Spain Box Office for Bullet to the Head (2013)
Theatrical Performance (US$) | ||
Spain Box Office | $606,961 | Details |
Worldwide Box Office | $22,597,969 | Details |
Home Market Performance | ||
North America DVD Sales | $7,756,942 | Details |
North America Blu-ray Sales | $2,771,004 | Details |
Total North America Video Sales | $10,527,946 | |
Further financial details... |
Synopsis
Career hitman Jimmy Bobo enters into an unlikely alliance with by-the-book detective Taylor Kwon to bring down the ruthless killer of their respective partners.
Metrics
Movie Details
Production Budget: | $55,000,000 |
Spain Releases: | March 22nd, 2013 (Wide) |
Video Release: | July 16th, 2013 by Warner Home Video |
MPAA Rating: | R for strong violence, bloody images, language, some nudity and brief drug use. (Rating bulletin 2222, 5/9/2012) |
Running Time: | 91 minutes |
Keywords: | Hitmen, Buddy Cop, Kidnap, Rescue, Revenge, Martial Arts, Organized Crime, Action Thriller |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warner Bros., Dark Castle Entertainment, IM Global, Millar/Gough Ink, After Dark Films |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Blu-ray Has New Life
October 3rd, 2013
The Blu-ray sales chart for the week of July 21st, 2013 had a lot of new releases on top with three of them opening in the top three spots. The best was 42 with 253,000 units / $5.82 million for an opening week Blu-ray share of 34%. That's actually really good for a drama.
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DVD Sales: 42 is the Answer
October 3rd, 2013
New releases led the way on the July 21st, 2013 edition of the DVD sales chart with new releases taking the top three spots. First place went to 42 with 489,000 units / $7.33 million. This is a good start and after a better than expected domestic run, it is well on its way to profitability.
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DVD and Blu-ray Releases for July 16th, 2013
July 14th, 2013
It's not a bad week on the home market with a couple first-run releases that are worth picking up. 42 earned great reviews, but the DVD and the Blu-ray Combo Pack don't have enough extras to lift to to the Pick of the Week contender. Evil Dead does have a lot better extras on the DVD and Blu-ray Combo Pack, but the reviews were only good and not great. This leaves Regular Show: Season 1 & Season 2 on DVD or Blu-ray as the Pick of the Week. If you like Adventure Time or Gravity Falls, then you will likely enjoy this show as well. One final note, Orphan Black: Season One on DVD or Blu-ray is absolutely worth picking up and is worthy of Puck of the Week, for best Canadian released.
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Weekend Wrap-Up: Death of a Franchise
February 20th, 2013
The Valentine's Day / President's Day five-day weekend wasn't as lucrative as many had hoped, at least not at the top, which is really bad news for a year that is not off to a great start. A Good Day to Die Hard won the race, but barely, with Identity Thief coming in a very close second over the weekend. Other new releases, like Safe Haven and Escape From Planet Earth did better than expected, while Beautiful Creatures crashed. The overall box office did rise by 36% to $141 million over the three-day period, but the holiday explains that growth. Compare to last year, 2013 actually failed to match last President's Day by 9.3% over the three-day period and with $168 million including Monday, missed the four-day period by 13%. Year-to-date, 2013 is behind 2012 by 6.7% at $1.28 billion to $1.37 billion. I am officially concerned.
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Weekend Wrap-Up: Storm Doesn't Slow Down Thief's Start
February 12th, 2013
It was a great week at the box office, all things considered, with Identity Thief crushing expectations and all of the holdovers matching theirs. Only Side Effects struggled at the box office. This helped the overall box office climb 18% from last week to $104 million. This was 47% lower than the same weekend last year; however, this weekend last year was Valentine's weekend, which is one of the biggest non-holiday weekends of the year, so the comparison isn't fair. As I predicted last week, the lead 2013 had built up has evaporated and it is now 1.2% lower than 2012 at $1.05 billion to $1.06 billion. Since Valentine's Day is this Thursday, we should make up the difference quickly.
