Spain Box Office for The Brothers Grimsby (2016)
Theatrical Performance (US$) | ||
Spain Box Office | $1,097,568 | Details |
Worldwide Box Office | $28,720,470 | Details |
Home Market Performance | ||
North America DVD Sales | $1,307,680 | Details |
North America Blu-ray Sales | $1,101,899 | Details |
Total North America Video Sales | $2,409,579 | |
Further financial details... |
Synopsis
Nobby has everything a man from the poor English fishing town of Grimsby could want—9 children and the most attractive girlfriend in northern England. There’s only one thing missing in his life: his little brother, Sebastian. After they were adopted by different families as children, Nobby spent 28 years searching for him. Upon hearing of his location, Nobby sets off to reunite with his brother, unaware that not only is his brother an MI6 agent, but he’s just uncovered a plot that puts the world in danger. On the run and wrongfully accused, Sebastian realizes that if he is going to save the world, he will need the help of its biggest idiot.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Spain Releases: | March 18th, 2016 (Wide) |
Video Release: | May 24th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | R for strong crude sexual content, graphic nudity, violence, language, and some drug use. (Rating bulletin 2412 (Cert #49632), 2/17/2016) |
Running Time: | 82 minutes |
Keywords: | Separated at Birth, Dysfunctional Family, Secret Agent, Terrorism, Conspiracy Theory, Spoof, Action Comedy, Scene in End Credits, Sibling Rivalry |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Columbia Pictures, LStar Capital, Village Roadshow Productions, Four by Two Films, Working Title Films, Big Talk Pictures |
Production Countries: | United Kingdom, United States |
Languages: | English |
Home Market Releases for June 21st, 2016
June 20th, 2016
There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience.
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Thursday Night Previews: Me, Me, Me
June 3rd, 2016
Oh no. Teenage Mutant Ninja Turtles: Out of the Shadows earned the best Thursday night previews, but did so with just $2 million. That's a mere fraction of the $4.5 million Teenage Mutant Ninja Turtles and could spell real trouble for the film's box office chances. The reviews are a little better than its predecessor's reviews were, but it is also a sequel and those tend to have shorter legs. It might struggle to top $30 million and that means first place isn't a sure thing anymore.
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Home Market Releases for May 24th, 2016
May 24th, 2016
There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it.
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Thursday Night Previews: Batman gets off to a Super Start
March 25th, 2016
Batman v Superman: Dawn of Justice started its box office run with $27.7 million from Thursday previews. This is more than twice what Deadpool earned during its previews earlier this year and it beats the previous pre-summer record of $15.8 million by Furious 7 last year. Unfortunately, there are a couple of reasons to not be too excited. Firstly, the Fanboy effect is really strong for this film. “Committed” would be a word I would use to described the hardcore fans of the DC Extended Universe. They will rush out to see the movie regardless of the quality. Secondly, this is a terrible movie. Its Tomatometer Score is just 30% positive, which is bad no matter how you look at it. Word-of-mouth could do some real damage before the weekend is over.
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Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses
March 22nd, 2016
At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion.
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Weekend Wrap-Up: Zootopia Doubles The Competition with $51.34 Million
March 15th, 2016
The weekend box office was mostly positive with both Zootopia and 10 Cloverfield Lane finishing on the very high end of expectations over the weekend. On the other hand, the less said about the other new wide releases the better. Overall, the box office fell from last weekend, down 17% to $135 million, but that's not a bad decline after Zootopia's monster opening. Compared to last year, the box office was up 2.5%, which isn't a great improvement, but any win now increases the chances 2016 will remain competitive with 2015 when we reach the point that Furious 7, The Avengers: Age of Ultron, and Jurassic World opened last year. Speaking of the year-over-year comparison, 2016's lead over 2015 slipped to 8.7% at $2.15 billion to $1.98 billion. That is still an impressive lead and one that will hopefully grow by the end of the month.
