Netherlands Box Office for Criminal (2015)
Theatrical Performance (US$) | ||
Netherlands Box Office | $107,584 | Details |
Worldwide Box Office | $38,771,262 | Details |
Home Market Performance | ||
North America DVD Sales | $4,825,614 | Details |
North America Blu-ray Sales | $3,311,225 | Details |
Total North America Video Sales | $8,136,839 | |
Further financial details... |
Synopsis
The story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in hopes that he will complete the operative’s mission.
Metrics
Movie Details
Production Budget: | $31,500,000 |
Netherlands Releases: | August 24th, 2016 (Wide) |
Video Release: | July 12th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | R for strong violence and language throughout. (Rating bulletin 2417 (Cert #49972), 3/23/2016) |
Running Time: | 113 minutes |
Keywords: | Secret Agent, C.I.A., Action Thriller, Faulty Memory, Hackers, Anarchists |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Summit Entertainment, Millennium Films, Benderspink Productions, Campbell Grobman Films |
Production Countries: | United Kingdom, United States |
Languages: | English |
Home Market Releases for July 26th, 2016
July 27th, 2016
It’s a rather shallow week on the home market with the biggest release being Batman: The Killing Joke, which is a hot mess. More on that below. As for the best new release of the week, there are a handful of releases that were contenders for Pick of the Week, including Barbershop: The Next Cut, Deadline U.S.A., and Mystery Science Theater 3000: Volume XXXVI. In the end, I picked Sing Street on Blu-ray for that title.
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Home Market Releases for July 12th, 2016
July 12th, 2016
It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack.
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Weekend Wrap-Up: Jungle Sets 2016 Sophomore Record with $61.54 Million
April 26th, 2016
Both The Jungle Book and The Huntsman: Winter's War were a little weaker than predicted over the weekend. The Jungle Book was still able to earn the biggest sophomore weekend of 2016 at $61.54 million. For The Huntsman: Winter's War, it was a disappointing $19.45 million. Overall, the box office fell 28% to $128 million. However, this was still 32% more than the same weekend last year. Unfortunately, next weekend is going to be damn awful in the year-over-year comparison, because of a misalignment in the weekend. Year-to-date, 2016 has earned $3.37 million, putting it ahead of last year's pace by 8.5% or $260 million.
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Weekend Wrap-Up: Jungle is King of the Box Office pulling in $103.26 million
April 18th, 2016
Wow. As expected, The Jungle Book easily won first place on the box office chart, but did so with a much, much better than anticipated result of $103.26 million during its opening weekend. This is more than the rest of the box office earned. Barbershop: The Next Cut did well as counter-programming earning $20.24 million. On the other hand, Criminal missed the top five and barely managed to avoid the Mendoza Line. The overall box office was $176 million, which was 68% more than last weekend and 47% more than the same weekend last year. Year-to-date, 2016 has earned $3.19 billion at the box office, which is 9.2% / $270 million more than last year's pace. I didn't think 2016 had a chance to top 2015, but I'm really getting optimistic now.
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Weekend Estimates: Jungle Book projected to top $100 million
April 17th, 2016
2016 is shaping up to be just about the perfect year on all fronts for Disney. They started the year with Star Wars at the top of the box office; Zootopia far out-performed expectations; Captain America: Civil War, Alice Through the Looking Glass and Finding Dory position them perfectly for the Summer; and Doctor Strange and Star Wars: Rogue One are two of the most talked about movies coming at the end of the year. (Oh, and they’re slipping a long-awaited Steven Spielberg family-friendly film in the middle of all that.)
All-in-all, this could be a year of studio dominance the likes of which we haven’t seen since, well, last year, when Universal could do no wrong. Their incredible year really took flight at the beginning of April, when Furious 7 posted a monthly record $147 million opening weekend. The Jungle Book won’t hit those heights, but it will most likely be the second film to top $100 million in April, with Disney projecting a weekend of $103.57 million as of Sunday morning.
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Friday Estimates: Jungle Roars to the Top
April 16th, 2016
Friday's box office had some good news, some bad news, and some ugly news. The Jungle Book opened with an amazing $32.41 million on Friday. Given its family-friendly target demographic and its 95% positive reviews, it should have a great internal multiplier. For example, Cinderella opened with $23.00 million during its opening day on the way to an opening weekend of $67.88 million. If The Jungle Book has the same internal multiplier, it will earn $96 million over the weekend. However, films that open bigger have a harder time maintaining those numbers. An opening weekend of $90 million is possible, but I think it will fall just short of that mark.
