Hong Kong Box Office for Come Play (2020)
Theatrical Performance (US$) | ||
Hong Kong Box Office | $156,993 | Details |
Worldwide Box Office | $12,624,174 | Details |
Home Market Performance | ||
North America DVD Sales | $483,197 | Details |
North America Blu-ray Sales | $233,661 | Details |
Total North America Video Sales | $716,858 | |
Further financial details... |
Synopsis
Oliver is a lonely young boy who feels different from everyone else. Desperate for a friend, he seeks solace and refuge in his ever-present cell phone and tablet. When a mysterious creature uses Oliver’s devices against him to break into our world, Oliver’s parents must fight to save their son from the monster beyond the screen.
Metrics
Movie Details
Production Budget: | $9,000,000 |
Hong Kong Releases: | October 29th, 2020 (Wide) |
Video Release: | November 15th, 2020 by Universal Home Entertainment |
MPAA Rating: | PG-13 for terror, frightening images and some language. (Rating bulletin 2621 (Cert #52648), 3/18/2020) |
Running Time: | 96 minutes |
Keywords: | Supernatural Horror, Supernatural |
Source: | Based on Short Film |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Amblin Partners, Reliance Entertainment, The Picture Company |
Production Countries: | United States |
Languages: | English |
Weekend predictions: Freaky could be a pandemic-sized hit
November 13th, 2020
One of the curiosities since theaters started to reopen in the late Summer and early Fall is that the movies being released have not really targeted the demographic one would expect to be most likely to actually go to theaters: people in their teens and twenties. Instead, we’ve mostly seen thrillers, which tend to skew older, and family movies, which obviously skew younger. The most obvious exception to this rule is The New Mutants, which opened with $7 million back in August. This weekend, Freaky is looking to pull off a similar result. If it over-performs, it has a shot at beating Mutants, and having the second-best opening of the pandemic era.
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Weekend estimates: Let Him Go tops expectations with $4 million opening
November 8th, 2020
Let Him Go is pulling off a comfortable win at the box office this weekend, according to studio projections released on Sunday morning. Its $4.1-million opening is the third-best result during the pandemic, behind Tenet’s $20.2 million and The New Mutants’s $7.0 million, and slightly ahead of Unhinged’s $4.0 million, assuming the final numbers hold on Monday. While this is undoubtedly good news, which pushes the total for the top six close to $10 million for the first time in a while, the evidence points towards this being more a case of one film connecting with audiences rather than a significant market improvement.
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Weekend predictions: can Let Him Go topple Come Play?
November 6th, 2020
The race to be elected the top film at the box office this weekend is too close to call, according to our model, although the odds favor Let Him Go, which opens in 2,454 theaters, and has enough buzz to probably pull off a victory. Come Play would have to enjoy an unusually strong hold coming off Halloween weekend to secure a surprise win.
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Weekend estimates: Come Play scores solid Halloween win
November 1st, 2020
Come Play is outperforming expectations and set for a comfortable weekend win, according to studio projections released on Sunday morning. Its $3.15-million debut is a little behind other recent chart toppers like Honest Thief and The War with Grandpa, both of which picked up $3.6-million openings, but it’s also comfortably ahead of our pre-weekend prediction of $2.2 million.
Is this better-than-expected performance a sign of a strengthening market? Unfortunately not.
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Weekend predictions: Come Play slight favorite to win the weekend
October 30th, 2020
Although it’s unlikely to break any records (even pandemic-era ones), Come Play has a good chance to topping the box office this Halloween weekend, according to our model, which puts its opening weekend around $2.2 million. That’s not far enough ahead of Honest Thief for a win to be certain. Anything less would almost certainly point to another down weekend overall at the box office.
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Come Play Trailer
August 28th, 2020
Supernatural horror movie starring Azhy Robertson and Gillian Jacobs arrives in theaters on October 30 ... Full Movie Details.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Hong Kong | 10/29/2020 | $81,996 | 0 | 0 | 0 | $156,993 | 12/1/2020 |
India | 11/27/2020 | $0 | 0 | 0 | 0 | $12,233 | 12/12/2020 |
Indonesia | 12/2/2020 | $0 | 0 | 0 | 0 | $32,318 | 1/15/2021 |
Lithuania | 10/30/2020 | $21,334 | 15 | 15 | 26 | $43,971 | 11/11/2020 |
North America | 10/30/2020 | $3,119,875 | 2,183 | 2,213 | 12,018 | $10,475,990 | 8/3/2021 |
Poland | 10/30/2020 | $132,420 | 0 | 0 | 0 | $209,544 | 10/19/2022 |
Portugal | 10/30/2020 | $21,412 | 42 | 43 | 220 | $83,929 | 10/19/2022 |
South Korea | 1/20/2021 | $58,778 | 386 | 386 | 431 | $112,245 | 2/3/2021 |
Rest of World | $1,496,951 | ||||||
Worldwide Total | $12,624,174 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gillian Jacobs | Sarah |
Azhy Robertson | Oliver |
Supporting Cast
John Gallagher, Jr. | Marty |
Winslow Fegley | Byron |
Jayden Marine | Mateo |
Gavin MacIver-Wright | Zach |
Dalmar Abuzeid | Mr. Calarco |
Eboni Booth | Dr. Robyn |
Rachel Wilson | Jennifer |
Russ Walko | Larry’s Lead Puppeteer |
Andy Hayward | Larry’s 2nd Puppeteer |
Marty Stelnick | Larry’s 3rd Puppeteer |
Gord Robertson | Larry’s 4th Puppeteer |
Alana-Ashley Marques | Aide |
Alex Spencer | Police Officer |
Ish Morris | Mateo’s Dad |
Ana Araujo | Kid Next to Byron |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jacob Chase | Director |
Jacob Chase | Screenwriter |
Alex Heineman | Producer |
Andrew Rona | Producer |
Alan C. Blomquist | Executive Producer |
Jeb Brody | Executive Producer |
Maxime Alexandre | Director of Photography |
David J. Bomba | Production Designer |
Gregory Plotkin | Editor |
Marcia Scott | Costume Designer |
Roque Banos | Composer |
Rori Bergman | Casting Director |
Jamie Jones | Stunt Coordinator |
Neil Davison | Stunt Coordinator |
Michaela Cheyne | Art Director |
Kari Measham | Set Decorator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.