Portugal Box Office for O Bosque de Blair Witch (2016)
Theatrical Performance (US$) | ||
Portugal Box Office | $94,214 | Details |
Worldwide Box Office | $38,985,577 | Details |
Home Market Performance | ||
North America DVD Sales | $1,369,621 | Details |
North America Blu-ray Sales | $1,189,605 | Details |
Total North America Video Sales | $2,559,226 | |
Further financial details... |
Synopsis
A group of college students venture into the Black Hills Forest in Maryland to uncover the mysteries surrounding the disappearance of James’ sister who many believe is connected to the legend of the Blair Witch. At first the group is hopeful, especially when a pair of locals offer to act as guides through the dark and winding woods, but as the endless night wears on, the group is visited by a menacing presence. Slowly, they begin to realize the legend is all too real and more sinister than they could have imagined.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Portugal Releases: | October 28th, 2016 (Wide), released as O Bosque de Blair Witch |
Video Release: | January 3rd, 2017 by Lionsgate Home Entertainment |
MPAA Rating: | R for language, terror and some disturbing images. (Rating bulletin 2437 (Cert #50156), 8/10/2016) |
Running Time: | 89 minutes |
Franchise: | Blair Witch Project |
Keywords: | Found Footage, Delayed Sequel, Missing Person, Supernatural, Found footage horror |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lionsgate, Vertigo Entertainment, Room 101, Snoot Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 3rd, 2017
January 2nd, 2017
The first Tuesday of the year is deceptively busy. There are a ton of romantic films being re-released on DVD, and a few on Blu-ray that I mention below, with Fandango money for Fifty Shades Darker. Most cost between $8 and $10, so if you really wanted one of these movies and were planning on buying tickets for Fifty Shades Darker, then it is a bargain. However, most of the movies that are part of this deal are not good. Strip those out of the mix and the week is really slow. The best of the week is Denial on Blu-ray, while Best and Most Beautiful Things on DVD and The Librarians: Season Two on DVD are also worth grabbing.
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Thursday Night Previews: Jack Reaches $1.33 million during Previews
October 21st, 2016
Jack Reacher: Never Go Back pulled in $1.33 million during previews, which is approximately inline with expectations. It is just a hair below the $1.35 million The Accountant earned last week. However, The Accountant also earned significantly better reviews than Never Go Back is earning and that will likely hurt its legs. That said, we predicted $21 million and that seems safe at the moment.
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Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues
September 27th, 2016
Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion.
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Weekend Predictions: Will the New Releases be Magnificent?
September 22nd, 2016
It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it.
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Contest: Bewitching Prizes: Winning Announcement
September 22nd, 2016
The winners of our Bewitching Prizes contest were determined and the entrants with the closest predictions for Blair Witch opening weekend were...
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Weekend Estimates: Sully Beats Trio of New Releases
September 18th, 2016
As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place.
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Friday Estimates: New Releases Get Snowed Under by Sully’s $6.57 million Haul
September 17th, 2016
Friday was terrible for new releases and Sully will have no trouble repeating on top of the chart this weekend. The film earned $6.57 million on Friday, which is less than a 50% decline from its opening Friday. It might not quite get to $22 million as predicted, but even if it doesn’t, it should come close enough to be considered a victory. This is great news, because it is the only September release so far that has done well enough to call it a box office success.
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Thursday Night Previews: Blair Witch Spooks the Box Office with $765,000
September 16th, 2016
Blair Witch led the way during Thursday’s previews with $765,000. This is well short of the horror films we had during the summer, including The Shallows at $1.33 million and Lights Out at $1.8 million. Then again, it isn’t really fair to compare previews during summer when a lot of the target audience doesn’t have to go to school the next day. Unfortunately, there are not a lot of horror films that come out in September and previews like this have only been ubiquitous for the past few years. I think it is a good sign, but I’m not sure. Maybe if moviegoers like it more than critics do, the film will be a hit.
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Weekend Predictions: Baby vs. Witch
September 15th, 2016
There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison.
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Contest: Don’t Sully Your Reputation: Winning Announcement
September 14th, 2016
The winners of our Don’t Sully Your Reputation contest were determined and the entrants with the closest predictions for Morgan opening weekend were...
