Slovakia Box Office for Black Adam (2022)
| Theatrical Performance (US$) | ||
| Slovakia Box Office | $506,591 | Details |
| Worldwide Box Office | $390,455,088 | Details |
| Home Market Performance | ||
| North America DVD Sales | $6,129,537 | Details |
| North America Blu-ray Sales | $9,940,495 | Details |
| Total North America Video Sales | $16,070,032 | |
| Further financial details... | ||
Synopsis
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods—and imprisoned just as quickly—Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.
Metrics
Movie Details
| Production Budget: | $200,000,000 |
| Slovakia Releases: | October 20th, 2022 (Wide) |
| Video Release: | November 22nd, 2022 by Warner Home Video |
| MPAA Rating: | PG-13 for sequences of strong violence, intense action and some language. (Rating bulletin 2749 (cert #53997), 9/14/2022) |
| Running Time: | 124 minutes |
| Franchise: | DC Extended Universe |
| Keywords: | Demons, Possessed, Action Adventure, Ancient Egypt, Anti Hero, Filmed in Atlanta, GA, Filmed in Los Angeles, CA |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | New Line Cinema, Seven Bucks Productions, Flynn Picture Company, DC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Black Adam looks set to hold on at the top
November 4th, 2022
Black Adam looks likely to take advantage of the calm before the Wakandan storm to top the box office chart again this weekend. Our model thinks it will land somewhere in the region of $17.6 million, which should be easily enough to hold off newcomer One Piece Film: Red.
More...
Weekend predictions: Prey for the Devil won’t challenge Black Adam at the top
October 28th, 2022
After a solid $67-million opening, Black Adam will continue at the top of the box office chart this weekend, even with a steep drop in its second outing. Prey for the Devil looks likely to finish in third place this weekend, although its box office prospects may improve a little as the weekend goes on and Halloween draws closer.
More...
Weekend predictions: Black Adam hoping to top $60 million on debut
October 21st, 2022
We are slowly pulling out of the doldrums at the box office, but (to mix metaphors) there’s still a long climb ahead. Black Adam is poised to post the biggest opening weekend since Thor: Love and Thunder debuted with $144 million over the weekend of July 8, but it won’t come anywhere near that figure. In fact, based on what we’re seeing so far, it won’t manage half of Thor’s opening number, with $60 million looking like the benchmark for the movie based on the current market conditions and its $7.6 million in previews on Thursday. Ticket to Paradise will likewise have the biggest opening for a romantic comedy in a long while, without entirely setting the world on fire.
More...
Black Adam trailer
October 17th, 2022
Superhero action movie starring Dwayne Johnson opens exclusively in theaters on Friday, October 21 ... Full Movie Details.
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods—and imprisoned just as quickly—Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/10/21 | 1 | $178,010 | 68 | $2,618 | $191,056 | 1 | |
| 2022/10/28 | 1 | $94,875 | -47% | 53 | $1,790 | $317,318 | 2 |
| 2022/11/04 | 2 | $56,857 | -40% | 46 | $1,236 | $404,482 | 3 |
| 2022/11/11 | 4 | $22,520 | -60% | 29 | $777 | $446,403 | 4 |
| 2022/11/18 | 5 | $18,666 | -17% | 23 | $812 | $479,148 | 5 |
| 2022/11/25 | 9 | $7,237 | -61% | 21 | $345 | $490,918 | 6 |
| 2022/12/02 | 14 | $3,647 | -50% | 15 | $243 | $501,333 | 7 |
| 2022/12/09 | 16 | $2,686 | -26% | 15 | $179 | $506,591 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/20/2022 | $4,644,614 | 689 | 689 | 3033 | $12,216,517 | 10/2/2023 |
| Brazil | 10/20/2022 | $4,800,000 | 2012 | 2012 | 6511 | $13,400,000 | 11/14/2022 |
| Croatia | 10/20/2022 | $114,642 | 82 | 82 | 334 | $352,695 | 12/23/2022 |
| Czech Republic | 10/20/2022 | $254,625 | 176 | 176 | 456 | $824,966 | 2/21/2023 |
