Spain Box Office for Bullet to the Head (2013)

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Bullet to the Head poster
Theatrical Performance (US$)
Spain Box Office $606,961Details
Worldwide Box Office $22,597,969Details
Home Market Performance
North America DVD Sales $7,756,942 Details
North America Blu-ray Sales $2,771,004 Details
Total North America Video Sales $10,527,946
Further financial details...

Synopsis

Career hitman Jimmy Bobo enters into an unlikely alliance with by-the-book detective Taylor Kwon to bring down the ruthless killer of their respective partners.

Metrics

Movie Details

Production Budget:$55,000,000
Spain Releases: March 22nd, 2013 (Wide)
Video Release: July 16th, 2013 by Warner Home Video
MPAA Rating: R for strong violence, bloody images, language, some nudity and brief drug use.
(Rating bulletin 2222, 5/9/2012)
Running Time: 91 minutes
Keywords: Hitmen, Buddy Cop, Kidnap, Rescue, Revenge, Martial Arts, Organized Crime, Action Thriller
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Dark Castle Entertainment, IM Global, Millar/Gough Ink, After Dark Films
Production Countries: United States
Languages: English

Blu-ray Sales: Blu-ray Has New Life

October 3rd, 2013

The Blu-ray sales chart for the week of July 21st, 2013 had a lot of new releases on top with three of them opening in the top three spots. The best was 42 with 253,000 units / $5.82 million for an opening week Blu-ray share of 34%. That's actually really good for a drama. More...

DVD Sales: 42 is the Answer

October 3rd, 2013

New releases led the way on the July 21st, 2013 edition of the DVD sales chart with new releases taking the top three spots. First place went to 42 with 489,000 units / $7.33 million. This is a good start and after a better than expected domestic run, it is well on its way to profitability. More...

DVD and Blu-ray Releases for July 16th, 2013

July 14th, 2013

It's not a bad week on the home market with a couple first-run releases that are worth picking up. 42 earned great reviews, but the DVD and the Blu-ray Combo Pack don't have enough extras to lift to to the Pick of the Week contender. Evil Dead does have a lot better extras on the DVD and Blu-ray Combo Pack, but the reviews were only good and not great. This leaves Regular Show: Season 1 & Season 2 on DVD or Blu-ray as the Pick of the Week. If you like Adventure Time or Gravity Falls, then you will likely enjoy this show as well. One final note, Orphan Black: Season One on DVD or Blu-ray is absolutely worth picking up and is worthy of Puck of the Week, for best Canadian released. More...

Weekend Wrap-Up: Death of a Franchise

February 20th, 2013

The Valentine's Day / President's Day five-day weekend wasn't as lucrative as many had hoped, at least not at the top, which is really bad news for a year that is not off to a great start. A Good Day to Die Hard won the race, but barely, with Identity Thief coming in a very close second over the weekend. Other new releases, like Safe Haven and Escape From Planet Earth did better than expected, while Beautiful Creatures crashed. The overall box office did rise by 36% to $141 million over the three-day period, but the holiday explains that growth. Compare to last year, 2013 actually failed to match last President's Day by 9.3% over the three-day period and with $168 million including Monday, missed the four-day period by 13%. Year-to-date, 2013 is behind 2012 by 6.7% at $1.28 billion to $1.37 billion. I am officially concerned. More...

Weekend Wrap-Up: Storm Doesn't Slow Down Thief's Start

February 12th, 2013

It was a great week at the box office, all things considered, with Identity Thief crushing expectations and all of the holdovers matching theirs. Only Side Effects struggled at the box office. This helped the overall box office climb 18% from last week to $104 million. This was 47% lower than the same weekend last year; however, this weekend last year was Valentine's weekend, which is one of the biggest non-holiday weekends of the year, so the comparison isn't fair. As I predicted last week, the lead 2013 had built up has evaporated and it is now 1.2% lower than 2012 at $1.05 billion to $1.06 billion. Since Valentine's Day is this Thursday, we should make up the difference quickly. More...

