Finland Box Office for Beetlejuice Beetlejuice (2024)
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| Theatrical Performance (US$) | ||
| Finland Box Office | $940,466 | Details |
| Worldwide Box Office | $450,079,000 | Details |
| Further financial details... | ||
Synopsis
Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.
Metrics
Movie Details
| Production Budget: | $100,000,000 |
| Finland Releases: | September 6th, 2024 (Wide) |
| Video Release: | October 8th, 2024 by Warner Home Video |
| MPAA Rating: | PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use. (Rating bulletin 2843 (cert #54915), 7/17/2024) |
| Running Time: | 144 minutes |
| Franchise: | Beetlejuice |
| Keywords: | Horror Comedy, Delayed Sequel, Sequels Without Their Original Stars |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Plan B Entertainment, Tim Burton, Warner Bros., Domain Entertainment, Tommy Harper, Marc Toberoff |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Wild Robot headed for the top on a jam-packed weekend
September 27th, 2024
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This is a busy weekend in the movie theaters, with no less than seven films either opening or expanding wide. After four wide arrivals last weekend, moviegoers are spoiled for choice at the moment, at least in terms of quantity. There’s some quality too, but it’s a challenge for any one title to stand out from the crowd. The Wild Robot will fairly clearly be the biggest new wide release, and our model thinks it will to the chart. Megalopolis should be the second-highest-grossing opener, but beyond that it gets increasingly hard to discern how things will shake out. There’s so much going on that we’re publishing an extra-long weekend prediction chart this weekend, just to fit in all the films that could hit the top 10.
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Weekend predictions: Beetlejuice and Transformers go head to head
September 20th, 2024
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Transformers One goes into the weekend as the favorite to break Beetlejuice Beetlejuice’s winning streak at the top of the chart. But victory isn’t completely assured, with our model thinking both films have a shot at victory.
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Weekend predictions: Beetlejuice eyeing $100 million on opening weekend
September 6th, 2024
It’ll be Beetlejuice’s time to shine in theaters this weekend, with an assured spot at the top of the box office chart, and the best opening weekend for a film since Deadpool & Wolverine came out in late July. The target for Beetlejuice Beetlejuice is $100 million this weekend in North America, Here’s how our model thinks it will do…
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Beetlejuice Beetlejuice trailer
May 23rd, 2024
Horror comedy starring Michael Keaton, Winona Ryder and Jenna Ortega opens in theaters September 6. Full movie details.
Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/09/06 | 2 | $164,443 | 122 | $1,348 | $178,679 | 1 | |
| 2024/09/13 | 2 | $137,143 | -17% | 116 | $1,182 | $389,990 | 2 |
| 2024/09/20 | 2 | $87,961 | -36% | 93 | $946 | $529,315 | 3 |
| 2024/09/27 | 4 | $76,926 | -13% | 77 | $999 | $667,447 | 4 |
| 2024/10/04 | 6 | $47,003 | -39% | 50 | $940 | $745,694 | 5 |
| 2024/10/11 | 10 | $34,784 | -26% | 52 | $669 | $787,970 | 6 |
| 2024/10/18 | 11 | $36,916 | +6% | 39 | $947 | $864,385 | 7 |
| 2024/10/25 | 14 | $21,528 | -42% | 43 | $501 | $901,307 | 8 |
| 2024/11/01 | 17 | $18,036 | -16% | 34 | $530 | $931,836 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/5/2024 | $521,000 | 0 | 0 | 0 | $521,000 | 9/9/2024 |
