Japan Box Office for クライ・マッチョ (2021)
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| Theatrical Performance (US$) | ||
| Japan Box Office | $0 | Details |
| Worldwide Box Office | $14,704,912 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,686,262 | Details |
| North America Blu-ray Sales | $1,549,354 | Details |
| Total North America Video Sales | $3,235,616 | |
| Further financial details... | ||
Synopsis
A one-time rodeo star and washed up horse breeder who, in 1978, takes a job from an ex-boss to bring the man’s young son home and away from his alcoholic mom. Crossing rural Mexico on their back way to Texas, the unlikely pair faces an unexpectedly challenging journey, during which the world-weary horseman may find his own sense of redemption through teaching the boy what it means to be a good man.
Metrics
Movie Details
| Japan Releases: | January 14th, 2022 (Wide), released as クライ・マッチョ |
| Video Release: | September 17th, 2021 by Max |
| MPAA Rating: | PG-13 for language and thematic elements. (Rating bulletin 2677 (cert #53138), 4/21/2021) |
| Running Time: | 104 minutes |
| Keywords: | Life Drama, 1970s, Addiction, Dysfunctional Family, Road Trip, Directing Yourself, Autumn Years, Novel or Other Work Adapted by Author, Coming of Age |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Malpaso Productions, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
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One of this weekend’s two new wide releases will have to do much, much better than expected to challenge Shang-Chi and the Legend of the Ten Rings at the top of the chart this weekend. The Marvel movie should come in with something around $20 million (or possibly a bit higher), and there’s a strong possibility that will be more than double the second-placed film. If Cry Macho and CopShop both falter, Shang-Chi might even earn three or four times as much as its nearest competition.
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Cry Macho trailer
September 14th, 2021
Drama directed by and starring Clint Eastwood opens in theaters and on HBO Max on Friday, September 17 ... Full Movie Details.
A one-time rodeo star and washed up horse breeder who, in 1978, takes a job from an ex-boss to bring the man’s young son home and away from his alcoholic mom. Crossing rural Mexico on their back way to Texas, the unlikely pair faces an unexpectedly challenging journey, during which the world-weary horseman may find his own sense of redemption through teaching the boy what it means to be a good man.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/24/2021 | $0 | 0 | 0 | 0 | $82,000 | 10/20/2022 |
| Australia | 11/25/2021 | $26,482 | 50 | 50 | 122 | $63,607 | 10/20/2022 |
| Finland | 10/29/2021 | $7,252 | 29 | 29 | 29 | $13,767 | 11/5/2021 |
| France | 11/10/2021 | $810,000 | 460 | 460 | 460 | $810,000 | 10/20/2022 |
| Germany | 10/21/2021 | $0 | 0 | 0 | 0 | $0 | |
| Greece | 9/16/2021 | $72,000 | 0 | 0 | 0 | $106,000 | 10/20/2022 |
| Italy | 12/2/2021 | $411,787 | 0 | 0 | 0 | $828,659 | 10/20/2022 |
| Japan | 1/14/2022 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 9/16/2021 | $60,048 | 0 | 0 | 0 | $95,000 | 10/20/2022 |
| Netherlands | 10/28/2021 | $30,102 | 57 | 57 | 57 | $33,135 | 10/20/2022 |
| North America | 9/17/2021 | $4,426,161 | 3,967 | 4,022 | 10,091 | $10,310,734 | |
| Portugal | 9/16/2021 | $36,923 | 66 | 66 | 191 | $117,802 | 10/20/2022 |
| Spain | 9/24/2021 | $279,623 | 277 | 293 | 863 | $835,056 | 10/28/2021 |
| Switzerland | 10/21/2021 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 11/12/2021 | $96,742 | 341 | 341 | 341 | $96,742 | 11/17/2021 |
| Rest of World | $1,312,410 | ||||||
| Worldwide Total | $14,704,912 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Clint Eastwood | Mike Milo |
Supporting Cast
| Dwight Yoakam | Howard Polk |
| Eduardo Minett | Rafo |
| Natalia Traven | Marta |
| Horacio Garcia Rojas | Aurelio |
| Fernanda Urrejola | Leta |
| Daniel V. Graulau | Mexican Border Officer |
| Amber Ashley | Hippie Girl |
| Brytnee Ratledge | Hippie Girl |
| Alexandra Ruddy | Hippie Girl |
| Sebestien Soliz | Worker |
| Ivan Hernandez | Lucas |
| Lincoln A. Castellanos | Zafiro |
| Juan Mendoza Solis | Bartender |
| Marco Rodriguez | Porfirio |
| Abiah Martinez | 6-Year-Old Grandaughter |
| Ramona Thornton | 4-Year-Old Grandaughter |
| Elida Munoz | 14-Year-Old Grandaughter |
| Cesia Isabel Rosales | 10-Year-Old Grandaughter |
| Jorge-Luis Pallo | Deputy Diaz |
| Ana Rey | Señora Reyes |
| Rocko Reyes | Captain Garcia |
| Paul Lincoln Alayo | Sergeant Perez |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Clint Eastwood | Director |
| Nick Schenk | Screenwriter |
| N. Richard Nash | Screenwriter |
| Albert S. Ruddy | Producer |
| Jessica Meier | Producer |
| Tim Moore | Producer |
| Clint Eastwood | Producer |
| David M. Bernstein | Executive Producer |
| N. Richard Nash | Story based on the novel by |
| Ben Davis | Director of Photography |
| Ron Reiss | Production Designer |
| Joel Cox | Editor |
| Deborah Hopper | Costume Designer |
| Mark Mancina | Composer |
| Geoffrey Miclat | Casting Director |
| Tim Moore | Unit Production Manager |
| David M. Bernstein | First Assistant Director |
| Jeff Hubbard | Second Assistant Director |
| Stephen S. Campanelli | Second Unit Director |
| Holly Hagy | Associate Producer |
| Greg Sandoval | Art Director |
| Christopher Carlson | Set Decorator |
| Maureen Ross | Assistant Editor |
| Nathan Godley | Assistant Editor |
| Alan Robert Murray | Supervising Sound Editor |
| Adam Ohl | Visual Effects Producer |
| Erin Mast | Script Supervisor |
| Clint Eastwood | Additional Music |
| Marlon E. Espino | Additional Music |
| Chris McGeary | Music Editor |
| Nanrose Buchman | Costume Supervisor |
| Kimberly Felix-Burke | Make up |
| Karen Asano-Myers | Hairstylist |
| Holly Hagy | Production Supervisor |
| Lee Orloff | Sound Mixer |
| Patrick O. Mignano | Supervising Location Manager |
| Shani Orona | Location Manager |
| Jimmy Hendrix | Set Designer |
| Cameron Steenhagen | Supervising Dialogue Editor |
| John Joseph Thomas | Sound Effects Editor |
| Michael W. Mitchell | Sound Effects Editor |
| Doug Jackson | Sound Effects Editor |
| Christian Wenger | Sound Effects Editor |
| Willard Overstreet | Supervising Foley Editor |
| Mark Pappas | Foley Editor |
| Michael Hertlein | Dialogue Editor |
| Kevin Harp | Score Mixer |
| Tom Ozanich | Re-recording Mixer |
| Dean A. Zupancic | Re-recording Mixer |
| Tavish Grade | Foley Mixer |
| Jack Cucci | Foley Mixer |
| Arno Stephanian | Foley Mixer |
| Tim LeDoux | Visual Effects Supervisor |
| John Brubaker | Visual Effects Supervisor |
| Jason Sanford | Visual Effects Producer |
| Bob Brown | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.