United Kingdom Box Office for In Between (2016)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $23,371 | Details |
| Worldwide Box Office | $1,663,709 | Details |
| Home Market Performance | ||
| North America DVD Sales | $35,983 | Details |
| Total North America Video Sales | $35,983 | |
| Further financial details... | ||
Synopsis
Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.
Metrics
Movie Details
| United Kingdom Releases: | September 22nd, 2017 (Wide), released as In Between |
| Video Release: | May 1st, 2018 by Film Movement Video |
| MPAA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Keywords: | Set in Tel Aviv, Set in Israel, Muslims, Romance, Orthodox Religion, Domestic Abuse, Dysfunctional Family, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Deux Beaux Garcons Films, Compagnie des Lamas |
| Production Countries: | Israel |
| Languages: | Arabic, Hebrew |
Home Market Releases for May 1st, 2018
May 2nd, 2018
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It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
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Theater Averages: Post Haunts the Theater Average Chart
January 10th, 2018
None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493.
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Limited and VOD Releases: In Between a Rock and a Hard Place
January 4th, 2018
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It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/09/22 | - | $23,371 | 7 | $3,339 | $23,371 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $4,715 | 3 | 3 | 16 | $28,215 | 8/6/2018 |
| France | 4/14/2017 | $179,299 | 0 | 0 | 0 | $765,939 | 9/23/2018 |
| Italy | 4/5/2017 | $64,148 | 0 | 0 | 0 | $468,144 | 5/11/2017 |
| Netherlands | 1/5/2018 | $28,107 | 24 | 24 | 45 | $68,347 | 9/12/2018 |
| New Zealand | 8/25/2017 | $1,881 | 5 | 6 | 21 | $7,408 | 7/31/2018 |
| North America | 1/5/2018 | $5,888 | 2 | 8 | 67 | $107,977 | |
| Spain | 11/25/2016 | $28,437 | 23 | 25 | 119 | $194,308 | 4/28/2017 |
| United Kingdom | 9/22/2017 | $23,371 | 7 | 7 | 7 | $23,371 | 9/28/2017 |
| Worldwide Total | $1,663,709 | 9/23/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Mouna Hawa | Lalia |
| Sana Jammelieh | Salma |
| Shaden Kanboura | Nur |
Supporting Cast
| Mahmoud Shalaby | Ziad |
| Henry Andrawes | Wissam |
| Aiman Sohel Daw | Salah |
| Riahd Sliman | Qays |
| Ahlam Canaan | Dunya |
| Ferass Naser | Rabia |
| Khawlah Dipsy | Salma’s mother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Maysaloun Hamoud | Director |
| Shlomi Elkabetz | Producer |
| Maysaloun Hamoud | Screenwriter |
| Calith Cahlon | Co-Producer |
| Tony Copti | Co-Producer |
| Sandrine Brauer | Co-Producer |
| Catherine Van Bree | Costume Designer |
| Itai Gross | Director of Photography |
| Lev Goldser | Editor |
| Nili Feller | Editor |
| MG Saad | Composer |