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Weekend Wrap-Up: Warm Bodies is a Silver Lining for Slow Weekend
February 4th, 2013
There were a number of factors that hurt the box office over the weekend, not the least of which was the rather exciting Super Bowl game. (At least it sounds like it was exciting. I Googled the score a couple times, but I didn't watch the game.) Warm Bodies easily won the weekend race and finished on the high end of expectations, while Silver Linings Playbook remains on pace to reach $100 million. On the other hand, Bullet to the Head bombed. Overall, the box office fell 21% to just $89 million. Again, the Super Bowl had a lot to do with that. Compared to last year, the box office was down 23%. 2013 is still ahead of 2012 by 3.4% at $917 million to $887 million but that lead could be gone by the end of next weekend.
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Weekend Estimates: Warm Bodies Tops Slow Superbowl Weekend
February 3rd, 2013
Counter-programming will win the day this Superbowl weekend, with rombie comedy Warm Bodies posting a respectable $20.025 million, according to Lionsgate's Sunday estimate. While there's nothing special about that result, it does give the film a shot at making money, which is more than can be said for actioner Bullet to the Head. Sylvester Stallone's latest will limp to $4.5 million for the weekend, an even worse result than Jason Statham's Parker (which debuted with $7 million) and Arnold Schwarzenegger's The Last Stand ($6.3 million). Put those three together, and you get a combined opening of $17.8 million, which still wouldn't much to write home about if one of them had earned it on its own.
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2013 Preview: February
February 1st, 2013
For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part.
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Weekend Predictions: Will the Box Office Warm Up?
January 31st, 2013
February begins with two wide releases, Warm Bodies and Bullet to the Head. Both will have to deal with holdovers, and more importantly, The Super Bowl. Bullet to the Head's target audience is nearly identical to that for the Super Bowl, while at least Warm Bodies has at least some chance of a breakout success. Last year there were three wide releases, two of which opened with more than $20 million. It is going to be almost impossible for 2013 to match that result.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/03/22 | 6 | $326,136 | 238 | $1,370 | $326,136 | 1 | |
2013/03/29 | 11 | $105,939 | -68% | 236 | $449 | $547,428 | 2 |
2013/04/05 | 21 | $11,222 | -89% | 78 | $144 | $601,066 | 3 |
2013/04/19 | 36 | $843 | 12 | $70 | $606,645 | 5 | |
2013/04/26 | 41 | $27 | -97% | 3 | $9 | $606,961 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Austria | 3/7/2013 | $96,347 | 25 | 25 | 119 | $255,270 | 12/14/2015 |
Belgium | 2/27/2013 | $87,443 | 34 | 34 | 105 | $182,311 | 12/14/2015 |
Brazil | 4/12/2013 | $221,954 | 163 | 163 | 261 | $421,041 | 12/14/2015 |
Bulgaria | 2/8/2013 | $16,179 | 20 | 20 | 48 | $31,809 | 12/30/2018 |
Croatia | 3/7/2013 | $6,609 | 8 | 8 | 16 | $12,187 | 12/30/2018 |
Egypt | 2/6/2013 | $14,453 | 8 | 8 | 14 | $20,651 | 12/30/2018 |
France | 2/27/2013 | $685,129 | 241 | 241 | 459 | $1,076,910 | 12/14/2015 |
Germany | 3/7/2013 | $478,678 | 227 | 229 | 685 | $948,671 | 12/14/2015 |
Hong Kong | 4/4/2013 | $63,851 | 31 | 31 | 33 | $89,132 | 12/14/2015 |
Iceland | 2/8/2013 | $7,238 | 7 | 7 | 12 | $13,590 | 12/30/2018 |
Italy | 4/4/2013 | $386,693 | 242 | 242 | 242 | $386,693 | 12/14/2015 |
Latvia | 4/5/2013 | $2,180 | 1 | 1 | 1 | $2,180 | 12/30/2018 |
Lebanon | 2/7/2013 | $48,208 | 12 | 12 | 13 | $88,340 | 12/30/2018 |
