United Kingdom Box Office for The Day Shall Come (2019)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $516,478 | Details |
| Worldwide Box Office | $551,512 | Details |
| Further financial details... | ||
Synopsis
An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams. Based on 100 true stories, the explosive new film from Chris Morris is an emotionally gripping, laugh out loud thriller that exposes the dark farce at the heart of the homeland security project: It is harder to catch a real terrorist than it is to manufacture your own.
Metrics
Movie Details
| United Kingdom Releases: | October 11th, 2019 (Wide) |
| MPAA Rating: | Not Rated Unrated |
| Running Time: | 88 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | See-Saw Films, Perp & Co, Archer Gray Productions, IFC Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Theater Averages: In Love with the Theater Average Chart
October 3rd, 2019
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First Love was the only film in the $10,000 Club this weekend earning an average of $10,576 in two theaters.
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Limited and VOD Releases: A Lot to Love on This Week’s List
September 27th, 2019
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There are a lot of excellent films on this week’s list. Not only that, but there are a wide selections of films as well. Do you want to watch a documentary? Anthropocene: The Human Epoch is your best bet. Want to watch a potential Oscar-winning performance? Then Judy is for you. Want a Neo-Noir love story? First Love has what you need. Want to stay home and watch something on VOD? There are several choices there, both big and small.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/10/11 | 8 | $215,470 | 173 | $1,245 | $215,470 | 1 | |
| 2019/10/18 | - | $41,537 | -81% | 72 | $577 | $394,431 | 2 |
| 2019/10/25 | - | $13,804 | -67% | 23 | $600 | $438,491 | 3 |
| 2019/11/01 | - | $4,946 | -64% | 16 | $309 | $473,008 | 4 |
| 2019/11/08 | - | $1,495 | -70% | 7 | $214 | $472,275 | 5 |
| 2019/11/15 | - | $3,409 | +128% | 9 | $379 | $483,879 | 6 |
| 2019/11/22 | - | $634 | -81% | 2 | $317 | $486,913 | 7 |
| 2019/11/29 | - | $124 | -80% | 1 | $124 | $499,824 | 8 |
| 2019/12/06 | - | $368 | +197% | 1 | $368 | $516,478 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 9/27/2019 | $14,854 | 30 | 30 | 46 | $26,972 | |
| South Korea | 12/9/2020 | $3,811 | 59 | 59 | 59 | $8,062 | 12/16/2020 |
| United Kingdom | 10/11/2019 | $215,470 | 173 | 173 | 304 | $516,478 | 12/12/2019 |
| Worldwide Total | $551,512 | 12/16/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Marchánt Davis | Moses |
Supporting Cast
| Anna Kendrick | Kendra |
| Danielle Brooks | Venus |
| Denis O'Hare | Andy Mudd |
| Jim Gaffigan | Lemmy |
| Miles Robbins | Josh |
| Andrel McPherson | Farmer Africa |
| Malcolm Mays | Farmer X |
| Curtis Cook Jr | Evangaliste |
| Kayvan Novak | Reza |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Chris Morris | Director |
| Chris Morris | Screenwriter |
| Jesse Armstrong | Screenwriter |
| Iain Canning | Producer |
| Emile Sherman | Producer |
| Anne Carey | Producer |
| Chris Morris | Producer |
| Derrin Schlesinger | Producer |
| Daniel Battsek | Executive Producer |
| Sue Bruce-Smith | Executive Producer |
| Tessa Ross | Executive Producer |
| Mary Burke | Executive Producer |
| Nik Bower | Executive Producer |
| Deepak Nayar | Executive Producer |
| David Kosse | Executive Producer |
| Jennifer Roth | Executive Producer |
| Amy Nauiokas | Executive Producer |
| Amy Jackson | Co-Producer |
| Scott Clackum | Co-Producer |
| Marcel Zyskind | Director of Photography |
| Bill Sneddon | Editor |
| Lucio Seixas | Production Designer |
| Marci Rogers | Costume Designer |
| Jonathan Whitehead | Composer |
| Seb Rochford | Composer |
| Chris Morris | Composer |
| Douglas Aibel | Casting Director |
| Henry Russell Bergstein | Casting Director |