Weekend Wrap-Up: Warm Bodies is a Silver Lining for Slow Weekend

February 4th, 2013

There were a number of factors that hurt the box office over the weekend, not the least of which was the rather exciting Super Bowl game. (At least it sounds like it was exciting. I Googled the score a couple times, but I didn't watch the game.) Warm Bodies easily won the weekend race and finished on the high end of expectations, while Silver Linings Playbook remains on pace to reach $100 million. On the other hand, Bullet to the Head bombed. Overall, the box office fell 21% to just $89 million. Again, the Super Bowl had a lot to do with that. Compared to last year, the box office was down 23%. 2013 is still ahead of 2012 by 3.4% at $917 million to $887 million but that lead could be gone by the end of next weekend. More...

Weekend Estimates: Warm Bodies Tops Slow Superbowl Weekend

February 3rd, 2013

Counter-programming will win the day this Superbowl weekend, with rombie comedy Warm Bodies posting a respectable $20.025 million, according to Lionsgate's Sunday estimate. While there's nothing special about that result, it does give the film a shot at making money, which is more than can be said for actioner Bullet to the Head. Sylvester Stallone's latest will limp to $4.5 million for the weekend, an even worse result than Jason Statham's Parker (which debuted with $7 million) and Arnold Schwarzenegger's The Last Stand ($6.3 million). Put those three together, and you get a combined opening of $17.8 million, which still wouldn't much to write home about if one of them had earned it on its own. More...

2013 Preview: February

February 1st, 2013

For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part. More...

Weekend Predictions: Will the Box Office Warm Up?

January 31st, 2013

February begins with two wide releases, Warm Bodies and Bullet to the Head. Both will have to deal with holdovers, and more importantly, The Super Bowl. Bullet to the Head's target audience is nearly identical to that for the Super Bowl, while at least Warm Bodies has at least some chance of a breakout success. Last year there were three wide releases, two of which opened with more than $20 million. It is going to be almost impossible for 2013 to match that result. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/03/22 6 $326,136   238 $1,370   $326,136 1
2013/03/29 11 $105,939 -68% 236 $449   $547,428 2
2013/04/05 21 $11,222 -89% 78 $144   $601,066 3
2013/04/19 36 $843   12 $70   $606,645 5
2013/04/26 41 $27 -97% 3 $9   $606,961 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Austria 3/7/2013 $96,347 25 25 119 $255,270 12/14/2015
Belgium 2/27/2013 $87,443 34 34 105 $182,311 12/14/2015
Brazil 4/12/2013 $221,954 163 163 261 $421,041 12/14/2015
Bulgaria 2/8/2013 $16,179 20 20 48 $31,809 12/30/2018
Croatia 3/7/2013 $6,609 8 8 16 $12,187 12/30/2018
Egypt 2/6/2013 $14,453 8 8 14 $20,651 12/30/2018
France 2/27/2013 $685,129 241 241 459 $1,076,910 12/14/2015
Germany 3/7/2013 $478,678 227 229 685 $948,671 12/14/2015
Hong Kong 4/4/2013 $63,851 31 31 33 $89,132 12/14/2015
Iceland 2/8/2013 $7,238 7 7 12 $13,590 12/30/2018
Italy 4/4/2013 $386,693 242 242 242 $386,693 12/14/2015
Latvia 4/5/2013 $2,180 1 1 1 $2,180 12/30/2018
Lebanon 2/7/2013 $48,208 12 12 13 $88,340 12/30/2018
Malaysia 2/1/2013 $330,390 104 104 312 $765,737 12/14/2015
Mexico 2/1/2013 $389,250 313 313 827 $1,022,964 12/14/2015
Netherlands 3/7/2013 $139,126 77 77 148 $291,646 12/14/2015
North America 2/1/2013 $4,548,201 2,404 2,404 5,503 $9,489,829 11/24/2014
Norway 4/19/2013 $37,568 15 15 26 $65,368 12/14/2015
Philippines 2/6/2013 $142,149 113 113 124 $179,852 12/30/2018
Portugal 3/21/2013 $30,983 19 19 39 $53,538 12/14/2015
Russia (CIS) 2/7/2013 $964,425 800 800 1600 $1,490,136 12/30/2018
Singapore 1/31/2013 $32,487 15 15 15 $32,487 12/14/2015
Spain 3/22/2013 $326,136 238 238 567 $606,961 12/14/2015
Thailand 2/7/2013 $112,300 67 67 120 $175,412 12/14/2015
United Arab Emirates 2/7/2013 $359,242 31 31 50 $526,000 12/30/2018
United Kingdom 2/1/2013 $673,727 298 298 491 $1,294,004 12/14/2015
 
