New Zealand Box Office for A Call to Spy (2020)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $241,770 | Details |
| Worldwide Box Office | $843,458 | Details |
| Further financial details... | ||
Synopsis
In the beginning of WWII, with Britain becoming desperate, Churchill orders his new spy agency — the Special Operations Executive (SOE) — to recruit and train women as spies. Their daunting mission: conduct sabotage and build a resistance. SOE’s “spymistress,” Vera Atkins, recruits two unusual candidates: Virginia Hall, an ambitious American with a wooden leg, and Noor Inayat Khan, a Muslim pacifist. Together, these women help to undermine the Nazi regime in France, leaving an unmistakable legacy in their wake.
Metrics
Movie Details
| New Zealand Releases: | December 26th, 2020 (Wide) January 28th, 2021 (Wide) |
| Video Release: | October 2nd, 2020 by IFC Video |
| MPAA Rating: | PG-13 for some strong violence, disturbing images, language, and smoking. (Rating bulletin 2626 (Cert #52701), 4/22/2020) |
| Running Time: | 123 minutes |
| Keywords: | World War II, 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | SMT Pictures |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/11/20 | - | $2,399 | 5 | $480 | $2,399 | 1 | |
| 2020/11/27 | 17 | $6,582 | +174% | 10 | $658 | $10,724 | 1 |
| 2021/01/01 | - | $31,755 | 34 | $934 | $106,635 | 2 | |
| 2021/01/08 | 10 | $25,913 | -18% | 41 | $632 | $147,183 | 3 |
| 2021/01/15 | 10 | $19,374 | -25% | 52 | $373 | $175,630 | 4 |
| 2021/01/22 | 13 | $16,262 | -16% | 43 | $378 | $208,012 | 5 |
| 2021/01/29 | 17 | $7,530 | -54% | 28 | $269 | $223,573 | 6 |
| 2021/02/05 | 20 | $5,215 | -31% | 25 | $209 | $232,232 | 7 |
| 2021/02/12 | - | $2,271 | -56% | 18 | $126 | $239,511 | 8 |
| 2021/02/19 | - | $1,504 | -34% | 15 | $100 | $244,960 | 9 |
| 2021/02/26 | - | $1,082 | -28% | 8 | $135 | $244,966 | 10 |
| 2021/03/05 | - | $1,054 | -3% | 8 | $132 | $243,061 | 11 |
| 2021/03/12 | - | $591 | -44% | 9 | $66 | $246,178 | 12 |
| 2021/03/19 | - | $297 | -50% | 5 | $59 | $246,158 | 13 |
| 2021/03/26 | - | $180 | -39% | 4 | $45 | $240,887 | 14 |
| 2021/04/02 | - | $135 | -25% | 2 | $68 | $242,077 | 15 |
| 2021/04/16 | - | $21 | 2 | $11 | $246,205 | 17 | |
| 2021/06/18 | - | $226 | 1 | $226 | $239,674 | 26 | |
| 2021/06/25 | - | $192 | -15% | 1 | $192 | $244,664 | 27 |
| 2021/07/02 | - | $57 | -70% | 1 | $57 | $242,436 | 28 |
| 2021/07/09 | - | $57 | n/c | 2 | $29 | $241,770 | 29 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/26/2020 | $45,430 | 63 | 64 | 369 | $436,869 | 9/19/2022 |
| New Zealand | 1/28/2021 | $2,399 | 5 | 52 | 314 | $241,770 | 10/20/2022 |
| North America | 10/2/2020 | $35,098 | 75 | 79 | 296 | $159,014 | |
| United Kingdom | 10/23/2020 | $5,805 | 31 | 31 | 31 | $5,805 | 10/28/2020 |
| Worldwide Total | $843,458 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Sarah Megan Thomas | Virginia Hall |
| Stana Katic | Vera Atkins |
| Radhika Apte | Noor Inayat Khan |
Supporting Cast
| Linus Roach | Colonel Maurice Buckmaster |
| Rossif Sutherland | Doctor Chevain |
| Samuel Roukin | |
| Andrew Richardson | |
| Laila Roberts | |
| Marc Rissmann | |
| Mathilde Ollivier |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lydia Dean Pilcher | Director |
| Sarah Megan Thomas | Screenwriter |
| Sarah Megan Thomas | Producer |
| Robby Baumgartner | Director of Photography |
| Paul Tothill | Editor |
| Kim Jennings | Production Designer |
| Louise Lovegrove | Line Producer |
| Vanessa Porter | Costume Designer |
| Lillie Rebecca McDonough | Composer |
| Heidi Levitt | Casting Director |