Italy Box Office for Brian e Charles (2022)
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| Theatrical Performance (US$) | ||
| Italy Box Office | $71,416 | Details |
| Worldwide Box Office | $863,056 | Details |
| Further financial details... | ||
Synopsis
Brian and Charles follows Brian, a lonely inventor in rural Wales, who spends his days building quirky, unconventional contraptions that seldom work. Undeterred by his lack of success, Brian attempts his biggest project yet. Three days, a washing machine, and various spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and has an obsession with cabbages. What follows is a humorous and entirely heartwarming story about loneliness, friendship, family, finding love, and letting go.
Metrics
Movie Details
| Italy Releases: | August 31st, 2022 (Limited), released as Brian e Charles |
| Video Release: | August 2nd, 2022 by Universal Home Entertainment |
| MPAA Rating: | PG for language, mild violence, and smoking. (Rating bulletin 2733 (cert #53686), 5/25/2022) |
| Running Time: | 90 minutes |
| Keywords: | Sundance Film Festival 2022, Inventor, Robot, Farcical / Slapstick Comedy, Screenplay Written By the Star, Director Remaking Their Own Movie |
| Source: | Based on Short Film |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Film 4, BFI, Great Point Media, Mr. Box |
| Production Countries: | United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/09/02 | 10 | $40,666 | 0 | $48,278 | 1 | ||
| 2022/09/09 | 16 | $9,039 | -78% | 0 | $71,416 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/12/2023 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 8/31/2022 | $40,666 | 0 | 0 | 0 | $71,416 | 9/12/2022 |
| North America | 6/17/2022 | $216,220 | 279 | 279 | 558 | $430,635 | |
| Spain | 1/13/2023 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 7/8/2022 | $86,531 | 143 | 143 | 479 | $361,005 | 9/15/2022 |
| Worldwide Total | $863,056 | 9/15/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| David Earl | Brian |
| Chris Hayward | Charles |
Supporting Cast
| Louise Brealey | Hazel |
| Jamie Michie | Eddie |
| Nina Sosanya | Pam |
| Lynn Hunter | Winnie |
| Lowri Izzard | Katrina |
| Mari Izzard | Suki |
| Cara Chase | June |
| Sunil Patel | Phil |
| Rishi Nair | Stephen Anderson |
| Colin Bennett | Arthur |
| Vivienne Soan | Toffee Apple Woman |
| David Edwards | Oliver |
| Nicholas Asbury | Stu |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jim Archer | Director |
| David Earl | Screenwriter |
| Chris Hayward | Screenwriter |
| Rupert Majendie | Producer |
| Damian Jones | Executive Producer |
| Lauren Dark | Executive Producer |
| Ollie Madden | Executive Producer |
| Daniel Battsek | Executive Producer |
| Mary Burke | Executive Producer |
| Jim Reeve | Executive Producer |
| Robert Halmi, Jr. | Executive Producer |
| Murren Tullett | Director of Photography |
| Hannah Purdy-Foggin | Production Designer |
| Jo Walker | Editor |
| Daniel Pemberton | Composer |
| Gabriela Yiaxis | Costume Designer |
| Red Miller | Make-up and Hair Designer |
| John Palfery-Smith | Line Producer |
| David Fish | Music Supervisor |
| Jackie Vance | Post-Production Supervisor |
| Catherine Willis | Casting Director |
| Kevin Smith | Stunt Coordinator |
| Ina Luders | First Assistant Director |
| Paul Morris | Second Assistant Director |
| Calum Sample | Sound Mixer |
| Dionne Grant | Script Supervisor |
| Jo Scholar | Art Director |
| Perry Costello | Special Effects Supervisor |
| Julia Gurry | Supervising Location Manager |
| Geraint ‘Giz’ Jones* | Location Manager |
| Lucy Pugh-Bevan* | Costume Supervisor |
| Emma Humphrey | Make-up and Hair Designer |
| Eoghan Synnott | First Assistant Editor |
| Robert Farr | Re-recording Mixer |
| David Crane | Supervising Sound Editor |
| David Crane | Dialogue Editor |
| Daniel Jaramillo | Dialogue Editor |
| Daniel Jaramillo | Foley Supervisor |
| Martin Schulz | Sound Designer |
| Marco Toca | Sound Editor |
| Alexander Aguilar Castro | Foley Recordist |
| Sebastian Alzate Lopez | Foley Editor |
| Juan Pablo Salbarriaga | Foley Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.