Netherlands Box Office for The Daughter (2016)
| Theatrical Performance (US$) | ||
| Netherlands Box Office | $94,646 | Details |
| Worldwide Box Office | $2,042,540 | Details |
| Home Market Performance | ||
| North America DVD Sales | $19,269 | Details |
| North America Blu-ray Sales | $3,074 | Details |
| Total North America Video Sales | $22,343 | |
| Further financial details... | ||
Synopsis
After a fifteen-year absence, Christian returns home to rural New South Wales for the marriage of his father, Henry, the wealthy owner of the local mill that's been the economic bedrock of the community for generations. Christian gets reacquainted with his old friend Oliver and finds himself drawn to Oliver’s family, which includes wife Charlotte, daughter Hedvig, and father-in-law Walter. Unexpectedly, Christian discovers a secret that could tear Oliver’s family apart; and when Henry announces the imminent closure of the mill, it sends a quake through the community. As Christian tries to right the wrongs of the past, his actions threaten to shatter the lives of those he left behind years before.
Metrics
Movie Details
| Netherlands Releases: | September 1st, 2016 (Limited) |
| Video Release: | April 25th, 2017 by Kino Lorber |
| MPAA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Keywords: | Australia, You Can't Go Home Again, Infidelity, Dysfunctional Family, Family Secrets, Unemployed, Actors Making Their Directorial Debut |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Australia, Screen NSW, Gingerbread Man, Kazstar, Roadshow Films, Jan Chapman Films, Wildflower Films |
| Production Countries: | Australia |
| Languages: | English |
Home Market Releases for April 25th, 2017
April 25th, 2017
We are entering the worst time of year for the home market. The number of Oscar contenders have nearly dried up and there are more bombs than box office hits. As for the best of the new releases, The Criterion Collection release for Tampopo is the best and the only real choice for Pick of the Week. Meanwhile, the Mean Dreams DVD earns Puck of the Week, for the best Canadian release of the week.
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Limited and VOD Releases: Can I Interest You in Some Limited Releases?
January 27th, 2017
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This is usually a terrible time of year to release a limited release. There are some exceptions to this rule, including releasing a foreign-language film that just picked up an Oscar nomination. That’s the case with The Salesman, which is arguably the best release on this week’s list.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/09/02 | 21 | $27,119 | 27 | $1,004 | $30,401 | 1 | |
| 2016/09/09 | 26 | $12,303 | -55% | 25 | $492 | $58,024 | 2 |
| 2016/09/16 | 26 | $12,313 | n/c | 22 | $560 | $79,130 | 3 |
| 2016/09/23 | 30 | $8,435 | -31% | 22 | $383 | $94,646 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/11/2016 | $87,979 | 52 | 60 | 455 | $1,122,615 | 6/9/2016 |
| Netherlands | 9/1/2016 | $27,119 | 27 | 27 | 96 | $94,646 | 9/28/2016 |
| New Zealand | 10/14/2016 | $8,495 | 9 | 9 | 18 | $47,377 | 10/25/2016 |
| North America | 7/1/2016 | $0 | 0 | 2 | 6 | $67,149 | 8/9/2019 |
| Portugal | 10/6/2016 | $7,106 | 9 | 10 | 22 | $18,516 | 10/27/2016 |
| South Korea | 8/4/2016 | $1,851 | 7 | 7 | 7 | $3,962 | 8/18/2016 |
| United Kingdom | 5/27/2016 | $49,176 | 23 | 23 | 23 | $49,176 | 6/9/2016 |
| Rest of World | $639,099 | ||||||
| Worldwide Total | $2,042,540 | 8/9/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Geoffrey Rush | Henry Neilson |
| Ewen Leslie | Oliver Finch |
| Paul Schneider | Christian Neilson |
| Miranda Otto | Charlotte Finch |
| Anna Torv | Anna |
| Odessa Young | Hedvig Finch |
| Sam Neill | Walter Finch |
Supporting Cast
| Nicholas Hope | Peterson |
| Richard Sutherland | Craig |
| Robert Menzies | Taxi Driver |
| Eden Falk | Caterer |
| Gareth Davies | Greg |
| Wilson Moore | Adam |
| Ivy Mak | Grace |
| Kate Box | Julianne |
| Nicola Frew | Siobhan |
| Sara West | Jane |
Extras
| Jessie Cacchilo | Marriage Celebrant |
| David Paterson | Barman |
| Steve Rogers | Headmaster |
| Jackie Spicer | Local Woman |
| Ann Furlan | Receptionist |
| Danielle Blakey | Emergency Nurse |
| Sheila Kuma | Doctor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Simon Stone | Director |
| Simon Stone | Screenwriter |
| Jan Chapman | Producer |
| Nicole O Donohue | Producer |
| Andrew Commis | Director of Photography |
| Veronika Jenet | Editor |
| Steven Jones-Evans | Production Designer |
| Margot Wilson | Costume Designer |
| Mark Bradshaw | Composer |
| Liam Egan | Sound Designer |
| Nikki Barrett | Casting Director |
| Lorelle Adamson | Line Producer |
| Alex White | Associate Producer |
| Deborah Antoniou | First Assistant Director |
| Nerida Groth | Second Assistant Director |
| Maxine Dennett | Art Director |
| Chiara Tripodi | Make-up and Hair Designer |
| Jasmin Lyford | Production Coordinator |
| Kristin Voumard | Script Supervisor |
| Edward Donovan | Location Manager |
| Lisa Scope | Location Manager |
| Andrew Kotatko | Music Supervisor |
| Mark Rogers | Stills Photographer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.