Spain Box Office for Cyrano (2022)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $119,313 | Details |
| Worldwide Box Office | $5,986,924 | Details |
| Home Market Performance | ||
| North America DVD Sales | $216,118 | Details |
| North America Blu-ray Sales | $180,253 | Details |
| Total North America Video Sales | $396,371 | |
| Further financial details... | ||
Synopsis
A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.
Metrics
Movie Details
| Spain Releases: | March 11th, 2022 (Wide) |
| Video Release: | April 5th, 2022 by United Artists Video |
| MPAA Rating: | PG-13 for some strong violence, thematic and suggestive material, and brief language. (Rating bulletin 2689 (cert #53237), 7/14/2021) |
| Running Time: | 124 minutes |
| Keywords: | Romance, Romantic Musical, Dwarfism, Love at First Sight, Unrequited Love, Love Triangle, Relationships Gone Wrong, Voiceover/Narration, 1600s |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Working Title Films, Metro-Goldwyn-Mayer Pictures, Bron Creative |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend estimates: Uncharted and Dog post strong holds on slow weekend
February 27th, 2022
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Uncharted and Dog are both taking advantage of the lack of competition to post strong second-week holds this weekend, as Studio 666 and Cyrano failed to extend their grasp beyond their core audience. Uncharted will end the weekend with $83.4 million in the bank, making it the second-highest grossing film in 2022, and the highest-grossing film released this year.
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Weekend predictions: Uncharted unchallenged on slow weekend
February 25th, 2022
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With next weekend’s release of The Batman looming large over the market, the major studios are sitting things out this weekend. Studio 666 and Cyrano are both arriving in wide release (just barely so in the case of Cyrano), but neither is likely to challenge Uncharted at the top of the chart.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/03/11 | 11 | $67,779 | 282 | $240 | $67,779 | 1 | |
| 2022/04/15 | - | $207 | 2 | $104 | $119,021 | 6 | |
| 2022/05/06 | - | $64 | 1 | $64 | $119,313 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/24/2022 | $113,362 | 210 | 210 | 510 | $261,109 | 10/20/2022 |
| Austria | 3/4/2022 | $0 | 0 | 0 | 0 | $12,636 | 4/20/2022 |
| Czech Republic | 4/1/2022 | $4,129 | 47 | 47 | 47 | $4,592 | 4/8/2022 |
| Estonia | 3/4/2022 | $0 | 0 | 0 | 0 | $3,032 | 5/11/2022 |
| France | 3/30/2022 | $0 | 0 | 4 | 4 | $18,607 | 4/13/2022 |
| Germany | 3/3/2022 | $0 | 0 | 6 | 11 | $131,318 | 4/20/2022 |
| Italy | 3/3/2022 | $91,703 | 0 | 0 | 0 | $140,765 | 10/20/2022 |
| Japan | 2/25/2022 | $153,000 | 173 | 173 | 173 | $153,000 | 10/20/2022 |
| Mexico | 2/17/2022 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 2/24/2022 | $11,419 | 59 | 59 | 182 | $29,632 | 10/20/2022 |
| North America | 12/17/2021 | $1,385,995 | 797 | 797 | 2,780 | $3,873,124 | |
| Portugal | 2/24/2022 | $9,833 | 47 | 47 | 104 | $26,537 | 3/15/2022 |
| Russia (CIS) | 2/24/2022 | $32,305 | 593 | 593 | 593 | $42,515 | 10/20/2022 |
| Slovenia | 2/24/2022 | $14,000 | 10 | 10 | 10 | $3,612 | 5/4/2022 |
| South Korea | 2/23/2022 | $45,644 | 195 | 195 | 327 | $165,990 | 4/13/2022 |
| Spain | 3/11/2022 | $67,779 | 282 | 282 | 285 | $119,313 | 5/11/2022 |
| Taiwan | 2/25/2022 | $4,000 | 20 | 20 | 20 | $4,000 | 10/20/2022 |
| Turkey | 2/25/2022 | $5,359 | 46 | 46 | 55 | $22,266 | 10/20/2022 |
| United Kingdom | 2/25/2022 | $534,455 | 613 | 613 | 1101 | $974,876 | 4/6/2022 |
| Worldwide Total | $5,986,924 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Peter Dinklage | Cyrano de Bergerac |
| Haley Bennett | Roxanne |
