Netherlands Box Office for Criminal (2015)

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Criminal poster
Theatrical Performance (US$)
Netherlands Box Office $107,584Details
Worldwide Box Office $38,771,262Details
Home Market Performance
North America DVD Sales $4,825,614 Details
North America Blu-ray Sales $3,311,225 Details
Total North America Video Sales $8,136,839
Further financial details...

Synopsis

The story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in hopes that he will complete the operative’s mission.

Metrics

Movie Details

Production Budget:$31,500,000
Netherlands Releases: August 24th, 2016 (Wide)
Video Release: July 12th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence and language throughout.
(Rating bulletin 2417 (Cert #49972), 3/23/2016)
Running Time: 113 minutes
Keywords: Secret Agent, C.I.A., Action Thriller, Faulty Memory, Hackers, Anarchists
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Summit Entertainment, Millennium Films, Benderspink Productions, Campbell Grobman Films
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for July 26th, 2016

July 27th, 2016

Sing Street

It’s a rather shallow week on the home market with the biggest release being Batman: The Killing Joke, which is a hot mess. More on that below. As for the best new release of the week, there are a handful of releases that were contenders for Pick of the Week, including Barbershop: The Next Cut, Deadline U.S.A., and Mystery Science Theater 3000: Volume XXXVI. In the end, I picked Sing Street on Blu-ray for that title. More...

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Weekend Wrap-Up: Jungle Sets 2016 Sophomore Record with $61.54 Million

April 26th, 2016

The Huntsman: Winter's War

Both The Jungle Book and The Huntsman: Winter's War were a little weaker than predicted over the weekend. The Jungle Book was still able to earn the biggest sophomore weekend of 2016 at $61.54 million. For The Huntsman: Winter's War, it was a disappointing $19.45 million. Overall, the box office fell 28% to $128 million. However, this was still 32% more than the same weekend last year. Unfortunately, next weekend is going to be damn awful in the year-over-year comparison, because of a misalignment in the weekend. Year-to-date, 2016 has earned $3.37 million, putting it ahead of last year's pace by 8.5% or $260 million. More...

Weekend Wrap-Up: Jungle is King of the Box Office pulling in $103.26 million

April 18th, 2016

The Jungle Book

Wow. As expected, The Jungle Book easily won first place on the box office chart, but did so with a much, much better than anticipated result of $103.26 million during its opening weekend. This is more than the rest of the box office earned. Barbershop: The Next Cut did well as counter-programming earning $20.24 million. On the other hand, Criminal missed the top five and barely managed to avoid the Mendoza Line. The overall box office was $176 million, which was 68% more than last weekend and 47% more than the same weekend last year. Year-to-date, 2016 has earned $3.19 billion at the box office, which is 9.2% / $270 million more than last year's pace. I didn't think 2016 had a chance to top 2015, but I'm really getting optimistic now. More...

Weekend Estimates: Jungle Book projected to top $100 million

April 17th, 2016

The Jungle Book

2016 is shaping up to be just about the perfect year on all fronts for Disney. They started the year with Star Wars at the top of the box office; Zootopia far out-performed expectations; Captain America: Civil War, Alice Through the Looking Glass and Finding Dory position them perfectly for the Summer; and Doctor Strange and Star Wars: Rogue One are two of the most talked about movies coming at the end of the year. (Oh, and they’re slipping a long-awaited Steven Spielberg family-friendly film in the middle of all that.)

All-in-all, this could be a year of studio dominance the likes of which we haven’t seen since, well, last year, when Universal could do no wrong. Their incredible year really took flight at the beginning of April, when Furious 7 posted a monthly record $147 million opening weekend. The Jungle Book won’t hit those heights, but it will most likely be the second film to top $100 million in April, with Disney projecting a weekend of $103.57 million as of Sunday morning. More...