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Contest: Bewitching Prizes
September 9th, 2016
Like this week, there are four wide releases coming out next week, but not all are expected to open truly wide. Of these film, Blair Witch is the only one that is expected to do well during the weekend, although Bridget Jones’s Baby should have better legs. Since we care about opening weekends more than end results, Blair Witch is clearly the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Blair Witch.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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The Woods Trailer
July 19th, 2016
Found-footage horror film directed by Adam Wingard, opens September 16 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/10/28 | 8 | $30,955 | 28 | $1,106 | $30,955 | 1 | |
2016/11/04 | 10 | $19,994 | -35% | 26 | $769 | $82,300 | 2 |
2016/11/11 | 16 | $5,301 | -73% | 14 | $379 | $94,214 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/16/2016 | $235,609 | 155 | 155 | 285 | $777,385 | 11/30/2018 |
Australia | 9/16/2016 | $531,114 | 181 | 181 | 581 | $1,518,340 | 9/9/2018 |
Brazil | 9/16/2016 | $1,220,684 | 750 | 750 | 2003 | $3,235,545 | 11/16/2018 |
Bulgaria | 10/20/2016 | $10,932 | 0 | 0 | 0 | $60,788 | 2/26/2019 |
France | 9/23/2016 | $668,715 | 0 | 0 | 0 | $1,496,332 | 8/17/2018 |
Germany | 10/7/2016 | $727,684 | 0 | 0 | 0 | $1,755,961 | 8/19/2018 |
Italy | 9/21/2016 | $411,771 | 0 | 25 | 25 | $885,520 | 11/13/2018 |
Japan | 12/2/2016 | $53,358 | 0 | 0 | 0 | $97,725 | 8/20/2018 |
Lithuania | 10/14/2016 | $20,595 | 91 | 91 | 151 | $61,030 | 11/15/2016 |
Mexico | 9/30/2016 | $891,805 | 0 | 0 | 0 | $2,104,187 | 9/8/2018 |
Netherlands | 9/15/2016 | $159,429 | 56 | 57 | 227 | $469,215 | 11/19/2018 |
New Zealand | 9/16/2016 | $114,508 | 55 | 55 | 155 | $264,834 | 10/3/2016 |
North America | 9/16/2016 | $9,576,057 | 3,121 | 3,121 | 9,147 | $20,777,061 | |
Poland | 9/16/2016 | $239,626 | 0 | 0 | 0 | $614,321 | 12/31/2018 |
Portugal | 10/28/2016 | $30,955 | 28 | 28 | 68 | $94,214 | 11/17/2016 |
Russia (CIS) | 10/7/2016 | $452,785 | 676 | 676 | 1444 | $891,192 | 12/31/2018 |
South Korea | 11/18/2016 | $0 | 0 | 164 | 219 | $324,910 | 2/10/2017 |
Spain | 11/4/2016 | $224,319 | 240 | 240 | 556 | $468,715 | 11/18/2018 |
Turkey | 9/23/2016 | $65,776 | 171 | 171 | 302 | $148,263 | 2/26/2019 |
United Kingdom | 9/16/2016 | $1,255,925 | 462 | 462 | 1144 | $2,940,039 | 9/8/2018 |
Worldwide Total | $38,985,577 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
James Allen McCune | James |
Supporting Cast
Brandon Scott | Peter |
Corbin Reid | Ashley |
Callie Hernandez | Lisa |
Valorie Curry | Talia |
Wes Robinson | Lane |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Adam Wingard | Director |
Simon Barrett | Screenwriter |
Roy Lee | Producer |
Steven Schneider | Producer |
Keith Calder | Producer |
Jessica Calder | Producer |
Jenny Hinkey | Executive Producer |
Daniel Myrick | Executive Producer |
Eduardo Sanchez | Executive Producer |
Gregg Hale | Executive Producer |
Robby Baumgartner | Director of Photography |
Thomas S. Hammock | Production Designer |
Louis Cioffi | Editor |
Katia Stano | Costume Designer |
Adam Wingard | Composer |
Adam Wingard | Co-Producer |
Simon Barrett | Co-Producer |
Deborah Aquila | Casting Director |
Tricia Wood | Casting Director |
Loyd Bateman | Stunt Coordinator |
Sheila Haley | Art Director |
Kate Marshall | Set Decorator |
Mark W. McCoy | Post-Production Supervisor |
Lissette Rodriguez | First Assistant Editor |
Roger Cooper | Assistant Editor |
Susan Williams | Script Supervisor |
Matt Willoughby Price | Sound Mixer |
Tony Lazarowich | Special Effects Supervisor |
Mike Kruper | Special Effects Coordinator |
Hayley Miller | Make up |
Mariah Crawley | Hairstylist |
Will Fearn | Location Manager |
Jesse Pomeroy | Dialogue Editor |
Dan Kremer | Sound Effects Editor |
Andy Hay | Re-recording Mixer |
Greg Townsend | Re-recording Mixer |
Chris Harding | Visual Effects Producer |
Trent Smith | Visual Effects Producer |
Phillip Calderon | Visual Effects Producer |
Takashi Takeoka | Visual Effects Supervisor |
Matt Collorafice | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.