Switzerland Box Office for Boy Erased (2018)
Theatrical Performance (US$) | ||
Switzerland Box Office | $244,878 | Details |
Worldwide Box Office | $11,862,650 | Details |
Further financial details... |
Synopsis
The true story of one young man’s struggle to find himself while being forced to question every aspect of his identity. Jared is the son of a Baptist pastor in a small American town, who is outed as gay to his parents at age 19. Jared is faced with an ultimatum: attend a gay conversion therapy program or be permanently exiled and shunned by his family, friends, and faith.
Metrics
Movie Details
Production Budget: | $11,000,000 |
Switzerland Releases: | February 21st, 2019 (Wide) |
Video Release: | January 15th, 2019 by Universal Home Entertainment |
MPAA Rating: | R for sexual content including an assault, some language and brief drug use. (Rating bulletin 2547 (Cert #51398), 10/3/2018) |
Running Time: | 114 minutes |
Keywords: | LGBTQ+, Gay Conversion Therapy, Christians, Non-Chronological, Sex Crimes, Bullies, Cheerleaders, Football, Set in New York City, Set in New York, Biographical Drama, Autobiographical, Biography |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Anonymous Content, Focus Features, Perfect World Pictures, Blue Tongue Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 29th, 2019
January 30th, 2019
We are still stuck in the dead zone on the home market, as it is too late for summer blockbusters, but too early for the major fall hits. The biggest first-run release of the week is The Nutcracker and the Four Realms, which says a lot. The best is The Wife, which earns our Pick of the Week. However, The Night is Short, Walk on Girl was a close competitor.
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Home Market Releases for January 15th, 2019
January 16th, 2019
The big fall releases are starting to come out on the home market. This week we get Halloween, which was a $100 million domestic hit. However, it is not among the best films on this week’s list. There are three Pick of the Week contenders on the week’s list. There’s the award-nominated Indie film, Madeline’s Madeline, the classic Notorious, and Bad Times at the El Royale, for which I finally got the review done. It was a coin-toss, but in the end, Madeline’s Madeline on Blu-ray won.
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Theater Averages: Mary Reigns over the Competition
December 12th, 2018
Mary Queen of Scots led the way on the theater average chart with an average of $48,694 in four theaters. Unfortunately, its reviews strongly suggest it won’t have long legs in limited release. Likewise, Vox Lux got off to a fast start with an average of $25,952 in six theaters, but it is earning nearly identical reviews, so it too will likely have short legs. Up next was Ben is Back with an average of $20,183 in four theaters. The Favourite remained in the $10,000 club for the third weekend in a row with an average of $16,523 in 91 theaters. It will almost certainly expand at least semi-wide at this point, especially if it continues to pick up Awards Season nominations.
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2018 - Awards Season: Golden Globes - Nominations
December 6th, 2018
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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Theater Averages: The Favourite Lives Up to Its Name
November 29th, 2018
The Favourite had the best theater average, not only of the weekend, but of the year. It pulled in $422,000 in 4 theaters for an average of $105,603, putting it ahead of the previous leader for 2018, Suspiria. It is a lot more mainstream and shouldn’t have a problem expanding significantly beyond this point. Shoplifters was well back with an average of $17,853 in five theaters. The overall box office leader, Ralph Breaks The Internet, was next with an average of $14,000. The World Before Your Feet was the latest documentary to open in the $10,000 club earning an average of $11,241 in two theaters. The final film in the $10,000 club was also a wide release, Creed II, which earned an average of $10,338.
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Theater Averages: Gate Begins Eternity on Top
November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
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Theater Averages: Chef is in Like Flynn
November 14th, 2018
Chef Flynn debuted on top spot on the theater average chart with $29,869 in one theater. The overall box office chart leader, Dr. Seuss’ The Grinch, was next with an average of $16,318. The Front Runner followed with an average of $12,886 over the weekend. The film opened on Tuesday, which obviously had some negative effect of its weekend number, but even the full six-day result of $71,742 / $17,936 average isn’t enough to warrant a full wide expansion. El Angel was the final film in the $10,000 club with an average of $11,674 in two theaters.
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Theater Averages: Boy Erased Writes its Way to the Top
November 7th, 2018
Boy Erased led the way on the theater average chart earning an average of $41,411 in five theaters. This was nearly three times the second place film, A Private War, which earned an average of $15,123 in four theaters. The only other film in the $10,000 club was the overall box office leader, Bohemian Rhapsody, with an average of $12,765.
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Weekend Estimates: Bohemian has a Bourgeoisie Debut with $50 million
November 4th, 2018
Fox is projecting a $50 million opening for Bohemian Rhapsody over the weekend. When I see a studio estimate a number like that, I always assume they overestimated, and not just because it topped predictions, because a “$50 million opening weekend” sounds a lot better than a “$49 million opening weekend” and getting that one day of extra hype could help its box office chances. It would require a 2.71 internal multiplier to get there, which would be a little high for a film like this. Its reviews are good, but not great, while audience scores are better at 4.5 out of 5 from PostTrak and an A from CinemaScore.
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Limited and VOD Releases: Limited Releases won’t be Erased
November 2nd, 2018
There are a few limited releases on this week’s list that could do well in theaters; A Private War, Bodied, and Boy Erased should do well. On the other hand, if you are not interested in heading out to the theaters, Possum is a great choice for Video on Demand.
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Boy Erased Trailer
September 6th, 2018
Drama starring Lucas Hedges, Nicole Kidman, and Russell Crowe opens November 2 ... Full Movie Details.
