Mexico Box Office for Belle (2021)
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| Theatrical Performance (US$) | ||
| Mexico Box Office | $73,285 | Details |
| Worldwide Box Office | $63,128,200 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $2,298,237 | Details |
| Total North America Video Sales | $2,298,237 | |
| Further financial details... | ||
Synopsis
Suzu is a shy, everyday high school student living in a rural village. For years, she has only been a shadow of herself. But when she enters “U”, a massive virtual world, she escapes into her online persona as Belle, a gorgeous and globally-beloved singer. One day, her concert is interrupted by a monstrous creature chased by vigilantes. As their hunt escalates, Suzu embarks on an emotional and epic quest to uncover the identity of this mysterious “beast” and to discover her true self in a world where you can be anyone.
Metrics
Movie Details
| Mexico Releases: | January 20th, 2022 (Wide), released as Belle |
| Video Release: | May 17th, 2022 by Shout Factory |
| MPAA Rating: | PG thematic content, violence, language and brief suggestive material. (Rating bulletin 2705 (cert #53481), 11/3/2021) |
| Running Time: | 122 minutes |
| Keywords: | Heroic Adventure, Internet, Young Child Dealing with the Death of a Parent, First Love, False Identity, Virtual Reality, Dragon, Singers, Dysfunctional Family, Domestic Abuse, Child Abuse, Anime |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Studio Chizu, GKIDS |
| Production Countries: | Japan |
| Languages: | Japanese |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/01/21 | 10 | $73,285 | 0 | $73,285 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/20/2022 | $0 | 0 | 0 | 0 | $0 | |
| China | 8/26/2022 | $1,500,000 | 48686 | 48686 | 54061 | $2,120,000 | 9/26/2022 |
| Finland | 2/18/2022 | $16,051 | 27 | 27 | 27 | $50,820 | 10/20/2022 |
| France | 12/29/2021 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 6/9/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 3/17/2022 | $155,680 | 0 | 0 | 0 | $241,961 | 10/20/2022 |
| Japan | 7/16/2021 | $6,177,848 | 0 | 0 | 0 | $55,552,240 | 9/24/2021 |
| Mexico | 1/20/2022 | $73,285 | 0 | 0 | 0 | $73,285 | 10/20/2022 |
| North America | 1/14/2022 | $1,565,658 | 1,338 | 1,338 | 3,669 | $4,018,313 | |
| Romania | 2/4/2022 | $43,537 | 60 | 60 | 269 | $74,243 | 10/20/2022 |
| Russia (CIS) | 4/14/2022 | $138,944 | 1206 | 1206 | 2354 | $332,237 | 4/30/2022 |
| South Korea | 9/29/2021 | $128,413 | 214 | 214 | 603 | $544,123 | 11/10/2021 |
| Spain | 3/25/2022 | $70,495 | 117 | 117 | 202 | $113,828 | 4/9/2022 |
| Turkey | 1/14/2022 | $1,210 | 22 | 22 | 31 | $7,150 | 10/20/2022 |
| United Kingdom | 2/4/2022 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $63,128,200 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kaho Nakamura | Suzu |
| Kylie McNeill | Suzu / Belle (English) |
| Takeru Satoh | The Dragon |
Supporting Cast
| Ryo Narita | Shinobu Hisatake |
| Tina Tamashiro | Ruka Watanabe |
| Toshiyuki Morikawa | Justian |
| Shota Sometani | Shinjiro Chikami |
| Rira Ikuta | Hiroka “Hiro-chan” Betsuyaku |
| Sei Hiraizmi | Jelinek |
| Mamoru Miyano | Muitaro Hitokawa |
| Mami Koyama | Swan |
| Koji Yakusho | Suzu’s Father |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Mamoru Hosoda | Director |
| Mamoru Hosoda | Screenwriter |
| Mamoru Hosoda | Story by |
| Hiroyuki Aoyama | Animation Director |
| Takaaki Yamashita | CG Animation Supervisor |
| Jin Kim | CG Character Designer |
| Nobutaka Ike | Art Director |
| Anri Jojo | Production Designer |
| Eric Wong | Production Designer |
| Jumi Lee | Cinematographer |
| Manabu Kadouno | Cinematographer |
| Satoshi Machida | Cinematographer |
| Shigeru Nishiyama | Editor |
| Taisei Iwasaki | Composer |
| Ludvig Forssell | Composer |
| Yuta Bandoh | Composer |
| Taisei Iwasaki | Music Producer |
| Taka Chiyo | Music Supervisor |
| Yuichiro Saito | Producer |
| Genki Kawamura | Producer |
| Nozomu Takahashi | Producer |
| Toshimi Tanio | Producer |