Australia Box Office for The Death Of Stalin (2017)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $1,593,173 | Details |
| Worldwide Box Office | $20,431,564 | Details |
| Home Market Performance | ||
| North America DVD Sales | $291,359 | Details |
| Total North America Video Sales | $291,359 | |
| Further financial details... | ||
Synopsis
In the days following Stalin’s collapse, his core team of ministers tussle for control; some want positive change in the Soviet Union, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive.
Metrics
Movie Details
| Australia Releases: | March 30th, 2018 (Wide), released as The Death Of Stalin August 24th, 2023 (Limited) |
| Video Release: | June 19th, 2018 by Paramount Home Video |
| MPAA Rating: | R for language throughout, violence and some sexual references. (Rating bulletin 2502 (Cert #51320), 11/15/2017) |
| Running Time: | 107 minutes |
| Keywords: | Satire, Set in Soviet Union, Cold War, 1950s, Moscow, Political, Communism, Secret Police, Power Vacuum |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Quad Films, Main Journey |
| Production Countries: | France, United Kingdom |
| Languages: | English |
2018 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports
December 13th, 2018
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The first instalment of our Holiday Gift Guide dealt with First-run Releases and the second instalment with, TV on DVD releases. The third installment of our Holiday Gift Guide deals with limited releases, classics, and foreign imports and this list can get out of hand rather quickly, so I will try and keep it to a dozen items or so, starting with...
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Home Market Releases for June 19th, 2018
June 19th, 2018
Summer is the worst time of the year for the home market and this week is no exception. The “biggest” new release of the week is Pacific Rim: Uprising, but it is not worth picking up. There are a few contenders for Pick of the Week, including the final season of Dark Matter; a dark comedy, The Death of Stalin; and an Anime release, Re:Zero - Starting Life in Another World. In the end, I went with Dark Matter as the Pick of the Week.
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Theater Averages: Infinity War Soars with The Seagull
May 15th, 2018
Avengers: Infinity War and The Seagull were neck-and-neck on the theater average chart with averages of $13,875 and $13,435, respectively. Boom for Real was next with an average of $11,359 in two theaters. The final film in the $10,000 club was Soller’s Point with $10,618 in one theater.
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Theater Averages: Box Office is Full of Grace
April 18th, 2018
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Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters.
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Theater Averages: Never Really Here Arrives on the Top
April 11th, 2018
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You Were Never Really Here was the clear winner on the theater average chart earning over $130,000 in just three theaters for an average of $44,276. This isn’t the best theater average for a film released in 2018, but it is in the top five. The overall number one film, A Quiet Place, was next with an average of $14,311. The final film in the $10,000 club is Lean on Pete, which earned an average of $11,744 in four theaters.
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Theater Averages: Dog Days Carry it to a Second Win
April 3rd, 2018
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For the second weekend in a row, Isle of Dogs led the way on the theater average chart with $17,839 in 165 theaters. The only other film to reach the $10,000 mark was Love After Love, which pulled in $11,290 in its lone theater.
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Theater Averages: Isle Dogpiles the Competition
March 27th, 2018
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Isle of Dogs had the best theater average of the weekend and indeed the year with an average of $59,825 in 27 theaters. Technically Fantastic Mr. Fox had a better average with $66,475, but it was only playing on 4 theaters, so this is much more impressive.
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Weekend Estimates: Pacific Rim Leads Weak Field of Openers
March 25th, 2018
Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one.
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Theater Averages: Flower Doesn’t Smell as Sweet as Stalin
March 20th, 2018
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The Death of Stalin remained in first place on the theater average chart with an average of $16,791 in 32 theaters, while Flower was right behind with an average of $16,306 in 3 theaters. Keep the Change did really well for a rom com with $12,445 in its lone theater. I Can Only Imagine opened semi-wide managing an average of $10,507.
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Theater Averages: Death Has Lively Opening with $46,201 Average
March 14th, 2018
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The Death of Stalin earned first place on the theater average chart with an average of $46,201 in four theaters. Claire’s Camera was well back with $11,489 in its lone theater. Black Panther remained in the $10,000 club for the fourth weekend in a row with $10,354.
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Limited and VOD Releases: Death of Limited Releases
March 9th, 2018
It is one of the worst times of year to release a film in limited release, as the Oscars are still taking up a lot of space and it is too soon for summer to boost the box office numbers. That said, while there are not a lot of limited releases on this week’s list, there are some that might actually have a real shot at box office success. The Death of Stalin has the loudest buzz and the reviews are outstanding. Meanwhile, both Claire’s Camera and Thoroughbreds could be surprise hits.