| Kelvin Harrison Jr | Christian |
Supporting Cast
| Ben Mendelsohn | De Guiche |
| Bashir Salahuddin | Le Bret |
| Monica Dolan | Marie |
| Mark Benton | Montfleury |
| Peter Wight | Ragueneau |
| Joshua James | Valvert |
| Anjana Vasan | Sister Claire |
| Ruth Sheen | Mother Marthe |
| Glen Hansard | Guard |
| Sam Amidon | Guard |
| Scott Folan | Guard |
| Richard McCabe | Priest |
| Tim McMullan | Jodelet |
| Mark Bagnall | Stranger |
| Mike Shepherd | Marquis |
| Paul Biddiss | The Gate Keeper |
| Katy Owen | The Thief |
| Paul Hunter | Theatre Buff |
| Celeste Dodwell | Theatre Lady |
| Celeste Dring | Theatre Lady |
| Bettrys Jones | Sheep Girl |
| Nandi Bhebhe | Sheep Girl Dancer |
| Colin Mace | Handsome Landlord |
| Lucas Peters | Thief |
| Leo Rait | Son of Theatre Buff |
| Kyla Goodey | Theatre Chorus/Aristocrat |
| Beverly Rudd | Theatre Chorus/Orange Seller |
| Giles King | Theatre Chorus/Borghesi |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Joe Wright | Director |
| Tim Bevan | Producer |
| Eric Fellner | Producer |
| Guy Heeley | Producer |
| Erica Schmidt | Screenwriter |
| Erica Schmidt | Story based on the play by |
| Edmond Rostand | Story by |
| Erica Schmidt | Executive Producer |
| Sarah-Jane Robinson | Executive Producer |
| Sheeraz Shah | Executive Producer |
| Lucas Webb | Executive Producer |
| Matt Berninger | Executive Producer |
| Carin Besser | Executive Producer |
| Aaron Dessner | Executive Producer |
| Bryce Dessner | Executive Producer |
| Kevin Ulrich | Executive Producer |
| Aaron L. Gilbert | Executive Producer |
| Jason Cloth | Executive Producer |
| Seamus McGarvey | Director of Photography |
| Sarah Greenwood | Production Designer |
| Valerio Bonelli | Editor |
| Jacqueline Durran | Costume Designer |
| Massimo Cantini Parrini | Costume Designer |
| Bryce Dessner | Composer |
| Aaron Dessner | Composer |
| Becky Bentham | Music Supervisor |
| Sidi Larbi Cherkaoui | Choreography |
| Cass Marks | Co-Producer |
| Nina Gold | Casting Director |
| Enrico Ballarin | Line Producer |
| Guido Cerasuolo | Unit Production Manager |
| Ben Howard | First Assistant Director |
| Charlie Vaughan | Key Second Assistant Director |
| Franco Salamon | Stunt Coordinator |
| Eunice Huthart | Stunt Coordinator |
| Massimilano Ubaldi | Stunt Coordinator |
| Katelin Arizmendi | Second Unit Director/Director of Photography |
| Katie Spencer | Set Decorator |
| Colin Nicolson | Sound Mixer |
| Giles Harding | Visual Effects Supervisor |
| John Warhurst | Supervising Music Editor |
| Tania Blunden | Post-Production Supervisor |
| Craig Berkey | Supervising Sound Editor |
| Becki Ponting | Supervising Sound Editor |
| Jannika Oberg | Production Supervisor |
| Elaine Kusmishko | Supervising Art Director |
| Gianpaolo Rifino | Supervising Art Director |
| Dean Clegg | Senior Art Director |
| Phil Harvey | Art Director |
| Clara Gomez Del Moral | Art Director |
| Massimo Pauletto | Art Director |
| Paula Casarin | Script Supervisor |
| Laura Solari | Make up |
| Marta Roggero | Make-up and Hair Designer |
| Nicola Iles | Make-up and Hair Designer |
| Elise Anderson | First Assistant Editor |
| Stefano Corridori | Special Effects Supervisor |
| Adam Richards | Supervising Location Manager |
| Dimitri Di Noto | Location Manager |
| Chiara Scardamaglia | Location Manager |
| Artemis Oikonomopoulou | Visual Effects Supervisor |
| George Tully | Visual Effects Producer |
| Paul Edwards | Visual Effects Producer |
| Paul Carter | Sound Designer |
| Michael Maroussas | Dialogue Editor |
| Robert Weatherall | Foley Editor |
| Keith Partridge | Foley Mixer |
| Craig Berkey | Supervising Re-Recording Mixer |
| Paul Carter | Re-recording Mixer |
| Paul Cotterell | Re-recording Mixer |
| Becki Ponting | Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.