| Finland | 10/21/2022 | $223,425 | 80 | 80 | 363 | $740,962 | 12/16/2022 |
| France | 10/19/2022 | $3,900,000 | 710 | 741 | 2790 | $15,100,000 | 11/14/2022 |
| Germany | 10/20/2022 | $2,900,000 | 0 | 675 | 675 | $8,000,000 | 11/6/2022 |
| India | 10/20/2022 | $3,500,000 | 0 | 0 | 0 | $3,500,000 | 10/24/2022 |
| Indonesia | 10/19/2022 | $2,900,000 | 0 | 0 | 0 | $2,900,000 | 10/23/2022 |
| Italy | 10/20/2022 | $1,890,349 | 0 | 0 | 0 | $5,171,376 | 11/28/2022 |
| Japan | 12/2/2022 | $1,183,105 | 762 | 762 | 762 | $1,183,105 | 12/5/2022 |
| Malaysia | 10/20/2022 | $2,300,000 | 0 | 0 | 0 | $2,300,000 | 10/24/2022 |
| Mexico | 10/20/2022 | $5,262,109 | 0 | 0 | 0 | $15,618,861 | 12/6/2022 |
| Netherlands | 10/21/2022 | $1,145,363 | 164 | 164 | 756 | $4,449,520 | 2/17/2023 |
| New Zealand | 10/20/2022 | $675,056 | 97 | 100 | 689 | $2,278,902 | 1/30/2023 |
| North America | 10/21/2022 | $67,004,323 | 4,402 | 4,402 | 28,549 | $168,283,344 | |
| Philippines | 10/19/2022 | $1,000,000 | 0 | 0 | 0 | $1,000,000 | 10/23/2022 |
| Portugal | 10/20/2022 | $390,601 | 113 | 113 | 587 | $1,497,837 | 1/4/2023 |
| Romania | 10/21/2022 | $334,425 | 102 | 102 | 469 | $1,223,009 | 1/4/2023 |
| Russia (CIS) | 10/20/2022 | $928,100 | 124 | 135 | 576 | $2,999,599 | 11/23/2022 |
| Slovakia | 10/20/2022 | $178,010 | 68 | 68 | 270 | $506,591 | 2/24/2023 |
| South Korea | 10/19/2022 | $2,346,542 | 1524 | 1524 | 3471 | $5,944,469 | 11/23/2022 |
| Spain | 10/21/2022 | $2,145,141 | 365 | 381 | 2211 | $7,162,866 | 2/15/2023 |
| Turkey | 10/21/2022 | $427,187 | 517 | 551 | 1983 | $1,623,013 | 12/22/2022 |
| United Arab Emirates | 10/20/2022 | $2,200,000 | 0 | 0 | 0 | $2,200,000 | 10/24/2022 |
| United Kingdom | 10/21/2022 | $6,385,505 | 650 | 654 | 3708 | $24,215,138 | 12/21/2022 |
| Rest of World | $85,762,318 | ||||||
| Worldwide Total | $390,455,088 | 10/2/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Dwayne Johnson | Black Adam/Teth Adam |
| Noah Centineo | Atom Smasher/Al Rothstein |
| Aldis Hodge | Hawkman/Carter Hall |
| Quintessa Swindell | Cyclone/Maxine Hunkel |
| Pierce Brosnan | Dr. Fate/Kent Nelson |
Supporting Cast
| Sarah Shahi | Adrianna Tomaz |
| Marwan Kenzari | Ishmael/Sabbac/King Ahk-Ton |
| Bodhi Sabongui | Amon Tomaz |
| Mohammed Amer | Karim |
| James Cusati-Moyer | Samir |
| Jalon Christian | Hurut |
| Benjamin Patterson | Skinny Teth Adam |
| Odelya Halevi | Shiruta |
| Uli Latukefu | The Champion |
| Jennifer Holland | Emilia Harcourt |
| Henry Winkler | Uncle Al |
| Chaim Jeraffi | Djau |
| Sharon Gee | Mrs. Farmer |
| Stephan Jones | Commander |
| A. Manuel Miranda | Ancient Mine Soldier |
| Djimon Hounsou | Wizard |
| Raj Kala | Wizard #1 |
| E. Lloyd Napier | Wizard #2 |
| Kiara Rashawn | Wizard #3 |
| Onye Eme-Akwari | Wizard #4 |
| Sanna Erica | Wizard #5 |
| Vince Canlas | Wizard #6 |
| Tonea Stewart | Wizard #7 |
| Meghna Nagarajan | Apartment Resident |
| Patrick Sabongui | Rami |
| Alex Parkinson | Chauffeur |
| Joseph Gatt | Intergang Squad Leader |
| Kamen Casey | Intergang Pilot #2 |
| Dennis Dawson | Intergang Pilot #3 |
| Mike Senior | Intergang Pilot #4 |
| Jermaine Rivers | Intergang Sniper |
| Regina Ting Chen | Helicopter #1 Pilot #1 |
| Sekou Laidlow | Helicopter #2 Pilot #1 |
| Cameron Moir | Helicopter #2 Pilot #2 |
| Donny Carrington | Checkpoint Mercenary #1 |
| Boone Platt | Checkpoint Mercenary #2 |
| Philip Fornah | Squad Mercenary #1 |
| Derek Russo | Squad Mercenary #2 |
| Angel Rosario Jr. | Squad Mercenary #3 |
| Tang Nguyen | Squad Mercenary #13 |
| Christopher Matthew Cook* | Stairwell Mercenary #1 |
| Natasha Ellie | Stairwell Mercenary #2 |
| Daniel Danca | Market Mercenary #3 |
| Yssa Mei Panganiban | Stairwell Mercenary #4 |
| Ben Jenkin | Intergang Mercenary #8 |
| Henry Cavill | Superman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jaume Collet-Serra | Director |
| Adam Sztykiel | Screenwriter |
| Rory Haines | Screenwriter |
| Sohrab Noshirvani | Screenwriter |