| Australia | 9/5/2024 | $2,594,032 | 621 | 621 | 3094 | $9,780,702 | 11/4/2024 |
| Brazil | 9/5/2024 | $1,200,000 | 0 | 0 | 0 | $1,200,000 | 9/8/2024 |
| Bulgaria | 9/6/2024 | $0 | 0 | 0 | 0 | $0 | |
| Colombia | 9/6/2024 | $745,000 | 0 | 0 | 0 | $745,000 | 9/9/2024 |
| Croatia | 9/5/2024 | $126,194 | 68 | 68 | 325 | $480,520 | 11/8/2024 |
| Czech Republic | 9/5/2024 | $200,314 | 180 | 180 | 683 | $1,152,219 | 11/5/2024 |
| Finland | 9/6/2024 | $164,443 | 122 | 122 | 626 | $940,466 | 11/8/2024 |
| France | 9/11/2024 | $0 | 0 | 828 | 828 | $11,400,000 | 9/30/2024 |
| Germany | 9/12/2024 | $0 | 0 | 700 | 700 | $4,900,000 | 9/29/2024 |
| Italy | 9/5/2024 | $1,819,346 | 0 | 0 | 0 | $5,710,232 | 10/22/2024 |
| Japan | 9/27/2024 | $974,000 | 874 | 874 | 874 | $974,000 | 9/30/2024 |
| Mexico | 9/5/2024 | $6,400,000 | 3377 | 3377 | 3377 | $19,384,711 | 10/29/2024 |
| Netherlands | 9/5/2024 | $582,793 | 134 | 137 | 1071 | $2,704,131 | 11/4/2024 |
| New Zealand | 9/5/2024 | $435,145 | 110 | 117 | 821 | $1,620,319 | 11/4/2024 |
| North America | 9/6/2024 | $111,003,345 | 4,575 | 4,575 | 33,694 | $293,579,000 | |
| Poland | 9/6/2024 | $774,000 | 0 | 0 | 0 | $774,000 | 9/9/2024 |
| Portugal | 9/5/2024 | $222,619 | 82 | 89 | 509 | $913,598 | 11/5/2024 |
| Romania | 9/6/2024 | $112,485 | 92 | 92 | 404 | $556,573 | 11/6/2024 |
| Russia (CIS) | 9/5/2024 | $234,848 | 147 | 313 | 1233 | $2,943,743 | 10/9/2024 |
| Slovakia | 9/5/2024 | $59,310 | 72 | 72 | 272 | $286,745 | 11/5/2024 |
| South Africa | 9/6/2024 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 9/4/2024 | $374,290 | 762 | 762 | 927 | $851,289 | 10/9/2024 |
| Spain | 9/6/2024 | $2,440,411 | 362 | 372 | 2318 | $9,263,734 | 11/7/2024 |
| Sweden | 9/6/2024 | $0 | 0 | 0 | 0 | $0 | |
| Turkey | 9/6/2024 | $196,651 | 526 | 526 | 1593 | $783,960 | 10/31/2024 |
| United Arab Emirates | 9/5/2024 | $561,000 | 0 | 0 | 0 | $561,000 | 9/9/2024 |
| United Kingdom | 9/6/2024 | $9,658,165 | 714 | 738 | 5603 | $33,979,066 | 11/7/2024 |
| Rest of World | $44,072,992 | ||||||
| Worldwide Total | $450,079,000 | 11/8/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Michael Keaton | Betelgeuse |
| Winona Ryder | Lydia Deetz |
| Jenna Ortega | Astrid Deetz |
| Catherine O'Hara | Dela Deetz |
| Justin Theroux | Rory |
| Monica Bellucci | Delores |
| Willem Dafoe | Wolf Jackson |
Supporting Cast
| Arthur Conti | Jeremy |
| Burn Gorman | Reverend |
| Danny DeVito | Janitor |
| Nick Kellington | Bob-Shrinker |
| Santiago Cabrera | Richard |
| Sami Slimane | Le Tigre |
| Amy Nuttall | Jane Butterfield |
| Mark Heenehan | Clive |
| Charlie Hopkinson | Clive |
| Liv Spencer | Olga |
| Skylar Park | Littler Jane |
| Matt Lyons | Dave-Shrinker |
| Jane Leaney | Jeremy’s Mom |
| David Ayres | Jeremy’s Dad |
| Sophie Holland | Hot Dog Lady on a Stick |
| Walles Hamonde | Glen-Director |
| Max Pemberton | Surfer Dude |
| Rebecca O’Mara | Jody Welch |
| Adam Speers | Emmet Welch |
| Daryl Kwan | Eddy |
| Caroline Lawrie | Dead Cat Lady |
| Philip Philmar | Hooded Pagan |
| Stephen K. Amos | Conductor |
| Sean Verre | Josh |
| Noah Mendes | Ethan |
| Juliana Yazbeck | Mummy Immigration Officer |
| Bea Svistunenko | Nadia |
| Alex Stoll | TV Interviewer |
| Filipe Cates | Vlad |
| Rupi Lal | Astrid’s Doctor |
| Georgina Beedle | Jackson’s Secretary |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tim Burton | Director |
| Alfred Gough | Screenwriter |
| Miles Millar | Screenwriter |
| Miles Millar | Story by |
| Alfred Gough | Story by |
| Seth Grahame-Smith | Story by |
