Netherlands Box Office for Arctic (2019)
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| Theatrical Performance (US$) | ||
| Netherlands Box Office | $306,325 | Details |
| Worldwide Box Office | $3,805,492 | Details |
| Home Market Performance | ||
| North America DVD Sales | $395,047 | Details |
| North America Blu-ray Sales | $138,414 | Details |
| Total North America Video Sales | $533,461 | |
| Further financial details... | ||
Synopsis
The sole survivor of a plane crash in an icy wasteland lives by his wits as he waits for help to arrive. But when a long-awaited rescue effort fails, he faces a life-or-death decision: remain in the relative safety of his camp and hope to be found, or embark on an arduous trek that may be the only hope for both him and a critically injured stranger.
Metrics
Movie Details
| Netherlands Releases: | March 15th, 2019 (Wide) |
| Video Release: | April 30th, 2019 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for language and some bloody images. (Rating bulletin 2549 (Cert #51430), 10/17/2018) |
| Running Time: | 98 minutes |
| Keywords: | Arctic Circle, In a Plane, Plane Crash, Lone Survivor, Rescue |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Union Entertainment Group, Armory Films, Bleecker Street , XYZ Films, Pegasus Pictures, Black Canopy Films |
| Production Countries: | Iceland, United States |
| Languages: | English |
Home Market Releases for April 30, 2019
April 30th, 2019
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The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week.
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Home Market Releases for April 23rd, 2019
April 24th, 2019
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It is another slow week on the home market, but that gave me a chance to complete a couple of late reviews. The best release on this week’s list is A Face in the Crowd and it is the Pick of the Week. However, both of the late reviews, On the Basis of Sex and Willie Dynamite, are worth picking up.
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Theater Averages: Real Horse Race on Top of the Chart
March 21st, 2019
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The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters.
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Theater Averages: Dragons Look Down on the Other New Releases
February 27th, 2019
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How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater.
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Theater Averages: Most New Releases were Left Out in the Cold
February 6th, 2019
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Never Look Away held up well earning $19,033 in its lone theater. Its Oscar Nod is helping, but its real test is when the film tries to expand. The only new release in the $10,000 club was Arctic, with an average of $12,720 in four theaters.
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Limited and VOD Releases: The Week is Soft like Velvet
February 1st, 2019
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It is not a great week for limited releases. There are some that are certainly worth checking out, like Braid and The Wild Pear Tree. However, the film earning the loudest buzz, Velvet Buzzsaw, is only earning good reviews and not great reviews, but that should be good enough for Netflix.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/03/15 | 14 | $94,169 | 45 | $2,093 | $136,189 | 1 | |
| 2019/03/22 | 12 | $55,595 | -41% | 47 | $1,183 | $222,909 | 2 |
| 2019/03/29 | 17 | $32,165 | -42% | 45 | $715 | $278,468 | 3 |
| 2019/04/05 | 25 | $16,449 | -49% | 37 | $445 | $306,325 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/14/2019 | $11,501 | 0 | 0 | 0 | $17,438 | 6/29/2019 |
| Australia | 2/8/2019 | $1,916 | 5 | 15 | 63 | $67,685 | 4/2/2019 |
| Czech Republic | 3/29/2019 | $41,421 | 62 | 62 | 120 | $96,774 | 4/15/2019 |
| France | 2/8/2019 | $198,769 | 62 | 67 | 129 | $328,120 | 2/22/2019 |
| Lithuania | 3/1/2019 | $34,274 | 72 | 72 | 228 | $144,134 | 4/9/2019 |
| Netherlands | 3/15/2019 | $94,169 | 45 | 47 | 174 | $306,325 | 4/9/2019 |
| North America | 2/1/2019 | $50,878 | 4 | 268 | 1,194 | $2,409,826 | |
| Portugal | 6/7/2019 | $468 | 2 | 3 | 6 | $2,885 | 10/19/2022 |
| Russia (CIS) | 2/21/2019 | $127,547 | 246 | 246 | 471 | $247,036 | 4/13/2019 |
| Slovakia | 3/29/2019 | $27,304 | 48 | 48 | 101 | $68,685 | 4/23/2019 |
| South Korea | 3/27/2019 | $24,369 | 93 | 93 | 174 | $87,574 | 4/15/2021 |
| Turkey | 4/19/2019 | $7,274 | 28 | 28 | 65 | $19,967 | 5/9/2019 |
| United Kingdom | 5/10/2019 | $9,043 | 12 | 12 | 12 | $9,043 | 5/15/2019 |
| Worldwide Total | $3,805,492 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Mads Mikkelsen | Overgård |
Supporting Cast
| Maria Thelma Smáradóttir | Young Woman |
| Tintrinai Thikhasuk | Helicopter Pilot |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Joe Penna | Director |
| Joe Penna | Screenwriter |
| Ryan Morrison | Screenwriter |
| Christopher Lemole | Producer |
| Tim Zajaros | Producer |
| Noah Haeussner | Producer |
| Martha De Laurentiis | Executive Producer |
| Einar Thorsteinsson | Executive Producer |
| Manu Gargi | Executive Producer |
| Joe Penna | Executive Producer |
| Ryan Morrison | Executive Producer |
| Snorri Dorisson | Co-Producer |
| Einar Sveinn Dordadson | Co-Producer |
| Lilja Snorradottir | Co-Producer |
| Aaron Scotti | Co-Producer |
| Tomas Orn Tomasson | Director of Photography |
| Atli Geir Gretarsson | Production Designer |
| Ryan Morrison | Editor |
| Margret Einarsdottir | Costume Designer |
| Joseph Trapanese | Composer |
| Steven Gizicki | Music Supervisor |
| Chadwick Stuck | Casting Director |
| Michael Raimondi | Co-Executive Producer |
| Bryn Birgisdottir | Line Producer |
| Beggi Jonsson | Production Manager |
| Dave Halls | First Assistant Director |
| William Thomas Moller | Second Assistant Director |