Australia Box Office for Dancer (2016)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $74,067 | Details |
| Worldwide Box Office | $1,319,573 | Details |
| Home Market Performance | ||
| North America DVD Sales | $107,348 | Details |
| Total North America Video Sales | $107,348 | |
| Further financial details... | ||
Synopsis
Blessed with astonishing power and poise, Sergei Polunin took the dance world by storm and became the Royal ballet’s youngest ever principal. At the peak of his success, aged 25, he walked away, driven to the brink of self-destruction by stardom—his talent more a burden than a gift. Here is an unprecedented look into the life of a complex young man who has made ballet go viral. Urban rebel, iconoclast, airborne angel, Sergei is transforming the shape of ballet as we know it. But virtuosity comes with a high price. How can you be free to be yourself when you are ballet’s “hottest property?”
Metrics
Movie Details
| Australia Releases: | December 2nd, 2016 (Wide) |
| Video Release: | January 17th, 2017 by Mpi Home Video |
| MPAA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Keywords: | Set in Ukraine, Ballet, Retirement, Scandal, Narcotics, Set in London, Set in England, Moscow, Set in Russia |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | BBC Films, Magnolia Mae Films, Stick Figure Studios, Baby Cow |
| Production Countries: | United Kingdom |
| Languages: | English, Russian, Ukrainian |
2016 - Awards Season: PGA - Nominations
January 11th, 2017
The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) Most of the films on this list have already earned more than a few previous nominations. We appear to be settling into a predictable Awards Season.
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Theater Averages: Cameraperson Finishes First, Not Last, with $12,760
September 13th, 2016
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A trio of films reached the $10,000 club on the theater average chart this week, lead by Cameraperson with $12,760 in one theater. The Last Princess was also playing in one theater and was right behind with $11,607. The final film in the $10,000 club was Kicks with an average of $10,704 in three theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/12/02 | - | $6,312 | 8 | $789 | $6,312 | 1 | |
| 2016/12/09 | 31 | $9,542 | +51% | 10 | $954 | $19,499 | 2 |
| 2016/12/16 | 27 | $6,398 | -33% | 6 | $1,066 | $32,273 | 3 |
| 2016/12/23 | - | $3,447 | -46% | 7 | $492 | $40,528 | 4 |
| 2016/12/30 | - | $3,504 | +2% | 4 | $876 | $48,213 | 5 |
| 2017/01/06 | - | $4,878 | +39% | 4 | $1,220 | $56,201 | 6 |
| 2017/01/13 | - | $3,513 | -28% | 4 | $878 | $63,507 | 7 |
| 2017/01/20 | - | $1,649 | -53% | 4 | $412 | $68,227 | 8 |
| 2017/01/27 | - | $818 | -50% | 3 | $273 | $70,544 | 9 |
| 2017/03/10 | - | $2,445 | 2 | $1,223 | $74,411 | 15 | |
| 2017/03/17 | - | $215 | -91% | 2 | $108 | $74,067 | 16 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/2/2016 | $6,312 | 8 | 10 | 54 | $74,067 | 3/23/2017 |
| Netherlands | 3/15/2017 | $14,856 | 21 | 21 | 64 | $76,214 | 4/21/2017 |
| New Zealand | 12/9/2016 | $18,689 | 25 | 28 | 269 | $146,604 | 5/1/2017 |
| North America | 9/9/2016 | $7,140 | 1 | 10 | 26 | $62,578 | 2/25/2022 |
| Russia (CIS) | 5/19/2017 | $22,818 | 27 | 27 | 72 | $88,614 | 1/1/2019 |
| South Korea | 3/31/2017 | $0 | 0 | 42 | 219 | $341,640 | 12/28/2017 |
| Spain | 5/19/2017 | $9,396 | 14 | 14 | 46 | $38,885 | 6/27/2017 |
| United Kingdom | 3/10/2017 | $248,722 | 16 | 16 | 44 | $337,274 | 5/24/2017 |
| Rest of World | $153,697 | ||||||
| Worldwide Total | $1,319,573 | 2/25/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Sergei Polunin | Himself |
Interviewee(s)
| Galyna Polunina | Herself |
| Vladymyr Polunin | Himself |
| Jade Hale Christofi | Herself |
| Valentino Zucchetti | Himself |
| Igor Zelensky | Himself |
| Galina Ivanovna | Herself |
| David LaChapelle | Himself |
| Larysa Lavrikova | Herself |
| Salvatore Scalzo | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Steven Cantor | Director |
| Gabrielle Tana | Producer |
| Carolyn Marks Blackwood | Executive Producer |
| Christine Langan | Executive Producer |
| Nichola Martin | Executive Producer |
| Kim Thomas | Executive Producer |
| Steve Coogan | Executive Producer |
| Henry Normal | Executive Producer |
| Mark Wolf | Director of Photography |
| Tom Hurwitz | Director of Photography |
| Vladimir Krug | Director of Photography |
| David La Chapelle | Additional Photography |
| Federico Rosenzvit | Editor |
| Ilan Eshkeri | Composer |