Rest of World $3,075,250
 
Worldwide Total$22,597,969 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sylvester Stallone James Bonomo
Sung Kang Taylor Kwon
Sarah Shahi Lisa Bonomo
Jason Momoa Keegan

Supporting Cast

Adewale Akinnuoye-Agbaje Robert Nkomo Morel
Christian Slater Marcus Baptiste
Jon Seda Louis Blanchard
Holt McCallany Hank Greely
Brian Van Holt Ronnie Earl
Weronika Rosati Lola
Dane Rhodes L.T. Lebreton
Marcus Lyle Brown Detective Towne
Andrew Austin-Peterson Crawfish Hollow Band
Paul Etheredge Crawfish Hollow Band
Robert Cavan Carruth Crawfish Hollow Band
Louis Michot Crawfish Hollow Band
Andre Michot Crawfish Hollow Band
Lacey Minchew Crawfish Hollow Bartender
Dominique Duvernay Waitress
Dana Gourrier Deputy Coroner
Robert Larriviere Forensic Scientist
Don Yesso St. Charles Bartender
Douglas M. Griffin Baby Jack Lemoyne
Tiffany Reiff Tattoo Customer
Jackson Beals French Lick Bartender
Donna Duplantier Newscaster
Andrea Frankle Masseuse
Teri Wyble Belle
Don Tai Kim
Lin Oeding Lee
Milos Milicevic Tall Goon
Kara Bowman Medic

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Walter Hill Director
Alessandro Camon Screenwriter
MATZ* Based on the Graphic Novel DU PLOMB DANS LA TETE Written by
Wilson Colin Based on the Graphic Novel DU PLOMB DANS LA TETE illustrated by
Alexandra Milchan Producer
Alfred Gough Producer
Miles Millar Producer
Kevin King-Templeton Producer
Stuart Ford Executive Producer
Brian Kavanaugh-Jones Executive Producer
Deepak Nayar Executive Producer
Steve Squillante Executive Producer
Joel Silver Executive Producer
Courtney Solomon Executive Producer
Allan Zeman Executive Producer
Steve Richards Executive Producer
Stuart Besser Executive Producer
Lloyd Ahern Director of Photography
Toby Corbett Production Designer
Tim Alverson Editor
Aaron Auch Co-Producer
Jessica Alan Co-Producer
Steve Mazzaro Composer
Ha Nguyen Costume Designer
Mary Vernieu Casting by
Venus Kanani Casting by
J.C. Cantu Casting by
Robert J. Dohrmann Unit Production Manager
Stuart Besser Unit Production Manager
Milos Milicevic First Assistant Director
Paul B. Uddo Second Assistant Director
Kelly Curley Art Director
Alice Baker Set Decorator
Dave Kelsey Set Designer
JJ Perry Stunt Coordinator
JJ Perry Fight Choreographer
Noon Orsatti Co-Stunt Coordinator
Don Tai Fight Choreographer
Hans Zimmer Music Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.