Friday Estimates: Jungle Roars to the Top

April 16th, 2016

The Jungle Book

Friday's box office had some good news, some bad news, and some ugly news. The Jungle Book opened with an amazing $32.41 million on Friday. Given its family-friendly target demographic and its 95% positive reviews, it should have a great internal multiplier. For example, Cinderella opened with $23.00 million during its opening day on the way to an opening weekend of $67.88 million. If The Jungle Book has the same internal multiplier, it will earn $96 million over the weekend. However, films that open bigger have a harder time maintaining those numbers. An opening weekend of $90 million is possible, but I think it will fall just short of that mark. More...

Thursday Night Previews: Jungle Made a Lot of Noise Last Night

April 15th, 2016

The Jungle Book

The Jungle Book has stellar previews pulling in $4.2 million in Thursday. That's not as big as Batman v Superman: Dawn of Justice or Deadpool made earlier this year. However, it is more than the $2.3 million Cinderella earned last year. This bodes well for its weekend run. More...

Weekend Predictions: Welcome to the Jungle

April 15th, 2016

The Jungle Book

Hollywood's attempt to redefine the start of summer as "some time in April" continue this week with the release of The Jungle Book. This film is expected to dominate the box office this weekend and possibly next weekend as well. Barbershop: The Next Cut is also expected to do well, perhaps earning the biggest opening in the franchise, not taking into account inflation. Finally there's Criminal, which should just be happy with a spot in the top five. This weekend last year, Furious 7 led the way, but Paul Blart: Mall Cop 2 and Unfriended were close behind. Fortunately, it looks like The Jungle Book will earn more than those three made combined. 2016 should have a good week on the year-over-year comparison. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/08/26 13 $41,287   43 $960   $59,517 1
2016/09/02 22 $27,119 -34% 43 $631   $107,584 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/27/2016 $100,859 52 52 97 $190,834 11/29/2018
Australia 5/20/2016 $3,034 10 10 10 $3,034 6/9/2016
Brazil 4/14/2016 $139,035 76 76 76 $251,718 11/15/2018
Bulgaria 4/15/2016 $15,631 31 31 31 $15,631 12/31/2018
China 5/12/2016 $7,900,000 32538 32538 40702 $15,772,274 8/27/2018
France 5/6/2016 $575,766 0 0 0 $1,260,288 10/2/2018
Greece 4/14/2016 $52,520 47 47 47 $52,520 6/9/2016
Hungary 4/21/2016 $42,669 29 29 58 $77,455 12/31/2018
Iraq 4/14/2016 $6,770 4 4 4 $6,770 12/31/2018
Italy 4/14/2016 $449,529 272 272 544 $1,123,734 11/11/2018
Lebanon 4/14/2016 $14,722 6 6 6 $14,722 12/31/2018
Lithuania 4/22/2016 $0 0 40 44 $28,315 6/9/2016
Mexico 7/22/2016 $437,621 0 0 0 $867,032 8/2/2016
Netherlands 8/24/2016 $41,287 43 43 86 $107,584 9/6/2016
North America 4/15/2016 $5,767,278 2,683 2,683 7,949 $14,708,696 4/4/2017
Oman 4/14/2016 $24,715 7 7 7 $24,715 12/31/2018
Portugal 4/14/2016 $62,971 33 33 132 $191,194 6/9/2016
Russia (CIS) 4/14/2016 $490,391 618 618 1339 $734,639 12/31/2018
Slovenia 4/28/2016 $6,580 13 13 22 $11,701 6/9/2016
South Africa 4/15/2016 $29,359 35 35 35 $29,359 6/9/2016
South Korea 6/22/2016 $332,449 342 342 358 $649,705 7/16/2016
Spain 9/2/2016 $176,964 180 180 391 $380,480 10/6/2016
Taiwan 8/21/2015 $0 0 47 47 $261,980 6/9/2016
Turkey 4/15/2016 $78,303 150 150 242 $229,002 2/26/2019
United Arab Emirates 4/14/2016 $394,884 64 64 64 $394,884 12/31/2018
United Kingdom 4/15/2016 $353,108 277 277 290 $353,108 9/28/2022
 
Rest of World $1,029,888
 
Worldwide Total$38,771,262 9/28/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Kevin Costner Jerico Stewart
Gary Oldman Quaker Wells
Tommy Lee Jones Dr. Franks
Alice Eve Marta Lynch
Gal Gadot Jill Pope