The true story of one young man’s struggle to find himself while being forced to question every aspect of his identity. Jared is the son of a Baptist pastor in a small American town, who is outed as gay to his parents at age 19. Jared is faced with an ultimatum: attend a gay conversion therapy program or be permanently exiled and shunned by his family, friends, and faith.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/02/22 | - | $55,866 | 27 | $2,069 | $60,528 | 1 | |
2019/03/01 | - | $40,664 | -27% | 26 | $1,564 | $106,434 | 2 |
2019/03/15 | - | $11,633 | 13 | $895 | $154,191 | 4 | |
2019/03/22 | - | $3,347 | -71% | 10 | $335 | $158,103 | 5 |
2019/03/29 | - | $23,385 | +599% | 18 | $1,299 | $193,488 | 6 |
2019/04/05 | - | $21,778 | -7% | 15 | $1,452 | $218,874 | 7 |
2019/04/12 | - | $9,092 | -58% | 7 | $1,299 | $229,343 | 8 |
2019/04/19 | - | $2,299 | -75% | 4 | $575 | $233,571 | 9 |
2019/04/26 | - | $2,650 | +15% | 3 | $883 | $238,450 | 10 |
2019/05/03 | - | $1,656 | -38% | 2 | $828 | $241,206 | 11 |
2019/05/10 | - | $824 | -50% | 1 | $824 | $242,056 | 12 |
2019/05/17 | - | $588 | -29% | 1 | $588 | $242,711 | 13 |
2019/05/24 | - | $692 | +18% | 1 | $692 | $243,680 | 14 |
2019/05/31 | - | $490 | -29% | 1 | $490 | $244,209 | 15 |
2019/06/07 | - | $499 | +2% | 1 | $499 | $244,878 | 16 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/9/2018 | $285,941 | 167 | 167 | 625 | $1,005,731 | 2/20/2019 |
Austria | 2/22/2019 | $25,674 | 28 | 28 | 55 | $63,190 | 4/10/2019 |
Central America | 2/14/2019 | $3,567 | 1 | 1 | 2 | $8,579 | 3/1/2019 |
Colombia | 3/14/2019 | $16,993 | 24 | 24 | 29 | $26,749 | 3/28/2019 |
Ecuador | 5/24/2019 | $4,746 | 13 | 13 | 13 | $4,746 | 5/29/2019 |
France | 3/27/2019 | $194,235 | 125 | 125 | 373 | $448,542 | 5/2/2019 |
Germany | 2/21/2019 | $174,731 | 102 | 102 | 459 | $509,323 | 8/14/2019 |
India | 11/16/2018 | $12,746 | 79 | 79 | 79 | $15,737 | 11/21/2018 |
Israel | 1/3/2019 | $31,941 | 25 | 25 | 62 | $80,668 | 2/6/2019 |
Italy | 3/14/2019 | $299,937 | 201 | 201 | 224 | $520,343 | 4/18/2019 |
Japan | 4/19/2019 | $61,299 | 29 | 31 | 192 | $427,976 | 9/11/2019 |
Mexico | 3/15/2019 | $91,279 | 48 | 48 | 108 | $245,713 | 5/15/2019 |
North America | 11/2/2018 | $207,057 | 5 | 672 | 2,699 | $6,788,692 | 1/27/2020 |
Russia (CIS) | 3/21/2019 | $71,057 | 190 | 190 | 336 | $126,271 | 4/10/2019 |
Singapore | 3/30/2019 | $3,734 | 1 | 1 | 6 | $17,517 | 6/5/2019 |
Spain | 4/5/2019 | $294,664 | 126 | 128 | 426 | $801,559 | 5/23/2019 |
Sweden | 11/16/2018 | $27,275 | 41 | 41 | 93 | $107,221 | 1/23/2019 |
Switzerland | 2/21/2019 | $55,866 | 27 | 27 | 130 | $244,878 | 6/13/2019 |
United Kingdom | 2/8/2019 | $153,369 | 116 | 116 | 255 | $375,451 | 3/28/2019 |
Rest of World | $43,764 | ||||||
Worldwide Total | $11,862,650 | 1/27/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Lucas Hedges | Garrard Conley |
Nicole Kidman | Nancy Conley |
Russell Crowe | Marshall Conley |
Supporting Cast
Joel Edgerton | Victor Sykes |
Joe Alwyn | Henry |
Xavier Dolan | Jon |
Troye Sivan | Gary |
Cherry Jones | Dr. Muldoon |
Flea | Brandon |
Emily Hinkler | Lee |
Jesse LaTourette | Sarah |
David Joseph Craig | Michael |
Theodore Pellerin | Xavier |
Britton Sear | Cameron |
Madelyn Cline | Chloe |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Joel Edgerton | Director |
Joel Edgerton | Screenwriter |
Garrard Conley | Story based on “Boy Erased: A Memoir” by |
Joel Edgerton | Producer |
Kerry Kohansky-Roberts | Producer |
Steve Golin | Producer |
Rebecca Yeldham | Executive Producer |
Nash Edgerton | Executive Producer |
Kim Hodgert | Executive Producer |
Tony Lipp | Executive Producer |
Ann Ruark | Executive Producer |
Eduard Grau | Director of Photography |
Chad Keith | Production Designer |
Jay Rabinowitz | Editor |
Trish Summerville | Costume Designer |
Danny Bensi | Composer |
Saunder Jurriaans | Composer |
Linda Cohen | Music Supervisor |
Carmen Cuba | Casting Director |