Up: Frankenstein's Debut isn't Lively
January 27th, 2014
I, Frankenstein died at the box office, as it missed the top five entirely. This gave Ride Along an easy road to first place over the weekend. Meanwhile, the rest of the top five all matched expectations, or came within a rounding error of doing so. This helped the overall box office somewhat. It was still a post-holiday frame and the total box office fell 34% to $117 million, but it could have been worse. Compared to last year, the overall box office was 4% higher, which is good news early in the year. 2014 has extended its lead over 2013 to 9% at $823 million to $754 million.
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Weekend Wrap-Up: Ride Cruises to the Finish Line
January 21st, 2014
It was a record-breaking weekend with Ride Along earning the biggest January opening weekend and the biggest MLK long weekend. Needless to say, it crushed expectations. Additionally, The Nut Job overcame terrible reviews to earn a solid opening, at least according to estimates. Overall, the box office pulled in $176 million over the three-day weekend, which is 26% more than the three-day weekend last week and last year. Over the four-day weekend, the box office pulled in $211 million, or 28% more than last year's MLK long weekend. That's great news, as 2014 was below 2013's pace. In fact, after this weekend, 2014 has pulled ahead of 2013 by 8% at $671 million to $621 million.
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Weekend Predictions: Will Jack Ryan Win or is it just Along for the Ride
January 17th, 2014
At the beginning of the month, I thought this weekend would be a close race between Jack Ryan: Shadow Recruit and Ride Along. That might still be the case, but it is increasingly unlikely, as Jack Ryan's buzz hasn't kept pace with the buzz for Ride Along. Additionally, Jack Ryan has direct competition from Lone Survivor, which nearly set the January record last weekend and should remain potent this weekend. This weekend last year, Mama won the weekend with $28.40 million and I don't think Ride Along will top that. On the other hand, last year there were only three films that topped $10 million, while this year there could be as many as seven or eight. (All four wide releases have a shot at $10 million, but it is likely not all will get there. There are two holdovers that will earn more than $10 million. Finally, American Hustle and The Wolf of Wall Street might get an Oscar bounce back to $10 million.) Even in the worst case scenario, four films will crack $10 million. 2014 should win for the first time in the week-over-week comparison.
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2014 Preview: January
January 1st, 2014
It's the first month of the new year, but the biggest hit might be a film released in December. Last month ended on a slow note with all five Christmas day releases failing to become hits, some more than others. (It's a little too soon to tell if The Wolf of Wall Street or The Secret Life of Walter Mitty will do well enough to break even any time soon, but neither is a serious hit.) There are still some December releases that will likely remain on the charts through the opening weekends of January, while there are some films that opened in limited release last month with a scheduled wide release this month. Of the purely January releases, I would guess Jack Ryan: Shadow Recruit will be the biggest hit. Even then, it won't live up to the previous films in the franchise, even if you don't take inflation into account. Most of the rest of the new releases will be happy if they can become midlevel hits. Last January was led by Mama, which earned more than $70 million. I think Shadow Recruit will top that figure at the box office, while there are a similar number of likely box office bombs opening this year as there were last year. 2014 could start out ahead of 2013's pace, but it likely won't be a huge difference either way.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 13 | $1,060 | 1 | $1,060 | $216,601 | 22 | |
2014/07/04 | 14 | $66 | -94% | 1 | $66 | $216,748 | 23 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Egypt | 1/29/2014 | $0 | 0 | 1 | 2 | $216,748 | 12/30/2018 |
North America | 1/17/2014 | $8,308,220 | 2,544 | 2,544 | 7,059 | $15,821,461 | 9/22/2015 |
Venezuela | 6/13/2014 | $0 | 0 | 10 | 34 | $530,658 | 12/17/2015 |
Rest of World | $19,577,220 | ||||||
Worldwide Total | $36,146,087 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Allison Miller | Samantha McCall |
Supporting Cast
Zach Gilford | Zach McCall |
Sam Anderson | Father Thomas |
Aimee Carrero | Emily |
Vanessa Ray | Suzie |
Robert Belushi | Mason |
Michael Papajohn | Police Officer |
Donna Duplantier | Dr. Ludka |
Griff Furst | Keith |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Matt Bettinelli-Olpin | Director |
Tyler Gillett | Director |
Lindsay Devlin | Screenwriter |
John Davis | Producer |
Chad Villella | Executive Producer |
Justin Martinez | Executive Producer |
James Dodson | Executive Producer |
Brittany Morrissey | Executive Producer |
Andrea von Foerster | Music Supervisor |
Nashia Wachsman | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.