United Kingdom Box Office for The Call-Up (2016)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $2,926 | Details |
| Worldwide Box Office | $158,758 | Details |
| Further financial details... | ||
Synopsis
A group of online gamers are invited to trial a state-of-the-art virtual reality sim, but what starts out like a dream encounter with cutting edge video technology — a perfect representation of soldiers in a warzone — takes a turn for the sinister when the stakes are raised to fatal. These masters of the shoot ‘em up will have to fight for their lives within a game gone too far: this time it’s for real.
Metrics
Movie Details
| United Kingdom Releases: | May 20th, 2016 (Wide), released as The Call-Up |
| Video Release: | June 24th, 2016 |
| MPAA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Keywords: | Virtual Reality, Video Game, Terrorism, Forced to Fight to the Death, Trapped, Death Sports |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Animation/Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Stigma Films, Red and Black Films, Creative England, Marzipan Entertainment, Pont Neuf Productions, Altitude Film Sales |
| Production Countries: | United Kingdom |
| Languages: | English |
Limited and VOD Releases: Neon Lights Shine Bright on Limited Releases
June 24th, 2016
Wow. This is a great week for limited releases. Not only are there a few releases earning a lot of buzz (The Neon Demon, Swiss Army Man, and Wiener Dog). There are also even more movies earning 100% positive reviews. Of those, Hunt for the Wilderpeople is the one that I think will have the best chance of breakout success.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/05/20 | 44 | $2,926 | 1 | $2,926 | $2,926 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 6/24/2016 | $0 | 0 | 0 | 0 | $0 | 11/8/2018 |
| Turkey | 7/15/2016 | $23,287 | 107 | 107 | 255 | $122,153 | 2/26/2019 |
| United Kingdom | 5/20/2016 | $2,926 | 1 | 1 | 1 | $2,926 | 6/9/2016 |
| Rest of World | $33,679 | ||||||
| Worldwide Total | $158,758 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Max Deacon | Soxxx_1/Carl Anderson |
| Morfydd Clark | Shelly |
| Ali Cook | Edward |
Supporting Cast
| Parker Sawyers | Str8 Shoot3r/Andre |
| Tom Benedict Knight | Marco |
| Christopher Obi | The Sergeant |
| Adriana Randall | Taylor |
| Greg Kolpakchi | Terrorist |
| Malcolm Modele | Terrorist |
| Dino Fazzani | Terrorist |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Charles Barker | Director |
| Charles Barker | Screenwriter |
| Matthew James Wilkinson | Producer |
| John Giwa-Amu | Producer |
| Damian Fitzsimmons | Screenwriter-Additional Writing by |
| Alan Martin | Executive Producer |
| Richard Holmes | Executive Producer |
| Isabelle Georgeaux | Co-Producer |
| Caradog James | Associate Producer |
| John Lee | Director of Photography |
| Paul McFadden | Sound Designer |
| Jon Joyce | Sound Designer |
| Richard Campling | Production Designer |
| Tommy Boulding | Editor |
| Lindsey Archer | Costume Designer |
| Scarlett O'Connell | Make-up and Hair Designer |
| Tom Raybould | Composer |
| Colin Jones | Casting Director |