Portugal Box Office for Dark Tide (2012)
Theatrical Performance (US$) | ||
Portugal Box Office | $14,712 | Details |
Worldwide Box Office | $285,073 | Details |
Home Market Performance | ||
North America DVD Sales | $2,725,322 | Details |
North America Blu-ray Sales | $373,780 | Details |
Total North America Video Sales | $3,099,102 | |
Further financial details... |
Synopsis
Kate Mathieson is a diver who is deeply drawn to close encounters with the magnificent White Sharks who rule the primal predator shore of isolated Guadalupe island. When her husband chooses ambition over his wife's safety in a split second encounter with the jaws of death, her marriage nearly breaks apart. A year later, a monsoon season voyage back to the same island becomes an escalating series of terrifying underwater confrontations and gut-wrenching emotional challenges. Testing her courage in the face of nature's ultimate terror, Kate proves herself to be as tough as the men she is attracted to; and perhaps bravest of all she endures and changes the terms of the contest with mankind's most feared underwater predator
Metrics
Movie Details
Portugal Releases: | August 9th, 2012 (Wide) |
Video Release: | April 24th, 2012 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for bloody shark attacks/disturbing images, and for language. (Rating bulletin 2188, 9/7/2011) |
Running Time: | 113 minutes |
Keywords: | Early / Simultaneous Video-on-Demand release, Underwater, PTSD, Animals Gone Bad |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Village Roadshow Productions, Infinite Ammo Motion Picture Company |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Contraband Can't Hide at the Top
May 8th, 2012
There were only two new releases to earn a spot on the Blu-ray sales chart, but one of them, Contraband, took top spot on the chart. The film sold 510,000 units / $10.19 million giving it an opening week Blu-ray share of 52%. At this point, any action film that doesn't open with a 50% Blu-ray share should be considered a disappointment.
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DVD Sales: Contraband Smuggled to the Top
May 8th, 2012
Contraband benefited from a really weak slate of new releases and this helped it earn first place on the DVD sales chart. During its first week of release, it sold 470,000 units and generated $7.52 million, which is good given its box office numbers.
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DVD and Blu-ray Releases for April 24th, 2012
April 24th, 2012
It's slow week for new releases, a really slow week. According to Amazon.com, the best selling new release is Contraband. It was the biggest box office hit released in January, but it was still no more than a midlevel hit. The second best selling release of the week is The Innkeepers, which is a sign that it is a slow week. Don't get me wrong, I'm looking forward to seeing the movie, but it is a limited release that struggled to find an audience in theaters and it shouldn't be the high on the chart. The third best selling new release of the week is the latest Fullmetal Alchemist release, which is even more surprising, as Anime is still very much a niche market release. The fourth best selling release is Car 54 Where Are You?. Really? I'm surprised anyone remembers that TV show. Are there any releases that are worth picking up? Perhaps even contenders for pick of the week? Actually, The Innkeepers on Blu-ray is in the running, as is Pariah on Blu-ray. However, in the end I went with Todd and The Book Of Pure Evil: Season 1, giving it the rarely awarded Puck of the Week.
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Limited Releases Fighting Mad
March 30th, 2012
There are a number of films opening in limited release this week, including a few documentaries. The biggest of these is Bully, which earned a boost in its publicity thanks to a ratings fight with the MPAA. The Island President is another documentary worth checking out. Meanwhile, Goon makes its theatrical debut in the States and it deserves to find an audience south of the border.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/08/17 | 13 | $2,480 | 4 | $620 | $13,006 | 2 | |
2012/08/24 | 20 | $218 | -91% | 1 | $218 | $14,712 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Hong Kong | 5/3/2012 | $78,858 | 25 | 25 | 41 | $115,580 | 12/6/2015 |
Mexico | 1/4/2013 | $41,127 | 53 | 53 | 97 | $91,035 | 12/14/2015 |
North America | 3/30/2012 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 8/9/2012 | $0 | 0 | 4 | 5 | $14,712 | 12/11/2015 |
Thailand | 6/14/2012 | $282 | 875 | 875 | 1036 | $1,319 | 12/10/2015 |
Ukraine | 4/12/2012 | $0 | 0 | 7 | 7 | $62,282 | 12/29/2018 |
United Kingdom | 10/19/2012 | $145 | 1 | 1 | 1 | $145 | 12/12/2015 |
Worldwide Total | $285,073 | 12/29/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Halle Berry | Kate Mathieson |
Olivier Martinez | Jeff Mathieson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Stockwell | Director |
Amy Sorlie | Screenwriter |
Ronnie Christensen | Screenwriter |
Amy Sorlie | Story Creator |
Jeanette Beurling | Producer |
Matthew Chausse | Producer |
Adi Shankar | Executive Producer |
Mark Sayfritz | Composer |
Jean-Francois Hensgens | Cinematographer |
Andrew MacRitchie | Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.