South Korea Box Office for La belle époque (2019)

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La belle époque
Theatrical Performance (US$)
South Korea Box Office $462,646Details
Worldwide Box Office $14,162,451Details
Further financial details...

Synopsis

Disillusioned sexagenarian cartoonist Victor has lost his job and is on the outs with his wife Marianne when enterprising entrepreneur Antoine approaches him with an intriguing proposition-the chance to revisit the glory days of his youth, and his relationship, by traveling back through time. Intrigued, the avowed technophobe hires Antoine’s virtual reality company to return him to May 16, 1974, the day he met Marianne in a café in Lyon, and soon finds himself drawn to Margo, the actress playing the younger incarnation of his spouse.

Metrics

Movie Details

South Korea Releases: May 20th, 2020 (Wide)
MPAA Rating: R for sexual content, nudity, language, drug use and brief violence.
(Rating bulletin 2624 (Cert #52680), 4/8/2020)
Running Time: 110 minutes
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: 101 Films, Pathe
Production Countries: France
Languages: French

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/05/15 - $1,960   4 $490   $3,136 1
2020/05/22 3 $119,076 +5,975% 463 $257   $154,977 1
2020/05/29 - $72,999 -39% 333 $219   $292,634 2
2020/06/05 6 $59,559 -18% 219 $272   $398,924 3
2020/06/12 13 $22,181 -63% 79 $281   $429,407 4
2020/06/19 25 $6,134 -72% 24 $256   $444,267 5
2020/06/26 - $1,951 -68% 7 $279   $447,470 6
2020/07/03 - $1,628 -17% 6 $271   $454,068 7
2020/07/24 - $727   2 $364   $456,902 10
2020/08/07 - $594   2 $297   $462,646 12

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/10/2020 $37,713 1 72 427 $507,149 10/20/2022
Bulgaria 12/6/2019 $5,208 0 0 0 $19,283 2/19/2020
Czech Republic 12/27/2019 $4,462 9 60 122 $132,151 10/19/2022
France 11/8/2019 $3,029,197 548 765 3096 $9,460,778 12/13/2019
Germany 11/29/2019 $161,779 0 122 237 $619,896 12/28/2019
Italy 11/7/2019 $373,790 0 16 42 $1,939,692 10/19/2022
Lithuania 12/6/2019 $7,244 12 12 79 $57,593 8/27/2021
Mexico 10/21/2020 00$0
Netherlands 1/3/2020 $118,141 41 50 230 $481,209 10/19/2022
New Zealand 7/18/2019 $481 1 34 185 $108,465 10/19/2022
North America 10/2/2020 $0 0 0 0 $0
Portugal 12/20/2019 $6,803 11 11 28 $28,180 10/19/2022
Romania 10/16/2020 $8,289 15 15 40 $13,580 3/3/2021
Russia (CIS) 11/28/2019 $77,487 219 219 417 $212,592 10/19/2022
Slovakia 2/14/2020 $5,453 12 12 12 $5,478 10/19/2022
South Korea 5/20/2020 $1,960 4 463 1139 $462,646 8/12/2020
Turkey 2/14/2020 $9,919 26 30 81 $44,616 10/19/2022
United Kingdom 11/22/2019 $69,143 23 23 23 $69,143 11/27/2019
 
Worldwide Total$14,162,451 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Guillaume Canet Antoine
Doria Tillier Margot
Fanny Ardant Marianne
Pierre Arditi Pierre
Denis Podalydes Francois
Bertrand Poncet Adrien
Bruno Raffaelli Maurice/Yvon/Hemingway
Lizzie Brochere Gisèle
Thomas Scimeca Freddy/Hans Axel von Fersen

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nicolas Bedos Director
Nicolas Bedos Screenwriter
Francois Kraus Producer
Denis Pineau-Valencienne Producer
Anny Danche Editor
Florent Vassault Editor
Nicolas Bedos Composer
Anne-Sophie Versnaeyen Composer
Nicola Bolduc Director of Photography
François Fontès Co-Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.