United Kingdom Box Office for Anger Management (2003)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $9,094,613 | Details |
Worldwide Box Office | $195,484,552 | Details |
Further financial details... |
Metrics
Movie Details
Production Budget: | $56,000,000 |
United Kingdom Releases: | June 6th, 2003 (Wide) |
MPAA Rating: | PG-13 on appeal for crude sexual content and language (previously rated R) |
Running Time: | 106 minutes |
Keywords: | Gratuitous Cameos |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Revolution Studios, Happy Madison |
Production Countries: | United States |
Languages: | English |
DVD Releases for May 20, 2008
May 20th, 2008
This week's list is dominated by Blu-ray releases. This is not surprising as this is the first week Paramount has released Blu-ray discs after dropping the format last August for an exclusive HD DVD commitment. However, it is another Blu-ray release that caught my eye: the National Treasure Blu-ray Two-Pack. This is the best format has to offer this week, but it is not the best movie coming out. If you want the DVD Pick of the Week, you have to grab Night of the Living Dead Buy from Amazon.
More...
Boy, oh Boy!
April 2nd, 2004
April starts out like a lion as four movies open wide, two of them are opening mega-wide, (theatre counts over 3000.) And with the box office humming along at double digit increases from last year we could see records broken this week. More...Pirates the Surprise Hit of the Year
July 23rd, 2003
2003: A Half-Year in Review
July 2nd, 2003
UK Box Office Report
June 25th, 2003
X-Men 2 Leads 2003 Box Office Race
May 12th, 2003
X-Men 2 Beats the Day Care Kids
May 12th, 2003
Kids Battle Mutants for Box Office Crown
May 9th, 2003
X-Men Wins Easily, But Lizzie has Better Profit Margin
May 5th, 2003
X Marks the Spot
May 2nd, 2003
Identity Wins Last Week in Spring
April 28th, 2003
A Hard Time Identifying This Week's Winner
April 25th, 2003
Anger Management Wins a Soft Easter
April 21st, 2003
Anger Management set to Win Weekend Again
April 18th, 2003
A Trio of New Movies Opens Today
April 16th, 2003
Better Luck Tomorrow is This Weekend’s Best
April 15th, 2003
Anger Management makes Theatre Owners Very Happy
April 14th, 2003
No One to Fight for Anger Management
April 11th, 2003
Movie Websites Launches for April 3 - April 9
April 9th, 2003
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2003/06/06 | 2 | $2,939,387 | 431 | $6,820 | $2,939,387 | 1 | |
2003/06/13 | - | $1,417,434 | -52% | 433 | $3,274 | $5,887,567 | 2 |
2003/06/20 | - | $760,771 | -46% | 403 | $1,888 | $7,717,656 | 3 |
2003/06/27 | - | $407,975 | -46% | 341 | $1,196 | $8,637,020 | 4 |
2003/07/04 | - | $225,236 | -45% | 207 | $1,088 | $9,268,409 | 5 |
2003/07/11 | - | $219,941 | -2% | 207 | $1,063 | $9,050,542 | 6 |
2003/07/18 | - | $20,408 | -91% | 28 | $729 | $9,076,842 | 7 |
2003/07/25 | - | $17,412 | -15% | 15 | $1,161 | $9,304,177 | 8 |
2003/08/01 | - | $6,349 | -64% | 7 | $907 | $9,244,050 | 9 |
2003/08/08 | - | $2,644 | -58% | 6 | $441 | $9,271,003 | 10 |
2003/08/22 | - | $399 | 1 | $399 | $9,094,613 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 4/11/2003 | $42,220,847 | 3,551 | 3,656 | 23,639 | $135,560,942 | |
United Kingdom | 6/6/2003 | $2,939,387 | 431 | 433 | 2079 | $9,094,613 | 6/23/2020 |
Rest of World | $50,828,997 | ||||||
Worldwide Total | $195,484,552 | 6/23/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Adam Sandler | Dave Buznik |
Jack Nicholson | Dr. Buddy Rydell |
Supporting Cast
Marisa Tomei | Linda |
Luis Guzmán | Lou |
Woody Harrelson | Galaxia / Security Guard |
John Turturro | Chuck |
Allen Covert | Andrew |
Lynne Thigpen | Judge Daniels |
Kurt Fuller | Frank Head |
Jonathan Loughran | Nate |
Krista Allen | Stacy |
January Jones | Gina |
Kevin Nealon | Sam |
Lori Heuring | Anger Management Receptionist |
Cameos
Harry Dean Stanton | Blind Man |
John C. Reilly | Arnie Shankman |
Heather Graham | Kendra |
Rudy Giuliani | Himself |
Uncategorized
Roger Clemens | Himself |
Peter Spruyt | Ricky |
Adrian Ricard | Rose Rydell |
Lou Rawls |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Peter Segal | Director |
David Dorfman | Screenwriter |
Jack Giarraputo | Producer |
Barry Bernardi | Producer |
Adam Sandler | Executive Producer |
Allen Covert | Executive Producer |
Tim Herlihy | Executive Producer |
Todd Garner | Executive Producer |
John Jacobs | Executive Producer |
Michael Ewing | Co-Producer |
Allegra Clegg | Co-Producer |
Derek Dauchy | Co-Producer |
Donald M. McAlpine | Cinematographer |
Jeff Gourson | Editor |
Teddy Castellucci | Composer |
Michael Dilbeck | Music Supervisor |
Alan Au | Production Designer |
Domenic Silvestri | Art Director |
Jeffrey D. McDonald | Production Designer |
Mick Cukurs | Set Designer |
Patricia Klawonn | Set Designer |
Jeffrey Beck | Set Designer |
Chris Spellman | Set Decorator |
Debra Schutt | Set Decorator |
Ellen Lutter | Costume Designer |
Thomas Causey | Sound Mixer |
Elmo Weber | Supervising Sound Editor |
David Bach | Supervising Sound Editor |
John E. Hockridge | Assistant Director |
Hiro Narita | Second Unit Camera |
Roger Mussenden | Casting Director |
Sheena Duggal | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.