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Weekend Estimates: Zootopia Romps to $50 Million Second Weekend
March 13th, 2016
Zootopia is headed to another big win at the box office this weekend, with a modest 33% decline from last weekend keeping it well ahead of a pack of new releases. Its $50 million gross this time around takes it to $142.6 million in total domestically. With $288.7 million in the bank internationally, including over $100 million in China by the end of the weekend, Disney looks to have struck gold again. A sequel, theme park tie-ins and merchandizing seem likely, although Disney has so much of that going on already, what with Star Wars, Marvel, its Princess lines, and Pixar, that this might actually be more of a niche for them. (A half-billion-dollar-and-counting niche. Nice work if you can get it.)
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Friday Estimates: Utopia for Zootopia, Clover Sees Green, Rest Bomb
March 12th, 2016
As expected, Zootopia led the way at the box office on Friday. However, its Friday number was better tan anticipated at $12.02 million. It should have a real jump at the box office on Saturday, due to its family-friendly nature, giving the film a real shot at $50 million during its sophomore stint. Even if it just fails to get there, which is likely, that would be down only 30% or so from its opening frame, and would put the film’s running tally at over $140 million and would put it on pace for well over $250 million in the end. That’s very impressive, especially for this time of year.
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Thursday Night Previews: Cloverfield gets Lucky During Its Previews
March 11th, 2016
10 Cloverfield Lane had the best results during its Thursday previews with $1.8 million in 2,500 theaters. This is the same as Insidious: Chapter 3 managed last year during its previews. That film opened with $22.69 million over the full weekend, which is a good target for 10 Cloverfield Lane to aim for. With amazing reviews, $25 million is within reach. We will know more tomorrow when we get Friday's estimates.
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Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race
March 10th, 2016
There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either.
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2016 Preview: March
March 1st, 2016
It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.
As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/03/18 | 7 | $417,352 | 286 | $1,459 | $417,352 | 1 | |
2016/03/25 | 11 | $202,243 | -52% | 279 | $725 | $870,697 | 2 |
2016/04/01 | 22 | $53,697 | -73% | 140 | $384 | $1,045,555 | 3 |
2016/04/08 | 32 | $16,779 | -69% | 50 | $336 | $1,081,507 | 4 |
2016/04/15 | 41 | $5,491 | -67% | 24 | $229 | $1,092,017 | 5 |
2016/04/22 | 48 | $1,984 | -64% | 11 | $180 | $1,095,354 | 6 |
2016/04/29 | 51 | $367 | -82% | 2 | $184 | $1,096,345 | 7 |
2016/05/06 | 52 | $137 | -63% | 1 | $137 | $1,096,317 | 8 |
2016/05/13 | 52 | $109 | -20% | 1 | $109 | $1,096,654 | 9 |
2016/05/20 | 51 | $155 | +42% | 1 | $155 | $1,097,091 | 10 |
