South Korea Box Office for Babyteeth (2020)
Theatrical Performance (US$) | ||
South Korea Box Office | $31,197 | Details |
Worldwide Box Office | $1,156,354 | Details |
Further financial details... |
Synopsis
When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it’s her parents’ worst nightmare. But as Milla’s first brush with love brings her a new lust for life, things get messy and traditional morals go out the window. Milla soon shows everyone in her orbit—her parents, Moses, a sensitive music teacher, a budding child violinist, and a disarmingly honest, pregnant neighbour —how to live like you have nothing to lose. What might have been a disaster for the Finlay family instead leads to letting go and finding grace in the glorious chaos of life.
Metrics
Movie Details
South Korea Releases: | October 22nd, 2020 (Wide) |
Video Release: | June 19th, 2020 by IFC Video |
Running Time: | 117 minutes |
Keywords: | Comedy Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Waking Dream Productions, Screen Australia Enterprise Program, Jan Chapman Films, Whitefalk Films, Weiranderson.com, Spectrum Films, Fulcrum Media Finance, Media Super, Create NSW, Aurora Intensive Development for Australian Scripts, Screen Australia |
Production Countries: | Australia |
Languages: | English |
Weekend Wrap-Up: Dinosaurs Dominate the Box Office
June 23rd, 2020
According to reports by Deadline, Jurassic Park led the way on the weekend box office chart, just ahead of Jaws at $517,600 to $516,300. In fact, much of the top ten were catalog titles. A few more recent releases did generate some business though.
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Limited and Virtual Releases: Sink Your Teeth into These Limited Releases
June 18th, 2020
It is not a particularly strong week for limited releases with only one film, Babyteeth, earning any pre-release buzz. However, it is the wrong genre to thrive during the pandemic and I fear it will have to wait until the home market to find an audience, and possibly not even then.
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Babyteeth Trailer
June 1st, 2020
Comedy drama starring Eliza Scanlen opens in theaters June 19 ... Full Movie Details.
When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it’s her parents’ worst nightmare. But as Milla’s first brush with love brings her a new lust for life, things get messy and traditional morals go out the window. Milla soon shows everyone in her orbit—her parents, Moses, a sensitive music teacher, a budding child violinist, and a disarmingly honest, pregnant neighbour —how to live like you have nothing to lose. What might have been a disaster for the Finlay family instead leads to letting go and finding grace in the glorious chaos of life.
More...
2020 Preview: June
June 1st, 2020
It’s June and Soul was one of several potential monster hits that were supposed to come out this month, but that’s not happening, of course. Furthermore, I’m not convinced there will be any major releases in July either, despite what some studios are planning. There are some positive signs in some parts of the world. For example, South Korea is expecting to have a number of major local releases in the coming month. Closer to home, the NHL is planning on reopening in July, albeit playing in hub cities in empty arenas, but at least that’s something to look forward to. Granted, you can play a sport like hockey in an empty arena, but you can’t show a movie in an empty theater. Or, to be more accurate, it is not profitable to show a movie in an empty theater. (I think we’ve all had that experience of going to the movies and being one of only five or six people in the theater.) So, what are the prospects?
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/10/23 | - | $8,211 | 57 | $144 | $17,827 | 1 | |
2020/10/30 | - | $3,196 | -61% | 21 | $152 | $26,638 | 2 |
2020/11/06 | - | $2,287 | -28% | 13 | $176 | $31,197 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/23/2020 | $46,304 | 46 | 46 | 408 | $388,444 | 8/21/2021 |
Czech Republic | 7/17/2020 | $18,955 | 91 | 91 | 149 | $51,378 | 10/19/2022 |
France | 7/28/2021 | $83,515 | 69 | 69 | 69 | $83,515 | 8/11/2021 |
Germany | 10/8/2020 | $0 | 0 | 0 | 0 | $0 | |
Italy | 5/13/2021 | $5,790 | 0 | 0 | 0 | $5,790 | 10/20/2022 |
Lithuania | 8/7/2020 | $0 | 0 | 4 | 4 | $11,412 | 8/19/2020 |
Netherlands | 8/28/2020 | $52,685 | 42 | 44 | 237 | $266,446 | 10/19/2022 |
New Zealand | 10/29/2020 | $4,557 | 23 | 24 | 97 | $25,409 | 10/19/2022 |
North America | 6/19/2020 | $2,487 | 12 | 12 | 12 | $4,507 | |
Poland | 8/7/2020 | $22,540 | 144 | 144 | 288 | $54,447 | 10/19/2022 |
Romania | 9/25/2020 | $7,140 | 34 | 35 | 117 | $13,496 | 3/24/2021 |
Russia (CIS) | 8/13/2020 | $3,031 | 36 | 36 | 81 | $9,860 | 10/19/2022 |
Slovakia | 9/18/2020 | $497 | 5 | 6 | 11 | $2,313 | 9/29/2020 |
South Korea | 10/22/2020 | $8,211 | 57 | 57 | 91 | $31,197 | 11/11/2020 |
Spain | 8/21/2020 | $4,462 | 33 | 33 | 59 | $10,635 | 9/3/2020 |
United Kingdom | 8/21/2020 | $51,091 | 139 | 153 | 373 | $197,505 | 9/2/2020 |
Worldwide Total | $1,156,354 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Eliza Scanlen | Milla Finlay |
Supporting Cast
Toby Wallace | Moses |
Emily Barclay | Toby |
Eugene Gilfedder | Gidon |
Essie Davis | Anna Finlay |
Ben Mendelsohn | Henry Finlay |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Shannon Murphy | Director |
Rita Kalnejais | Screenwriter |
Alex White | Producer |
Jan Chapman | Executive Producer |
Andrew Commis | Director of Photography |
Steve Evans | Editor |
Sherree Philips | Production Designer |
Amelia Gebler | Costume Designer |
Amanda Brown | Composer |
Angus Robertson | Supervising Sound Editor |
Vanessa Brown | Line Producer |
John Magee | First Assistant Director |
Kirsty McGregor | Casting Director |
Stevie Ray | Casting Director |