| Michael McDowell | Character Creator |
| Larry Wilson | Character Creator |
| Marc Toberoff | Producer |
| Dede Gardner | Producer |
| Tim Burton | Producer |
| Tommy Harper | Producer |
| Jeremy Kleiner | Producer |
| Sara Desmond | Executive Producer |
| Katterli Frauenfelder | Executive Producer |
| Alfred Gough | Executive Producer |
| Miles Millar | Executive Producer |
| Laurence Senelick | Executive Producer |
| Brad Pitt | Executive Producer |
| Larry Wilson | Executive Producer |
| Haris Zambarloukos | Director of Photography |
| Mark Scruton | Production Designer |
| Jay Prychidny | Editor |
| Danny Elfman | Composer |
| Colleen Atwood | Costume Designer |
| Neal Scanlan | Animatronic & Special Make-up Effects Supervisor |
| Angus Bickerton | Visual Effects Supervisor |
| Christine Blundell | Make-up and Hair Designer |
| Natalie Testa | Co-Producer |
| Sophie Holland | Casting Director |
| Mark Hopkins | Unit Production Manager |
| Thomas Harper | Unit Production Manager |
| Katterli Frauenfelder | First Assistant Director |
| Emma Horton | Key Second Assistant Director |
| Alex Bicknell | Visual Effects Producer |
| Stuart Wilson | Sound Mixer |
| Seth Grahame-Smith | Executive Producer |
| David Katzenberg | Executive Producer |
| Pete Chiappetta | Executive Producer |
| Andrew Lary | Executive Producer |
| Anthony Tittanegro | Executive Producer |
| Nick Gottschalk | Supervising Art Director |
| Alex Baily | Art Director |
| Will Coubrough | Art Director |
| Will Houghton-Connell | Art Director |
| Kira Kemble | Art Director |
| Katrina Mackay | Art Director |
| Lizzie Kilham | Art Director |
| Rachel Garlick | Story Artist |
| Lucy Williams | Set Designer |
| Anne Clemens | Set Designer |
| Michael Croghan | Set Designer |
| Luke Dass | Set Designer |
| Tom Goode | Set Designer |
| Monica Paisley | Set Designer |
| Irene Chawko | Script Supervisor |
| Ann Lynch | Post-Production Supervisor |
| Danny Salas | First Assistant Editor |
| Jimmy Boyle | Supervising Sound Editor |
| Jimmy Boyle | Sound Designer |
| Chris Burdon | Re-recording Mixer |
| Gilbert Lake | Re-recording Mixer |
| Kevin Penney | Sound Effects Editor |
| Kevin Penney | Foley Supervisor |
| George Riley | Sound Effects Editor |
| Vicky Freund | Sound Effects Editor |
| Buster Flaws | Supervising Dialogue Editor |
| Nigel Mills | Dialogue Editor |
| Rob Price | Foley Mixer |
| Sophia Hardman | Foley Editor |
| Steven Johnson | Production Supervisor |
| Hannah Walter | Costume Supervisor |
| Lesa Warrener | Make-up and Hair Designer |
| Elizabeth Barlow | Key Special Makeup Effects Prosthetic Artist |
| Jennifer Kewley | Key Special Makeup Effects Prosthetic Artist |
| Amber Sibley | Key Special Makeup Effects Prosthetic Artist |
| Megan Thomas | Key Special Makeup Effects Prosthetic Artist |
| David Morison | Set Decorator |
| Amanda Stevens | Supervising Location Manager |
| Hannah McCarthy | Location Manager |
| Lottie Ludkin | Location Manager |
| Carrick Welsh | Location Manager |
| Tom Asquith | Location Manager |
| Tom Marshall | Location Manager |
| Stefano Pepin | Special Effects Supervisor |
| Simon Parker | Special Effects |
| Bill Abbott | Music Editor |
| Cecile Tournesac | Music Editor |
| James Balmont | Music Supervisor |
| Matthew Lawrenson | Music Supervisor |
| Danny Elfman | Score Producer |
| Peter Cobbin | Score Recordist |
| Kirsty Whalley | Score Recordist |
| Noah Snyder | Score Recordist |
| Andrew Dudman | Score Recordist |
| Peter Cobbin | Score Mixer |
| Kirsty Whalley | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.