2016/06/03 | 54 | $123 | 1 | $123 | $1,097,568 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 3/10/2016 | $0 | 0 | 3 | 3 | $7,115 | 12/31/2018 |
Australia | 3/11/2016 | $1,218,945 | 323 | 323 | 994 | $2,863,350 | 6/9/2016 |
Austria | 3/11/2016 | $130,447 | 71 | 71 | 263 | $352,677 | 6/9/2016 |
Belgium | 4/13/2016 | $67,241 | 27 | 27 | 87 | $132,822 | 6/9/2016 |
Bulgaria | 2/26/2016 | $18,613 | 35 | 35 | 116 | $82,111 | 2/26/2019 |
Croatia | 3/3/2016 | $44,892 | 42 | 42 | 121 | $144,933 | 12/31/2018 |
Curacao | 3/10/2016 | $1,842 | 3 | 3 | 7 | $4,369 | 12/31/2018 |
Czech Republic | 3/10/2016 | $48,360 | 56 | 56 | 148 | $115,753 | 12/31/2018 |
Denmark | 3/10/2016 | $54,275 | 55 | 55 | 113 | $121,358 | 6/9/2016 |
Estonia | 3/11/2016 | $30,061 | 17 | 17 | 31 | $83,384 | 6/9/2016 |
Finland | 2/26/2016 | $128,819 | 81 | 81 | 196 | $410,948 | 6/9/2016 |
France | 4/13/2016 | $399,353 | 211 | 211 | 444 | $703,690 | 6/9/2016 |
Germany | 3/10/2016 | $573,590 | 395 | 395 | 1219 | $1,228,237 | 6/9/2016 |
Greece | 2/25/2016 | $41,969 | 44 | 44 | 75 | $99,690 | 6/9/2016 |
Hungary | 3/3/2016 | $70,769 | 40 | 40 | 140 | $208,722 | 12/31/2018 |
Iceland | 3/4/2016 | $18,660 | 8 | 8 | 23 | $96,774 | 12/31/2018 |
Israel | 2/25/2016 | $156,908 | 30 | 30 | 134 | $540,265 | 12/31/2018 |
Italy | 4/7/2016 | $137,646 | 185 | 185 | 200 | $199,510 | 6/9/2016 |
Jamaica | 3/30/2016 | $3,849 | 3 | 3 | 3 | $3,849 | 12/31/2018 |
Latvia | 3/11/2016 | $14,995 | 8 | 10 | 23 | $62,323 | 12/31/2018 |
Lithuania | 3/11/2016 | $28,089 | 13 | 105 | 218 | $101,023 | 6/9/2016 |
Netherlands | 2/25/2016 | $254,474 | 84 | 94 | 280 | $584,572 | 6/9/2016 |
New Zealand | 3/11/2016 | $127,803 | 68 | 69 | 235 | $340,643 | 6/9/2016 |
North America | 3/11/2016 | $3,258,327 | 2,235 | 2,235 | 4,780 | $6,864,016 | 4/4/2017 |
Norway | 2/26/2016 | $134,769 | 152 | 152 | 260 | $319,364 | 6/9/2016 |
Poland | 2/26/2016 | $107,132 | 106 | 106 | 229 | $243,569 | 12/31/2018 |
Portugal | 3/10/2016 | $72,000 | 62 | 62 | 184 | $232,696 | 6/9/2016 |
Romania | 3/4/2016 | $64,340 | 56 | 56 | 182 | $215,982 | 12/31/2018 |
Russia (CIS) | 3/10/2016 | $883,559 | 914 | 914 | 2153 | $2,173,239 | 12/31/2018 |
Serbia and Montenegro | 2/25/2016 | $14,354 | 16 | 16 | 49 | $68,856 | 12/31/2018 |
Singapore | 3/10/2016 | $30,116 | 10 | 10 | 35 | $140,335 | 6/9/2016 |
Slovakia | 3/3/2016 | $26,260 | 54 | 54 | 100 | $68,278 | 6/9/2016 |
Slovenia | 2/25/2016 | $17,461 | 10 | 12 | 68 | $68,231 | 6/9/2016 |
South Africa | 2/26/2016 | $22,466 | 50 | 50 | 102 | $49,282 | 6/9/2016 |
Spain | 3/18/2016 | $417,352 | 286 | 286 | 796 | $1,097,568 | 6/8/2016 |
Sweden | 2/24/2016 | $102,134 | 110 | 110 | 145 | $246,394 | 6/9/2016 |
Switzerland | 3/10/2016 | $132,103 | 50 | 50 | 142 | $388,057 | 6/9/2016 |
Trinidad | 3/30/2016 | $17,799 | 8 | 8 | 20 | $34,026 | 12/31/2018 |
Ukraine | 3/10/2016 | $113,824 | 154 | 161 | 415 | $312,128 | 12/31/2018 |
United Kingdom | 2/24/2016 | $2,674,787 | 522 | 522 | 1930 | $7,473,233 | 6/9/2016 |
Rest of World | $237,098 | ||||||
Worldwide Total | $28,720,470 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Sacha Baron Cohen | Nobby |