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2017 Awards Season: BAFTA Nominations
January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/03/30 | 9 | $338,321 | 61 | $5,546 | $338,321 | 1 | |
| 2018/04/06 | 10 | $232,677 | -31% | 59 | $3,944 | $764,268 | 2 |
| 2018/04/13 | 12 | $204,739 | -12% | 59 | $3,470 | $1,069,783 | 3 |
| 2018/04/20 | 17 | $132,885 | -35% | 64 | $2,076 | $1,270,738 | 4 |
| 2018/04/27 | 15 | $78,486 | -41% | 52 | $1,509 | $1,396,554 | 5 |
| 2018/05/04 | 19 | $50,541 | -36% | 54 | $936 | $1,467,705 | 6 |
| 2018/05/11 | 23 | $33,163 | -34% | 44 | $754 | $1,530,867 | 7 |
| 2018/05/18 | 22 | $25,442 | -23% | 33 | $771 | $1,561,936 | 8 |
| 2018/05/25 | 25 | $17,926 | -30% | 23 | $779 | $1,602,812 | 9 |
| 2018/06/01 | 32 | $11,245 | -37% | 16 | $703 | $1,622,780 | 10 |
| 2018/06/08 | 32 | $7,320 | -35% | 10 | $732 | $1,643,091 | 11 |
| 2018/06/15 | - | $5,672 | -23% | 11 | $516 | $1,620,639 | 12 |
| 2018/06/22 | - | $4,981 | -12% | 5 | $996 | $1,621,293 | 13 |
| 2018/06/29 | 42 | $3,321 | -33% | 5 | $664 | $1,622,795 | 14 |
| 2018/07/06 | - | $2,862 | -14% | 3 | $954 | $1,632,495 | 15 |
| 2018/07/13 | - | $2,561 | -11% | 3 | $854 | $1,633,872 | 16 |
| 2018/07/20 | - | $2,637 | +3% | 3 | $879 | $1,637,822 | 17 |
| 2018/07/27 | - | $2,159 | -18% | 3 | $720 | $1,640,796 | 18 |
| 2018/08/03 | - | $1,631 | -24% | 2 | $816 | $1,642,115 | 19 |
| 2018/08/10 | - | $1,892 | +16% | 2 | $946 | $1,620,660 | 20 |
| 2018/08/17 | - | $2,520 | +33% | 3 | $840 | $1,620,827 | 21 |
| 2018/08/24 | - | $851 | -66% | 2 | $426 | $1,632,730 | 22 |
| 2018/08/31 | - | $816 | -4% | 2 | $408 | $1,602,719 | 23 |
| 2023/08/25 | - | $250 | 1 | $250 | $1,569,869 | 283 | |
| 2023/11/10 | - | $320 | 1 | $320 | $1,593,173 | 294 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/30/2018 | $338,321 | 61 | 64 | 521 | $1,593,173 | 11/13/2023 |
| Czech Republic | 4/6/2018 | $31,488 | 81 | 81 | 180 | $98,430 | 1/1/2019 |
| France | 4/6/2018 | $386,357 | 0 | 0 | 0 | $1,311,565 | 6/13/2018 |
| Italy | 1/4/2018 | $121,210 | 0 | 0 | 0 | $520,258 | 9/12/2018 |
| Japan | 8/17/2018 | $64,009 | 0 | 0 | 0 | $281,886 | 8/25/2018 |
| Lithuania | 1/12/2018 | $6,257 | 51 | 51 | 63 | $16,181 | 2/21/2018 |
| Netherlands | 5/4/2018 | $55,547 | 32 | 36 | 256 | $441,130 | 6/26/2018 |
| New Zealand | 3/16/2018 | $53,725 | 43 | 47 | 332 | $356,290 | 7/31/2018 |
| North America | 3/9/2018 | $184,805 | 4 | 554 | 2,059 | $8,047,856 | |
| Portugal | 4/26/2018 | $28,905 | 22 | 22 | 55 | $72,074 | 6/1/2018 |
| Slovakia | 4/6/2018 | $14,495 | 49 | 49 | 92 | $36,853 | 12/22/2020 |
| South Korea | 4/18/2019 | $12,077 | 26 | 26 | 52 | $34,495 | 5/9/2019 |
| Spain | 3/9/2018 | $115,061 | 47 | 58 | 148 | $338,128 | 3/29/2018 |
| Turkey | 3/16/2018 | $6,410 | 25 | 25 | 48 | $22,631 | 2/26/2019 |
| United Kingdom | 10/20/2017 | $1,311,885 | 138 | 376 | 1522 | $7,260,614 | 3/28/2018 |
| Worldwide Total | $20,431,564 | 11/13/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Armando Iannucci | Director |
| Armando Iannucci | Screenwriter |
| David Schneider | Screenwriter |
| Ian Martin | Screenwriter |
| Yann Zenou | Producer |
| Laurent Zeitoun | Producer |
| Nicolas Duval Adassovksy | Producer |
| Kevin Loader | Producer |
| Jean-Christophe Colson | Executive Producer |
| Cristina Casali | Production Designer |
| Peter Lambert | Editor |
| Christopher Willis | Composer |
| Zac Nicholson | Director of Photography |