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Thursday Night Previews: Jungle Made a Lot of Noise Last Night
April 15th, 2016
The Jungle Book has stellar previews pulling in $4.2 million in Thursday. That's not as big as Batman v Superman: Dawn of Justice or Deadpool made earlier this year. However, it is more than the $2.3 million Cinderella earned last year. This bodes well for its weekend run.
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Weekend Predictions: Welcome to the Jungle
April 15th, 2016
Hollywood's attempt to redefine the start of summer as "some time in April" continue this week with the release of The Jungle Book. This film is expected to dominate the box office this weekend and possibly next weekend as well. Barbershop: The Next Cut is also expected to do well, perhaps earning the biggest opening in the franchise, not taking into account inflation. Finally there's Criminal, which should just be happy with a spot in the top five. This weekend last year, Furious 7 led the way, but Paul Blart: Mall Cop 2 and Unfriended were close behind. Fortunately, it looks like The Jungle Book will earn more than those three made combined. 2016 should have a good week on the year-over-year comparison.
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2016 Preview: April
April 1st, 2016
March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/08/26 | 13 | $41,287 | 43 | $960 | $59,517 | 1 | |
2016/09/02 | 22 | $27,119 | -34% | 43 | $631 | $107,584 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/27/2016 | $100,859 | 52 | 52 | 97 | $190,834 | 11/29/2018 |
Australia | 5/20/2016 | $3,034 | 10 | 10 | 10 | $3,034 | 6/9/2016 |
Brazil | 4/14/2016 | $139,035 | 76 | 76 | 76 | $251,718 | 11/15/2018 |
Bulgaria | 4/15/2016 | $15,631 | 31 | 31 | 31 | $15,631 | 12/31/2018 |
China | 5/12/2016 | $7,900,000 | 32538 | 32538 | 40702 | $15,772,274 | 8/27/2018 |
France | 5/6/2016 | $575,766 | 0 | 0 | 0 | $1,260,288 | 10/2/2018 |
Greece | 4/14/2016 | $52,520 | 47 | 47 | 47 | $52,520 | 6/9/2016 |
Hungary | 4/21/2016 | $42,669 | 29 | 29 | 58 | $77,455 | 12/31/2018 |
Iraq | 4/14/2016 | $6,770 | 4 | 4 | 4 | $6,770 | 12/31/2018 |
Italy | 4/14/2016 | $449,529 | 272 | 272 | 544 | $1,123,734 | 11/11/2018 |
Lebanon | 4/14/2016 | $14,722 | 6 | 6 | 6 | $14,722 | 12/31/2018 |
Lithuania | 4/22/2016 | $0 | 0 | 40 | 44 | $28,315 | 6/9/2016 |
Mexico | 7/22/2016 | $437,621 | 0 | 0 | 0 | $867,032 | 8/2/2016 |
Netherlands | 8/24/2016 | $41,287 | 43 | 43 | 86 | $107,584 | 9/6/2016 |
North America | 4/15/2016 | $5,767,278 | 2,683 | 2,683 | 7,949 | $14,708,696 | 4/4/2017 |
Oman | 4/14/2016 | $24,715 | 7 | 7 | 7 | $24,715 | 12/31/2018 |
Portugal | 4/14/2016 | $62,971 | 33 | 33 | 132 | $191,194 | 6/9/2016 |
Russia (CIS) | 4/14/2016 | $490,391 | 618 | 618 | 1339 | $734,639 | 12/31/2018 |
Slovenia | 4/28/2016 | $6,580 | 13 | 13 | 22 | $11,701 | 6/9/2016 |
South Africa | 4/15/2016 | $29,359 | 35 | 35 | 35 | $29,359 | 6/9/2016 |
South Korea | 6/22/2016 | $332,449 | 342 | 342 | 358 | $649,705 | 7/16/2016 |
Spain | 9/2/2016 | $176,964 | 180 | 180 | 391 | $380,480 | 10/6/2016 |
Taiwan | 8/21/2015 | $0 | 0 | 47 | 47 | $261,980 | 6/9/2016 |
Turkey | 4/15/2016 | $78,303 | 150 | 150 | 242 | $229,002 | 2/26/2019 |
United Arab Emirates | 4/14/2016 | $394,884 | 64 | 64 | 64 | $394,884 | 12/31/2018 |
United Kingdom | 4/15/2016 | $353,108 | 277 | 277 | 290 | $353,108 | 9/28/2022 |
Rest of World | $1,029,888 | ||||||
Worldwide Total | $38,771,262 | 9/28/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Kevin Costner | Jerico Stewart |
Gary Oldman | Quaker Wells |
Tommy Lee Jones | Dr. Franks |
Alice Eve | Marta Lynch |
