Lithuania Box Office for Amitvylio siaubas: Pabudimas (2017)
Theatrical Performance (US$) | ||
Lithuania Box Office | $58,445 | Details |
Worldwide Box Office | $7,701,908 | Details |
Home Market Performance | ||
North America DVD Sales | $537,425 | Details |
North America Blu-ray Sales | $332,764 | Details |
Total North America Video Sales | $870,189 | |
Further financial details... |
Synopsis
Belle, her little sister Juliet, and her twin brother James move into a new house with their single mother Joan in order to save money to help pay for her brother’s expensive healthcare. But when strange phenomena begin to occur in the house including the miraculous recovery of her brother and Belle’s increasingly horrifying nightmares and visions, Belle begins to suspect her mother isn’t telling her everything and soon realizes that they’ve just moved into the infamous Amityville house, the location of dozens of brutal murders over the years.
Metrics
Movie Details
Lithuania Releases: | July 28th, 2017 (Wide), released as Amitvylio siaubas: Pabudimas |
Video Release: | November 14th, 2017 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for disturbing horror violence and terror, suggestive images, brief language and thematic material. (Rating bulletin 2414 (Cert #49720), 3/2/2016) |
Running Time: | 87 minutes |
Franchise: | Amityville |
Keywords: | Supernatural, Haunting, Haunted House, Possessed, Development Hell, Delayed Release, Coma, Medical and Hospitals, Nightmare, Early / Simultaneous Video-on-Demand release, Supernatural Horror |
Source: | Based on Fiction Book/Short Story |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Dimension Films, Blumhouse, Panic Films, Baron Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 14th, 2017
November 13th, 2017
It’s a bad week for screeners, as the screeners for both Atomic Blonde and Wind River are late. Both look like they are worth picking up, but not quite Pick of the Week material. There are a trio of contenders for this award: In This Corner of the World, Kedi, and Whose Streets? It was a close call, but in the end, Kedi came out on top.
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Theater Averages: The Square Squirreled Away $18,558
November 1st, 2017
The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same.
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Limited and VOD Releases: Get Hip to these Square Releases
October 27th, 2017
We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks.
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2017 Preview: June
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
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Contest: Look Alive
March 25th, 2016
At one time, there were three films scheduled to open wide next week. However, Collide has been pushed back to the fall and Amityville: The Awakening's release has been pushed back to January of next year. This leaves only one real choice for the target film in this week's Box Office Prediction contest. ... oh no! God's Not Dead 2, a faith-based film. Faith-based films are notoriously difficult to predict, so entrants will have a difficult time getting this right. On the other hand, it means you could use a random number generator and have just as good of a shot of winning as someone who spends the next seven days researching the film. In order to win, one must simply predict the opening weekend box office number for God's Not Dead 2.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Casual: Season One on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Casual: Season One on DVD.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a copy of Casual: Season One on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/07/28 | 5 | $14,893 | 116 | $128 | $14,893 | 1 | |
2017/08/04 | 6 | $10,041 | -33% | 66 | $152 | $44,224 | 2 |
2017/08/11 | 12 | $2,197 | -78% | 28 | $78 | $55,851 | 3 |
2017/08/18 | 17 | $330 | -85% | 3 | $110 | $58,445 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/6/2017 | $220 | 0 | 0 | 0 | $109,858 | 1/1/2019 |
Brazil | 9/15/2017 | $377,893 | 0 | 0 | 0 | $712,926 | 6/26/2018 |
Czech Republic | 9/29/2017 | $58,183 | 62 | 62 | 147 | $131,786 | 1/1/2019 |
Italy | 8/23/2017 | $336,569 | 0 | 0 | 0 | $1,170,752 | 10/23/2018 |
Lithuania | 7/28/2017 | $14,893 | 116 | 116 | 213 | $58,445 | 8/22/2017 |
Mexico | 8/3/2017 | $362,720 | 0 | 0 | 0 | $1,033,731 | 10/12/2018 |
North America | 10/28/2017 | $742 | 10 | 10 | 10 | $742 | |
Russia (CIS) | 7/21/2017 | $580,911 | 830 | 830 | 1880 | $1,535,665 | 1/1/2019 |
Slovakia | 9/29/2017 | $22,197 | 30 | 41 | 86 | $58,144 | 10/18/2017 |
Spain | 2/2/2018 | $263,096 | 165 | 167 | 332 | $443,481 | 2/15/2018 |
Taiwan | 11/3/2017 | $129,556 | 0 | 0 | 0 | $237,061 | 10/28/2018 |
Rest of World | $2,209,317 | ||||||
Worldwide Total | $7,701,908 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Bella Thorne | Belle |
Supporting Cast
Jennifer Jason Leigh | Joan |
Cameron Monaghan | James |
Thomas Mann | Terrence |
Jennifer Morrison | Candice |
Kurtwood Smith | Dr. Milton |
Mckenna Grace | Juliet |
Taylor Spreitler | Marissa |
Cleopatra Coleman | Annie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Franck Khalfoun | Director |
Franck Khalfoun | Screenwriter |
Jason Blum | Producer |
Daniel Farrands | Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Casey La Scala | Producer |
David Glasser | Executive Producer |
Matthew Signer | Executive Producer |
Keith Levine | Executive Producer |
Alix Taylor | Executive Producer |
Matthew Stein | Executive Producer |
Mark Moran | Executive Producer |
Steven B. Harris | Executive Producer |
Jeanette Volturno-Brill | Executive Producer |
Couper Samuelson | Executive Producer |
Randall Emmett | Executive Producer |
George Furla | Executive Producer |
Avi Lerner | Executive Producer |
Paul Mason | Executive Producer |
Steve Whitney | Executive Producer |
Ted Fox | Executive Producer |
Jeff Rice | Executive Producer |
Steven Poster | Director of Photography |
David Lazan | Production Designer |
Patrick McMahon | Editor |
Rob* | Composer |
Mairi Chisholm | Costume Designer |
Terri Taylor | Casting Director |