| Adam Sztykiel | Story by |
| Rory Haines | Story by |
| Sohrab Noshirvani | Story by |
| C C Beck | Character Creator |
| Otto Binder | Character Creator |
| Dwayne Johnson | Producer |
| Hiram Garcia | Producer |
| Beau Flynn | Producer |
| Dany Garcia | Producer |
| Tony Emmerich | Executive Producer |
| Richard Brener | Executive Producer |
| Walter Hamada | Executive Producer |
| Dave Neustadter | Executive Producer |
| Chris Pan | Executive Producer |
| Eric McLeod | Executive Producer |
| Geoff Johns | Executive Producer |
| Scott Sheldon | Executive Producer |
| Adam Schlagman | Executive Producer |
| Tom Meyer | Production Designer |
| Mike Sale | Editor |
| John Lee | Editor |
| Lorne Balfe | Composer |
| Lawrence Sher | Director of Photography |
| Gabe Hilfer | Music Supervisor |
| Bill Westenhofer | Visual Effects Supervisor |
| Kurt and Bart | Costume Designer |
| Rich Delia | Casting Director |
| Jennifer Conroy | Unit Production Manager |
| Eric McLeod | Unit Production Manager |
| Nick Satriano | First Assistant Director |
| Megan Schmidt | Second Assistant Director |
| Jennifer Conroy | Co-Producer |
| Shelby Thomas | Co-Producer |
| Karen Murphy-Mundell* | Visual Effects Producer |
| Darin Read | Associate Producer |
| Jazmyn Tanski | Associate Producer |
| Nick Satriano | Associate Producer |
| Yuri Bartoli | Supervising Art Director |
| Beat Frutiger | Supervising Art Director |
| Erik Osusky | Supervising Art Director |
| Sarah Delucchi | Art Director |
| Kevin Gilbert | Art Director |
| Kevin Houlihan | Art Director |
| Justin Miller | Art Director |
| Mike Stassi | Art Director |
| Rachel Aguirre | Additional Art Direction |
| Robert Aguirre | Additional Art Direction |
| Virgina Berg | Additional Art Direction |
| Anne Costa | Additional Art Direction |
| Mari Lappalainen | Additional Art Direction |
| Cheyenne Bell | Set Designer |
| David Chow | Set Designer |
| Allen Coulter | Set Designer |
| Timothy Croshaw | Set Designer |
| Ryan Heck | Set Designer |
| Scott Herbertson | Set Designer |
| Bria Kinter | Set Designer |
| Silvia Mahapatra | Set Designer |
| Richard Mays | Set Designer |
| Daniela Vasem Medeiros | Set Designer |
| Joseph Ramiro | Set Designer |
| Shari Ratliff | Set Designer |
| Walter Schneider | Set Designer |
| Stella Vaccaro | Set Designer |
| Kil Won Wu | Set Designer |
| Krisztian Majdik | Additional Editor |
| Eric A. Lewy | First Assistant Editor |
| Emily Freund | First Assistant Editor |
| Lindsay Tessier | Second Assistant Editor |
| Keith Brachmann | Assistant Editor |
| Ronald J. Webb | Music Editor |
| Barbara McDermott | Music Editor |
| Bill R. Dean | Supervising Sound Editor |
| Tom Ozanich | Re-recording Mixer |
| Michael Keller | Re-recording Mixer |
| Joe Schiff | Dialogue ADR Editor |
| Micah Loken | Dialogue ADR Editor |
| Erick Ocampo | Sound Designer |
| Dane A. Davis | Sound Designer |
| Richard King | Sound Designer |
| David Werntz | Sound Designer |
| Harry Cohen | Sound Designer |
| Tim Walston | Sound Designer |
| Ann Scibelli | Sound Designer |
| Mitch Osias | Sound Design/Effects Editor |
| D. Chris Smith | Sound Design/Effects Editor |
| Ando Johnson | Sound Design/Effects Editor |
| Greg ten Bosch | Sound Design/Effects Editor |
| Bryan O. Watkins | Sound Design/Effects Editor |
| Bruce Tanis | Foley Supervisor |
| Mark Pappas | Foley Editor |
| Darrin Mann | Foley Mixer |
| Whit Norris | Sound Mixer |
| Anna Rane | Script Supervisor |
| Larry Dias | Set Decorator |
| Justin Trudeau | Set Designer |
| Stacy Horn | Costume Supervisor |
| Deborah Lamia Denaver | Make up |
| Kerry Herta | Make up |
| Adruitha Lee | Hairstylist |
| Cassie Russek | Hairstylist |
| Leann Emmert | Location Manager |
| Julie Richheimer | Production Supervisor |
| Kerri Smeltzer | Production Supervisor |
| J.D. Schwalm | Special Effects Supervisor |
| Eric Cook | Special Effects Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.