Supporting Cast

Michael Pitt Jan Strok (The Dutchmen)
Jordi Molla
Antje Traue
Scott Adkins
Amaury Nolasco Esteban Ruiza
Danny Webb Lewis Deane
Colin Salmon Warden
Ryan Reynolds Bill Pope
Lara Decaro Emma Pope
Freddy Bosche CIA Agent Pfeffer
Emmanuel Imani CIA Agent #2
Harry Hepple CIA Tech
Doug Cockle Extraction Team Leader
Steve Nicolson SSBN Captain
Gisella Marengo Luggage Shop Saleswoman
Mark Kempner Black Cab Driver
Michael Bodie CIA Officer Laundry Team
Sope Dirisu SSBN Fire & Control
Joshua James Higgs
Samantha Coughlan Navy Officer
David Avery Kebab Clerk
Joe Fidler Radio Man Fred Bosh
Michael A. Webber Pawnbroker
Katharine Gwen Francoise
Richard Reid James Osborne
Kelly Clare Pedestrian
Joanna Brookes Librarian
Matthew Steer Librarian Patron
Andrew Byron Russian Sentry
Elizabeth Ross Mrs. Franks
James Richard Marshall Heimdahl’s Guard
Henry Garrett Air Force Technician
Tim Woodward Roderick Armstrong
Lotte Rice Bobby
Nathan Osgood Professor Callowell
Sarah Middleton Researcher
Dragos Savulescu Akhmadov
Tamer Dogem Kebab Cook
Priyanga Burford Pharmacist
Diana Dimitrovici Very Attractive Nurse
Amina Zia Indian Woman
Rio Fredrika Debolla Redhead Girl
Steven Brand News Anchor
Natalie Marie Ames Female News Anchor
Luca Giorgio Maggiora Kebab Hooligan #1
Mark Smith* Kebab Hooligan #2
Louis Tamone MI-5 Officer
Sophie Ross CIA Tech #2
Samuel Turner O'Toole Young Kid
Mark Underwood Heimdahl’s Man
Ian Burfield Fisherman/Father

Cameos

Piers Morgan Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ariel Vromen Director
Douglas S. Cook Screenwriter
David Weisberg Screenwriter
Matt O'Toole Producer
Mark Gill Producer
Christa Campbell Producer
J.C. Spink Producer
Jake Weiner Producer
Boaz Davidson Executive Producer
John Thompson Executive Producer
Christine Otal Executive Producer
Avi Lerner Executive Producer
Trevor Short Executive Producer
Lati Grobman Executive Producer
Douglas Urbanski Executive Producer
Jason Bloom Executive Producer
Kevin King-Templeton Executive Producer
Samuel Hadida Co-Executive Producer
Victor Hadida Co-Executive Producer
Paul Ritchie Co-Producer
Dana Gonzales Director of Photography
Jon Henson Production Designer
Danny Rafic Editor
Jill Taylor Costume Designer
Brian Tyler Composer
Keith Power Composer
Elaine Grainger Casting Director
Tom Struthers Stunt Coordinator
Jason Potter Associate Producer
Wes C. Caefer Visual Effects Supervisor
Lucy Ward Script Supervisor
Grant Armstrong Supervising Art Director
David Hindle Art Director
Hannah Moseley Art Director
Robert Wischhusen-Hayes Set Decorator
Martin Trevis Sound Mixer
Cristina Sopena Costume Supervisor
Neil Corbould Special Effects
Hayley Williams Special Effects Supervisor
Jason Wheeler Supervising Location Manager
Nick Oliver Location Manager
Mark Grimwade Location Manager
Charlotte Mason Location Manager
Tom Struthers Second Unit Director
David Stragmeister Second Unit Camera
Gary C. Bourgeois Re-recording Mixer
Kris Casavant Supervising Sound Editor
Nati Taub Sound Editor
Ryan Nowak Sound Designer
Ronen Nagel Sound Designer
Gord Hillier Dialogue Editor
Ben Schor Music Editor
Selena Arizanovic Music Supervisor
Stanislav Dragiev Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.