Copie conforme (2011)

Copie conforme poster
Theatrical Performance
Domestic Box Office $1,373,975Details
International Box Office $4,081,761Details
Worldwide Box Office $5,455,736
Further financial details...

Synopsis

This is the story of a meeting between one man and one woman, in a small Italian village in Southern Tuscany. The man is a British author who has just finished giving a lecture at a conference. The woman, from France, owns an art gallery. This is a common story that could happen to anyone, anywhere.

Metrics

Opening Weekend:$77,937 (5.7% of total gross)
Legs:7.16 (domestic box office/biggest weekend)
Domestic Share:25.2% (domestic box office/worldwide)
Theater counts:5 opening theaters/57 max. theaters, 7.9 weeks average run per theater
Infl. Adj. Dom. BO $1,867,775

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: March 11th, 2011 (Limited) by IFC Films, released as Certified Copy
Video Release: May 22nd, 2012 by Criterion, released as Certifed Copy
MPAA Rating: Not Rated
Running Time: 106 minutes
Comparisons: Create your own comparison chart…
Keywords: Unnamed Character, Dysfunctional Family, Surprise Twist, Foreign Language, Romance, Writing and Writers
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: MK2, Bibi Film, France 2 Cinema, Canal Plus, France Television, Centre National de la Cinematographie, RAI Cinema, Regione Toscana, Toscana Film Commission, Programme Media de la Communaute Europeenne, Artemis Prods, Patrick Quinet, Cofinova 6, Cinemage 4, Soficinema 5
Production Countries: Belgium, France, Italy
Languages: French, Italian

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2011 Theater Average 81 $15,587 Mar 11, 2011 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 11, 2011 40 $77,937   5 $15,587   $77,937 1
Mar 18, 2011 33 $132,733 +70% 23 $5,771   $245,820 2
Mar 25, 2011 28 $191,828 +45% 48 $3,996   $490,471 3
Apr 1, 2011 30 $146,208 -24% 55 $2,658   $704,011 4
Apr 8, 2011 34 $110,412 -24% 57 $1,937   $866,872 5
Apr 15, 2011 38 $77,039 -30% 56 $1,376   $983,762 6
Apr 22, 2011 47 $56,619 -27% 45 $1,258   $1,081,833 7
Apr 29, 2011 51 $47,937 -15% 44 $1,089   $1,151,867 8
May 6, 2011 54 $37,771 -21% 36 $1,049   $1,213,205 9
May 13, 2011 62 $25,038 -34% 35 $715   $1,255,804 10
May 20, 2011 67 $16,405 -34% 24 $684   $1,289,176 11
May 27, 2011 69 $7,760 -53% 8 $970   $1,310,645 12
Jun 3, 2011 64 $11,628 +50% 12 $969   $1,324,195 13
Jun 10, 2011 82 $3,807 -67% 5 $761   $1,337,384 14

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2011 60 $3,533     8 $442   $1,307,112 81

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 11, 2011 40 $113,087   5 $22,617   $113,087 1
Mar 18, 2011 33 $185,556 +64% 23 $8,068   $298,643 2
Mar 25, 2011 31 $259,160 +40% 48 $5,399   $557,803 3
Apr 1, 2011 31 $198,657 -23% 55 $3,612   $756,460 4
Apr 8, 2011 35 $153,263 -23% 57 $2,689   $909,723 5
Apr 15, 2011 38 $118,491 -23% 56 $2,116   $1,025,214 6
Apr 22, 2011 46 $78,716 -34% 45 $1,749   $1,103,930 7
Apr 29, 2011 50 $71,504 -9% 44 $1,625   $1,175,434 8
May 6, 2011 54 $55,332 -23% 36 $1,537   $1,230,766 9
May 13, 2011 60 $42,005 -24% 35 $1,200   $1,272,771 10
May 20, 2011 67 $26,581 -37% 24 $1,108   $1,299,352 11
May 27, 2011 68 $13,215 -50% 8 $1,652   $1,312,567 12
Jun 3, 2011 63 $21,122 +60% 12 $1,760   $1,333,689 13
Jun 10, 2011 79 $7,038 -67% 7 $1,005   $1,340,615 14

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Juliette Binoche She
James Shimell James Miller

Supporting Cast

Jean-Claude Carriere The man at the square
Agathe Natanson The woman at the square
Gianna Giachetti The Cafe Owner
Adrian Moore The Son
Angelo Barbagallo The Interpreter
Andrea Laurenzi The guide
Filippo Troiano The bride groom
Manuela Balsimelli The Bride

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Abbas Kiarostami Director
Abbas Kiarostami Screenwriter
Massoumeh Lahidji Screenwriter
Luca Bigazzi Cinematographer
Bahman Kiarostami Set Decorator
Olivier Hespel Sound Designer
Dominique Vieillard Sound Designer
Giancarlo Basili Set Designer
Ludovica Ferrario Set Designer
Gaetano Daniele Executive Producer
Ivana Kastratovic Production Supervisor
Claire Dornoy Production Supervisor
Marin Karmitz Producer
Nathanael Karmitz Producer
Charles Gillibert Producer
Angelo Barbagallo Producer

