Argentina Box Office for Depeche Mode: SPIRITS in the Forest (2019)
Theatrical Performance (US$) | ||
Argentina Box Office | $20,276 | Details |
Worldwide Box Office | $2,442,030 | Details |
Further financial details... |
Synopsis
Across 2017/2018 Depeche Mode embarked on their Global Spirit Tour, in which they performed to more than 3 million fans at 115 shows across the globe. This new visually-striking film, directed by award-winning filmmaker and longtime artistic collaborator Anton Corbijn, captures the energy and spectacle of the band’s performance from the tour along with a deeper look into how their music and shows have been woven into the fabric of their fans’ lives. Through the deeply emotional stories of six special Depeche Mode fans, the film shows not only how and why the band’s popularity and relevance has continued to grow over the course of their career, but provides a unique look into music’s incredible power to build communities, enable people to overcome adversity, and create connections across the boundaries of language, location, gender, age, and circumstance.
Metrics
Movie Details
Argentina Releases: | November 22nd, 2019 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 95 minutes |
Source: | Based on Real Life Events |
Genre: | Concert/Performance |
Production Method: | Live Action |
Creative Type: | Factual |
Production Countries: | United States |
Languages: | English |
Theater Averages: Frozen Floats on Water
November 28th, 2019
Frozen II led the way on yet another chart, this time the theater average chart, earning an average of $29,339 during its opening weekend. Dark Waters was right behind with an average of $25,652 in four theaters, which does suggest at least some potential to expand. Jay and Silent Bob Reboot continues its impressive road show run earning an average of $16,140 in five theaters. Citizen K was the final film in the $10,000 club with an opening of $10,571 in its lone theater.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/22/2019 | $20,276 | 31 | 31 | 31 | $20,276 | 12/1/2019 |
Australia | 11/22/2019 | $37,428 | 41 | 41 | 41 | $37,428 | 11/26/2019 |
Germany | 11/22/2019 | $1,189,952 | 0 | 0 | 0 | $1,189,952 | 12/1/2019 |
Italy | 11/21/2019 | $359,312 | 0 | 0 | 0 | $359,444 | 11/28/2019 |
New Zealand | 11/21/2019 | $2,906 | 15 | 15 | 16 | $3,136 | 10/19/2022 |
North America | 11/21/2019 | $232,452 | 276 | 306 | 277 | $704,744 | |
Portugal | 11/22/2019 | $4,472 | 7 | 7 | 7 | $4,472 | 10/19/2022 |
Russia (CIS) | 11/21/2019 | $126,367 | 199 | 199 | 374 | $122,578 | 10/19/2022 |
Worldwide Total | $2,442,030 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Anton Corbijn | Director |