Malaysia | 2/1/2013 | $330,390 | 104 | 104 | 312 | $765,737 | 12/14/2015 |
Mexico | 2/1/2013 | $389,250 | 313 | 313 | 827 | $1,022,964 | 12/14/2015 |
Netherlands | 3/7/2013 | $139,126 | 77 | 77 | 148 | $291,646 | 12/14/2015 |
North America | 2/1/2013 | $4,548,201 | 2,404 | 2,404 | 5,503 | $9,489,829 | 11/24/2014 |
Norway | 4/19/2013 | $37,568 | 15 | 15 | 26 | $65,368 | 12/14/2015 |
Philippines | 2/6/2013 | $142,149 | 113 | 113 | 124 | $179,852 | 12/30/2018 |
Portugal | 3/21/2013 | $30,983 | 19 | 19 | 39 | $53,538 | 12/14/2015 |
Russia (CIS) | 2/7/2013 | $964,425 | 800 | 800 | 1600 | $1,490,136 | 12/30/2018 |
Singapore | 1/31/2013 | $32,487 | 15 | 15 | 15 | $32,487 | 12/14/2015 |
Spain | 3/22/2013 | $326,136 | 238 | 238 | 567 | $606,961 | 12/14/2015 |
Thailand | 2/7/2013 | $112,300 | 67 | 67 | 120 | $175,412 | 12/14/2015 |
United Arab Emirates | 2/7/2013 | $359,242 | 31 | 31 | 50 | $526,000 | 12/30/2018 |
United Kingdom | 2/1/2013 | $673,727 | 298 | 298 | 491 | $1,294,004 | 12/14/2015 |
Rest of World | $3,075,250 | ||||||
Worldwide Total | $22,597,969 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sylvester Stallone | James Bonomo |
Sung Kang | Taylor Kwon |
Sarah Shahi | Lisa Bonomo |
Jason Momoa | Keegan |
Supporting Cast
Adewale Akinnuoye-Agbaje | Robert Nkomo Morel |
Christian Slater | Marcus Baptiste |
Jon Seda | Louis Blanchard |
Holt McCallany | Hank Greely |
Brian Van Holt | Ronnie Earl |
Weronika Rosati | Lola |
Dane Rhodes | L.T. Lebreton |
Marcus Lyle Brown | Detective Towne |
Andrew Austin-Peterson | Crawfish Hollow Band |
Paul Etheredge | Crawfish Hollow Band |
Robert Cavan Carruth | Crawfish Hollow Band |
Louis Michot | Crawfish Hollow Band |
Andre Michot | Crawfish Hollow Band |
Lacey Minchew | Crawfish Hollow Bartender |
Dominique Duvernay | Waitress |
Dana Gourrier | Deputy Coroner |
Robert Larriviere | Forensic Scientist |
Don Yesso | St. Charles Bartender |
Douglas M. Griffin | Baby Jack Lemoyne |
Tiffany Reiff | Tattoo Customer |
Jackson Beals | French Lick Bartender |
Donna Duplantier | Newscaster |
Andrea Frankle | Masseuse |
Teri Wyble | Belle |
Don Tai | Kim |
Lin Oeding | Lee |
Milos Milicevic | Tall Goon |
Kara Bowman | Medic |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Walter Hill | Director |
Alessandro Camon | Screenwriter |
MATZ* | Based on the Graphic Novel DU PLOMB DANS LA TETE Written by |
Wilson Colin | Based on the Graphic Novel DU PLOMB DANS LA TETE illustrated by |
Alexandra Milchan | Producer |
Alfred Gough | Producer |
Miles Millar | Producer |
Kevin King-Templeton | Producer |
Stuart Ford | Executive Producer |
Brian Kavanaugh-Jones | Executive Producer |
Deepak Nayar | Executive Producer |
Steve Squillante | Executive Producer |
Joel Silver | Executive Producer |
Courtney Solomon | Executive Producer |
Allan Zeman | Executive Producer |
Steve Richards | Executive Producer |
Stuart Besser | Executive Producer |
Lloyd Ahern | Director of Photography |
Toby Corbett | Production Designer |
Tim Alverson | Editor |
Aaron Auch | Co-Producer |
Jessica Alan | Co-Producer |
Steve Mazzaro | Composer |
Ha Nguyen | Costume Designer |
Mary Vernieu | Casting by |
Venus Kanani | Casting by |
J.C. Cantu | Casting by |
Robert J. Dohrmann | Unit Production Manager |
Stuart Besser | Unit Production Manager |
Milos Milicevic | First Assistant Director |
Paul B. Uddo | Second Assistant Director |
Kelly Curley | Art Director |
Alice Baker | Set Decorator |
Dave Kelsey | Set Designer |
JJ Perry | Stunt Coordinator |
JJ Perry | Fight Choreographer |
Noon Orsatti | Co-Stunt Coordinator |
Don Tai | Fight Choreographer |
Hans Zimmer | Music Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.