Australia Box Office for The Angels’ Share (2013)
Theatrical Performance (US$) | ||
Australia Box Office | $114,066 | Details |
Worldwide Box Office | $4,835,585 | Details |
Further financial details... |
Synopsis
Following a court appearance during which he’s sentenced to community service, Robbie sneaks into the hospital to visit his girlfriend Leonie and their newborn son and is subsequently overwhelmed. He swears that Luke will not lead the same life has had led. While on community service Robbie meets Rhino, Albert and Mo—all similarly cast out from society and hard up to make ends meet. Little did Robbie imagine how a drink could change their lives—not cheap booze, but the finest malt whiskies. His newly discovered palate and delicate nose lead Robbie and his crew to a strange new world—the Scottish Highlands—and the biggest gamble of their lives.
Metrics
Movie Details
Australia Releases: | September 15th, 2022 (Limited) |
MPAA Rating: | Not Rated |
Running Time: | 106 minutes |
Keywords: | Unexpected Families, Delayed Adulthood, Community Service, Food, Life on the Outside |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Sixteen Films, Why Not Productions, Wild Bunch |
Production Countries: | Ireland |
Languages: | English |
Per Theater Chart: New Releases Strike Out
April 16th, 2013
There were no films able to reach the $10,000 club on this week's per theater average. However, while this is disappointing, it is not uncommon for this time of year. The best film was 42, which not only opened in first place on the overall chart, but also earned first place on the per theater average chart with an average of $9,153. The best limited release of the week was Disconnect, which earned an average of $8,240 in 15 theaters.
More...
Limited Releases: Will New Limited Releases be a Disaster?
April 12th, 2013
There are nine limited releases on this week's list, including two opening in Canada. Of those, there are only a few with any buzz or strong reviews. To the Wonder is the most buzz-worthy, but the reviews will hurt it. It's a Disaster has good reviews and a great cast for a limited release, but its genre will hold it back. The Angel's Share likely won't have the best opening, but it should have the better legs than To the Wonder thanks to impressive reviews.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/09/16 | - | $71 | 1 | $71 | $114,066 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/15/2022 | $71 | 1 | 1 | 1 | $114,066 | 9/19/2022 |
Bulgaria | 3/14/2013 | $0 | 0 | 0 | 0 | $2,098 | 2/26/2019 |
North America | 4/12/2013 | $18,837 | 3 | 38 | 181 | $312,339 | |
Rest of World | $4,407,082 | ||||||
Worldwide Total | $4,835,585 | 9/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Paul Brannigan | Robbie |
Gary Maitland | Albert |
William Ruane | Rhino |
Jasmin Riggins | Mo |
Supporting Cast
John Henshaw | Harry |
Roger Allam | Thaddeus |
Siobhan Reilly | Leonie |
Charlie Maclean | Rory McAllister |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ken Loach | Director |
Paul Laverty | Screenwriter |
Rebecca O'Brien | Producer |
Robbie Ryan | Cinematographer |
Jonathan Morris | Editor |
Fergus Clegg | Production Designer |
George Fenton | Composer |