DVD and Blu-ray Releases for May 22nd, 2012

May 22nd, 2012

It's a strange week on the home market. There are not a lot of films on this week's list, but there are more first run releases than normal, while we are also moving into the summer TV schedule, so a lot of those shows are getting home market releases this week, in preparation for their upcoming seasons. The list is top-heavy, not very deep, and lacks contenders for for Pick of the Week. The Secret World of Arrietty is the best release and the Blu-ray looks amazing, but there are not a lot of extras to be found. Likewise, Sherlock: Season Two is a great show, but the DVD and Blu-ray don't have a lot of extras, plus the price-per-minute is rather high for a TV on DVD release. I have high hopes for The Woman in Black, but the screener is late. In the end I'm going with The Secret World of Arrietty, but the other two are Honorable Mentions. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Per Theater Chart: Jane Eyre is in the Red

March 15th, 2011

It was an amazing week on the per theater chart, even if you ignore Red State's special showings. The latest Kevin Smith offering added more than $100,000 over the weekend, at two special showings, for an average of $51,283. At this pace, it's going to start hitting major milestones before its theatrical debut this fall. Meanwhile, Jane Eyre had the best per theater average for a regular release this year at $45,721 in four theaters. The good news doesn't end there as Kill The Irishman opened with an average of $29,086 in five theaters, which also suggests the ability to expand significantly. Certified Copy earned close to $80,000 in five theaters for an average of $15,587. That would have been enough to lead the way many weekends so far this year. 3 Backyards opened with $11,000 in one theater, while the overall number one film, Battle: Los Angeles opened with an average of $10,411 in more than 3400 theaters. More...

Weekend Estimates: Battle Big as Mars Flops

March 13th, 2011

Battle: Los Angeles posted an estimated opening of $36 million to win the weekend, and give the market another boost after Rango's solid debut last week. With Rango itself dropping only 40% to a shade over $23 million the total weekend box office should be about 12% below last year, which is actually an improvement over recent weeks, although it continues a months-long slump. And the weekend brought some very bad news for Disney, whose Mars Needs Moms had a catastrophic $6.8 million opening weekend, on a budget reported at $150 million. More...

Limited Releases are Killer

March 11th, 2011

Quite a busy week for limited releases with a number of films opening, including several that are earning excellent reviews. A few of these, like Jane Eyre and Certified Copy, might even do well enough to find some measure of mainstream success. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

This is the story of a meeting between one man and one woman, in a small Italian village in Southern Tuscany. The man is a British author who has just finished giving a lecture at a conference. The woman, from France, owns an art gallery. This is a common story that could happen to anyone, anywhere.

Metrics

Opening Weekend:$77,937 (5.7% of total gross)
Legs:7.16 (domestic box office/biggest weekend)
Domestic Share:25.2% (domestic box office/worldwide)
Theater counts:5 opening theaters/57 max. theaters, 7.9 weeks average run per theater
Infl. Adj. Dom. BO $1,867,775

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: March 11th, 2011 (Limited) by IFC Films, released as Certified Copy
Video Release: May 22nd, 2012 by Criterion, released as Certifed Copy
MPAA Rating: Not Rated
Running Time: 106 minutes
Comparisons: Create your own comparison chart…
Keywords: Unnamed Character, Dysfunctional Family, Surprise Twist, Foreign Language, Romance, Writing and Writers
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: MK2, Bibi Film, France 2 Cinema, Canal Plus, France Television, Centre National de la Cinematographie, RAI Cinema, Regione Toscana, Toscana Film Commission, Programme Media de la Communaute Europeenne, Artemis Prods, Patrick Quinet, Cofinova 6, Cinemage 4, Soficinema 5
Production Countries: Belgium, France, Italy
Languages: French, Italian

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2011 Theater Average 81 $15,587 Mar 11, 2011 3

Leading Cast

Juliette Binoche She
James Shimell James Miller

Supporting Cast

Jean-Claude Carriere The man at the square
Agathe Natanson The woman at the square
Gianna Giachetti The Cafe Owner
Adrian Moore The Son
Angelo Barbagallo The Interpreter
Andrea Laurenzi The guide
Filippo Troiano The bride groom
Manuela Balsimelli The Bride

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Abbas Kiarostami Director
Abbas Kiarostami Screenwriter
Massoumeh Lahidji Screenwriter
Luca Bigazzi Cinematographer
Bahman Kiarostami Set Decorator
Olivier Hespel Sound Designer
Dominique Vieillard Sound Designer
Giancarlo Basili Set Designer
Ludovica Ferrario Set Designer
Gaetano Daniele Executive Producer
Ivana Kastratovic Production Supervisor
Claire Dornoy Production Supervisor
Marin Karmitz Producer
Nathanael Karmitz Producer
Charles Gillibert Producer
Angelo Barbagallo Producer