Mark Strong | Sebastian |
Rebel Wilson | Dawn Grobham |
Penélope Cruz | Rhonda George |
Isla Fisher | Jodie Figgis |
Gabourey Sidibe | Banu the Cleaner |
Annabelle Wallis | Lina Smit |
Supporting Cast
Ian McShane | M16 Head |
Johnny Vegas | Milky Pimms |
David Harewood | Black Gareth |
Sam Hazeldine | Chilcott |
Nick Boraine | Joris Smit |
Zak Sutcliffe | Luke |
Eileen Davies | Mrs. Wearham |
Ricky Tomlinson | Paedo Pete |
Barkhad Abdi | Tabansi Nyagura |
Lex Shrapnel | Steven Marber |
Rory Keenan | James Thurbeck |
Tamsin Egerton | Carla Barnes |
Margaret Jackman | Doris |
John Thomson | Bob Tolliver |
Lewis Johnson | Young Nobby |
Scott Adkins | Pavel Lukashenko |
Jorge De Juan | Javier Alvarez |
Rebecca Front | Lady at Worldcure Event |
Peter Baynham | Traffic Warden |
Bob Cryer | News Reporter |
Janie Booth | Shouting Woman |
Jason Furnival | Priest |
Paul Thornley | Clive Graves |
Joanna Bobin | Mrs. Graves |
Jamie Chambers | Assassin #1 |
Feyi Babalola | African Woman |
Zorro Sidloyi | Limo Driver |
Craig Macrae | Joris Henchman |
Hennie Bosman | Joris Henchman |
Robert Wilfort | Harold Lowsley |
Clayton Evertson | Young Guard |
Afif Ben Badra | Spa Therapist |
Nick Sampson | Noam Popper |
Alex Lowe | Policeman |
Miles Jupp | Policeman |
Mark Theodore | Tigertail Security Officer |
Alex Lanipekun | Special Branch Agent |
Sam Redford | Officer on Megaphone |
Ant Hines* | Giles Wareham |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Louis Leterrier | Director |
Sacha Baron Cohen | Producer |
Nira Park | Producer |
Sacha Baron Cohen | Screenwriter |
Phil Johnston | Screenwriter |
Peter Baynham | Screenwriter |
Sacha Baron Cohen | Story by |
Phil Johnston | Story by |
Louise Rosner Meyer* | Executive Producer |
Todd Schulman | Executive Producer |
Phil Johnston | Executive Producer |
Peter Baynham | Executive Producer |
James Biddle | Executive Producer |
Eric Fellner | Executive Producer |
Tim Bevan | Executive Producer |
Ant Hines* | Executive Producer |
Adam McKay | Executive Producer |
Ben Waisbren | Executive Producer |
Oliver Wood | Director of Photography |
Kave Quinn | Production Designer |
James Thomas | Editor |
Jonathan Amos | Editor |
Paco Delgado | Costume Designer |
Erran Baron Cohen | Composer |
David Buckley | Composer |
Alexander Oakley | Assistant Director |
Louise Rosner | Line Producer |
Evan Henke | Additional Editor |
Debra Neil-Fisher | Additional Editor |
Stuart Kearns | Art Director |
Jonathan Hely-Hutchinson | Art Director |
Ute Bergk | Set Decorator |
Melinda Launspach | Set Decorator |
Steve Demko | Executive in Charge of Post Production |
Colin Nicolson | Sound Mixer |
Scott Harber | Sound Mixer |
Julian Slater | Supervising Sound Editor |
Deb Adair | Re-recording Mixer |
Julian Slater | Re-recording Mixer |
Adam Kirley | Stunt Coordinator |
Grant Hulley | Stunt Coordinator |
John Moffatt | Visual Effects Supervisor |
Chad Stahelski | Second Unit Director |
Lucy Bevan | Casting Director |
Mito Skellern | Casting Director |
Fraser Taggart | Second Unit Camera |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.