Argentina Box Office for Behind the White Glasses: Portrait of Lina Wertmuller (2016)
| Theatrical Performance (US$) | ||
| Argentina Box Office | $2,547 | Details |
| Worldwide Box Office | $11,610 | Details |
| Home Market Performance | ||
| North America DVD Sales | $34,227 | Details |
| Total North America Video Sales | $34,227 | |
| Further financial details... | ||
Synopsis
The story of Lina Wertmüller’s life and career. First woman in the world to receive a nomination for the Academy Award as best director for her masterpiece Seven beauty. From the unpublished pictures taken in Cinecittà when she was Federico Fellini’s assistant director for in 8 ½, the documentary takes us to the places were her most famous films were set, revealing the artistic and human universe of a woman who with her unfailing irony and taste for the grotesque, has left her mark in all fields entertainment in which she worked cinema, drama, television, music. The journey is accompanied by many exclusive interviews with the artists who witnessed her intense and constantly evolving career.
Metrics
Movie Details
| Argentina Releases: | August 19th, 2016 (Wide) |
| Video Release: | September 19th, 2017 by Kino Lorber |
| MPAA Rating: | Not Rated |
| Running Time: | 104 minutes |
| Keywords: | Screenwriters, Movie Director |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Recalcati Multimedia, White Glasses Film |
| Production Countries: | Italy |
| Languages: | English, Italian |
Theater Averages: Zootopia Knight a Theater Average Champion with $19,614
March 9th, 2016
Zootopia not only earned first place on the overall box office, it also topped the theater average chart with an average of $19,614. The only other film to earn more than $10,000 per theater was Knight of Cups, which earned an average of $15,138 in four theaters.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 8/19/2016 | $3,734 | 11 | 11 | 13 | $2,547 | 11/30/2018 |
| North America | 3/4/2016 | $6,840 | 2 | 2 | 6 | $9,063 | |
| Worldwide Total | $11,610 | 11/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Lina Wertmuller | Herself |
Interviewee(s)
| Marina Cicogna | Herself |
| Caterina D'Amico | Herself |
| Masolino D Amico | Himself |
| Isa Danieli | Herself |
| Domenico De Masi | Himself |
| Piera Degli Esposti | Herself |
| Laura Delli Colli | Herself |
| Giancarlo Giannini | Himself |
| Rutger Hauer | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Valerio Ruiz | Director |
| Valerio Ruiz | Scriptwriter |
| Leonardo Recalcati | Producer |
| Leonardo Recalcati | Executive Producer |
| Pierluigi Leonardi | Editor |
| Lucio Gregoretti | Composer |
| Giuseppe Pignone | Director of Photography |
| Virginia Vianello | Art Director |
| Valentina Negri | Line Producer |
| Stefano Di Fiore | Sound Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.