DVD and Blu-ray Releases for May 22nd, 2012

May 22nd, 2012

It's a strange week on the home market. There are not a lot of films on this week's list, but there are more first run releases than normal, while we are also moving into the summer TV schedule, so a lot of those shows are getting home market releases this week, in preparation for their upcoming seasons. The list is top-heavy, not very deep, and lacks contenders for for Pick of the Week. The Secret World of Arrietty is the best release and the Blu-ray looks amazing, but there are not a lot of extras to be found. Likewise, Sherlock: Season Two is a great show, but the DVD and Blu-ray don't have a lot of extras, plus the price-per-minute is rather high for a TV on DVD release. I have high hopes for The Woman in Black, but the screener is late. In the end I'm going with The Secret World of Arrietty, but the other two are Honorable Mentions. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Per Theater Chart: Jane Eyre is in the Red

March 15th, 2011

It was an amazing week on the per theater chart, even if you ignore Red State's special showings. The latest Kevin Smith offering added more than $100,000 over the weekend, at two special showings, for an average of $51,283. At this pace, it's going to start hitting major milestones before its theatrical debut this fall. Meanwhile, Jane Eyre had the best per theater average for a regular release this year at $45,721 in four theaters. The good news doesn't end there as Kill The Irishman opened with an average of $29,086 in five theaters, which also suggests the ability to expand significantly. Certified Copy earned close to $80,000 in five theaters for an average of $15,587. That would have been enough to lead the way many weekends so far this year. 3 Backyards opened with $11,000 in one theater, while the overall number one film, Battle: Los Angeles opened with an average of $10,411 in more than 3400 theaters. More...

Weekend Estimates: Battle Big as Mars Flops

March 13th, 2011

Battle: Los Angeles posted an estimated opening of $36 million to win the weekend, and give the market another boost after Rango's solid debut last week. With Rango itself dropping only 40% to a shade over $23 million the total weekend box office should be about 12% below last year, which is actually an improvement over recent weeks, although it continues a months-long slump. And the weekend brought some very bad news for Disney, whose Mars Needs Moms had a catastrophic $6.8 million opening weekend, on a budget reported at $150 million. More...

Limited Releases are Killer

March 11th, 2011

Quite a busy week for limited releases with a number of films opening, including several that are earning excellent reviews. A few of these, like Jane Eyre and Certified Copy, might even do well enough to find some measure of mainstream success. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 11, 2011 40 $77,937   5 $15,587   $77,937 1
Mar 18, 2011 33 $132,733 +70% 23 $5,771   $245,820 2
Mar 25, 2011 28 $191,828 +45% 48 $3,996   $490,471 3
Apr 1, 2011 30 $146,208 -24% 55 $2,658   $704,011 4
Apr 8, 2011 34 $110,412 -24% 57 $1,937   $866,872 5
Apr 15, 2011 38 $77,039 -30% 56 $1,376   $983,762 6
Apr 22, 2011 47 $56,619 -27% 45 $1,258   $1,081,833 7
Apr 29, 2011 51 $47,937 -15% 44 $1,089   $1,151,867 8
May 6, 2011 54 $37,771 -21% 36 $1,049   $1,213,205 9
May 13, 2011 62 $25,038 -34% 35 $715   $1,255,804 10
May 20, 2011 67 $16,405 -34% 24 $684   $1,289,176 11
May 27, 2011 69 $7,760 -53% 8 $970   $1,310,645 12
Jun 3, 2011 64 $11,628 +50% 12 $969   $1,324,195 13
Jun 10, 2011 82 $3,807 -67% 5 $761   $1,337,384 14

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2011 60 $3,533     8 $442   $1,307,112 81

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 11, 2011 40 $113,087   5 $22,617   $113,087 1
Mar 18, 2011 33 $185,556 +64% 23 $8,068   $298,643 2
Mar 25, 2011 31 $259,160 +40% 48 $5,399   $557,803 3
Apr 1, 2011 31 $198,657 -23% 55 $3,612   $756,460 4
Apr 8, 2011 35 $153,263 -23% 57 $2,689   $909,723 5
Apr 15, 2011 38 $118,491 -23% 56 $2,116   $1,025,214 6
Apr 22, 2011 46 $78,716 -34% 45 $1,749   $1,103,930 7
Apr 29, 2011 50 $71,504 -9% 44 $1,625   $1,175,434 8
May 6, 2011 54 $55,332 -23% 36 $1,537   $1,230,766 9
May 13, 2011 60 $42,005 -24% 35 $1,200   $1,272,771 10
May 20, 2011 67 $26,581 -37% 24 $1,108   $1,299,352 11
May 27, 2011 68 $13,215 -50% 8 $1,652   $1,312,567 12
Jun 3, 2011 63 $21,122 +60% 12 $1,760   $1,333,689 13
Jun 10, 2011 79 $7,038 -67% 7 $1,005   $1,340,615 14

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.