Italy Box Office for Austenland (2013)
Theatrical Performance (US$) | ||
Italy Box Office | $34,559 | Details |
Worldwide Box Office | $2,213,406 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $1,223,634 | Details |
Total North America Video Sales | $1,223,634 | |
Further financial details... |
Synopsis
“AUSTENLAND” is a romantic comedy about 30 - something, single Jane Hayes, a seemingly normal young woman with a secret: her obsession with all things Jane Austen. But when she decides to spend her life savings on a trip to an English resort catering to Austen - crazed women, Jane’s fantasies of meeting the perfect Regency - era gentleman suddenly become more real than she ever could have imagined.
Metrics
Movie Details
Italy Releases: | November 21st, 2013 (Wide) |
Video Release: | February 11th, 2014 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for some suggestive content and innuendo. (Rating bulletin 2268, 4/17/2013) |
Running Time: | 97 minutes |
Keywords: | Romance, Class Warfare, Cross-Class Romance, Historical Drama, Performing Arts, Holiday, Prologue, Breaking the Fourth Wall, Novel or Other Work Adapted by Author, Makeover, Surprise Twist, Relationships Gone Wrong, Addiction, Epilogue, 2013 Sundance Film Festival |
Source: | Based on Fiction Book/Short Story |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Stage 6 Films, Sony Pictures Classics |
Production Countries: | United Kingdom, United States |
Languages: | English |
DVD and Blu-ray Releases for February 11th, 2014
February 11th, 2014
It's a strange week on the home market. If you look at the top ten selling new releases on Amazon.com, there are a couple of first run releases, a catalog title, TV on DVD release, and some limited releases. That's basically every category there is. The biggest release is Ender's Game, a film that failed to find an audience in theaters. It barely earned overall positive reviews and it isn't a contender for Pick of the Week. Some of the other best-selling releases are contenders, like The Jungle Book: Blu-ray Diamond Edition or Sherlock: Season Three on DVD or Blu-ray. There are also a few of the smaller releases that were in consideration, including Doctor Who: Story 33: The Moonbase and G.B.F. on DVD. But in the end, I went with Wadjda on Blu-ray Combo Pack for Pick of the Week. One last note, Dry Spell is coming out on Video on Demand. It's a good chance to support ultra-low-budget filmmaking and the reviews I've read have been positive.
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Featured Blu-ray / DVD Review: Austenland
February 9th, 2014
Austenland is a romantic comedy that opened in limited release last summer. That's not the right genre for a limited release, but it opened at about the $10,000 mark on the per theater chart and lasted long enough to hit $2 million at the box office. That's a better than expected run. Is the movie also better than expected? Or does it fall prey to the usual romcom clichés?
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Per Theater Chart: Slave Can't Escape Top Spot
October 29th, 2013
For the second weekend in a row, 12 Years a Slave remained in top spot on the per theater chart. Despite expanding to 123 theaters, the film's average remained potent at $17,352. The Square was right behind with $16,359 in its lone theater. The only other film in the $10,000 club was Capital, which earned an average of $11,200 in two theaters.
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Per Theater Chart: Mother of God!
September 18th, 2013
It was a busy week in terms of limited releases, not only with number of new releases, but the success of most of these releases. Mother of George was the top film with $22,456 in one theater. Final: The Rapture earned an average of $15,942 in two theaters, which is an impressive opening for a film with no reviews. It will be interesting to see where it goes from here. Wadjda opened in three theaters, earning an average of $13,751. This film has some Oscar buzz going for it, so it might last in theaters longer than most similar releases. Blue Caprice also has some Oscar buzz and its opening of $13,400 in one theater might help it thrive as well. The overall box office leader, Insidious Chapter 2, opened in fifth place on the per theater chart with an average of $13,208. GMO OMG earned $13,000 in its lone theater, but its reviews are only mixed, so it likely won't last long. Salinger fell 48% to $11,252, while still playing in four theaters. It is likely it won't be able to expand significantly given this decline.
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Per Theater Chart: IMAX Shines Like the Son
August 21st, 2013
Weekend Estimates: Butler Gives Winning Performance
August 18th, 2013
If it can move Summer forward to the first week in May, perhaps Hollywood can also move Awards Season forward to mid-August. That's certainly the feeling one gets from looking at the varying fortunes of this weekend's openers. Summer standards Paranoia and Kick-Ass 2 have both fallen by the wayside (with a dismal $3.5 million opening in the first case and a disappointing $13.6 million debut in the latter). Jobs, which was made with awards in mind, has misfired with a $6.7 million start. But one film has risen above the rest on the basis of a compelling story and some high-class acting. Lee Daniels' The Butler will top the chart this weekend with around $25 million, according to Weinstein Co.'s Sunday estimate. That's the first film from the distributor to top the chart since Inglourious Basterds did this weekend in 2009. That film also had Oscar aspirations, and The Butler might well follow a similar course in Awards Season: some impressive nominations but ultimately not top honors.
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Saintly Limited Releases
August 16th, 2013
There are not a lot of limited release this week and only two of them are earning overwhelmingly positive reviews. Cutie and the Boxer is earning the best reviews, but it is a documentary, so its potential to expand is limited. Ain't Them Bodies Saints' reviews are not as good, but good enough to suggest it will find an audience in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/11/22 | 19 | $34,559 | 40 | $864 | $34,559 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/28/2013 | $10,852 | 2 | 2 | 6 | $41,274 | 12/13/2015 |
Italy | 11/21/2013 | $34,559 | 40 | 40 | 40 | $34,559 | 12/13/2015 |
North America | 8/16/2013 | $40,662 | 4 | 274 | 993 | $2,137,573 | |
Worldwide Total | $2,213,406 | 12/13/2015 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Keri Russell | Jane |
Supporting Cast
JJ Field | Henry Nobley |
Bret McKenzie | Martin |
Jennifer Coolidge | Miss Elizabeth Charming |
James Callis | Col. Andrews |
Jane Seymour | Mrs. Wattlesbrook |
Georgia King | Lady Amelia Heartwright |
Rupert Vansittart | Mr. Wattlesbrook |
Ricky Whittle | Captain George East |
Ayda Field | Molly |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jerusha Hess | Director |
Jerusha Hess | Screenwriter |
Shannon Hale | Screenwriter |
Shannon Hale | Story Creator |
Stephenie Meyer | Producer |
Gina Mingacci | Producer |
Meghan Hibbett | Producer |
Jane Hooks | Producer |
Dan Levinson | Executive Producer |
Robert Fernandez | Executive Producer |
Shannon Hale | Associate Producer |
Jared Hess | Associate Producer |
Larry Smith | Director of Photography |
James Merifield | Production Designer |
Nick Fenton | Editor |
Ilan Eshkeri | Composer |
Emmy The Great | Song Writer |
Annie Hardinge | Costume Designer |
Ian Neil | Music Supervisor |
Michelle Guish | Casting Director |
Courtney Bright | Additional Casting |
Nicole Daniels | Additional Casting |
Jack Ravenscroft | First Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.