Gal Gadot | Jill Pope |
Supporting Cast
Michael Pitt | Jan Strok (The Dutchmen) |
Jordi Molla | |
Antje Traue | |
Scott Adkins | |
Amaury Nolasco | Esteban Ruiza |
Danny Webb | Lewis Deane |
Colin Salmon | Warden |
Ryan Reynolds | Bill Pope |
Lara Decaro | Emma Pope |
Freddy Bosche | CIA Agent Pfeffer |
Emmanuel Imani | CIA Agent #2 |
Harry Hepple | CIA Tech |
Doug Cockle | Extraction Team Leader |
Steve Nicolson | SSBN Captain |
Gisella Marengo | Luggage Shop Saleswoman |
Mark Kempner | Black Cab Driver |
Michael Bodie | CIA Officer Laundry Team |
Sope Dirisu | SSBN Fire & Control |
Joshua James | Higgs |
Samantha Coughlan | Navy Officer |
David Avery | Kebab Clerk |
Joe Fidler | Radio Man Fred Bosh |
Michael A. Webber | Pawnbroker |
Katharine Gwen | Francoise |
Richard Reid | James Osborne |
Kelly Clare | Pedestrian |
Joanna Brookes | Librarian |
Matthew Steer | Librarian Patron |
Andrew Byron | Russian Sentry |
Elizabeth Ross | Mrs. Franks |
James Richard Marshall | Heimdahl’s Guard |
Henry Garrett | Air Force Technician |
Tim Woodward | Roderick Armstrong |
Lotte Rice | Bobby |
Nathan Osgood | Professor Callowell |
Sarah Middleton | Researcher |
Dragos Savulescu | Akhmadov |
Tamer Dogem | Kebab Cook |
Priyanga Burford | Pharmacist |
Diana Dimitrovici | Very Attractive Nurse |
Amina Zia | Indian Woman |
Rio Fredrika Debolla | Redhead Girl |
Steven Brand | News Anchor |
Natalie Marie Ames | Female News Anchor |
Luca Giorgio Maggiora | Kebab Hooligan #1 |
Mark Smith* | Kebab Hooligan #2 |
Louis Tamone | MI-5 Officer |
Sophie Ross | CIA Tech #2 |
Samuel Turner O'Toole | Young Kid |
Mark Underwood | Heimdahl’s Man |
Ian Burfield | Fisherman/Father |
Cameos
Piers Morgan | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ariel Vromen | Director |
Douglas S. Cook | Screenwriter |
David Weisberg | Screenwriter |
Matt O'Toole | Producer |
Mark Gill | Producer |
Christa Campbell | Producer |
J.C. Spink | Producer |
Jake Weiner | Producer |
Boaz Davidson | Executive Producer |
John Thompson | Executive Producer |
Christine Otal | Executive Producer |
Avi Lerner | Executive Producer |
Trevor Short | Executive Producer |
Lati Grobman | Executive Producer |
Douglas Urbanski | Executive Producer |
Jason Bloom | Executive Producer |
Kevin King-Templeton | Executive Producer |
Samuel Hadida | Co-Executive Producer |
Victor Hadida | Co-Executive Producer |
Paul Ritchie | Co-Producer |
Dana Gonzales | Director of Photography |
Jon Henson | Production Designer |
Danny Rafic | Editor |
Jill Taylor | Costume Designer |
Brian Tyler | Composer |
Keith Power | Composer |
Elaine Grainger | Casting Director |
Tom Struthers | Stunt Coordinator |
Jason Potter | Associate Producer |
Wes C. Caefer | Visual Effects Supervisor |
Lucy Ward | Script Supervisor |
Grant Armstrong | Supervising Art Director |
David Hindle | Art Director |
Hannah Moseley | Art Director |
Robert Wischhusen-Hayes | Set Decorator |
Martin Trevis | Sound Mixer |
Cristina Sopena | Costume Supervisor |
Neil Corbould | Special Effects |
Hayley Williams | Special Effects Supervisor |
Jason Wheeler | Supervising Location Manager |
Nick Oliver | Location Manager |
Mark Grimwade | Location Manager |
Charlotte Mason | Location Manager |
Tom Struthers | Second Unit Director |
David Stragmeister | Second Unit Camera |
Gary C. Bourgeois | Re-recording Mixer |
Kris Casavant | Supervising Sound Editor |
Nati Taub | Sound Editor |
Ryan Nowak | Sound Designer |
Ronen Nagel | Sound Designer |
Gord Hillier | Dialogue Editor |
Ben Schor | Music Editor |
Selena Arizanovic | Music Supervisor |
Stanislav Dragiev | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.