Australia Box Office for Along Came Polly (2004)
Theatrical Performance (US$) | ||
Australia Box Office | $1,969,195 | Details |
Worldwide Box Office | $173,044,410 | Details |
Further financial details... |
Metrics
Movie Details
Production Budget: | $42,000,000 |
Australia Releases: | January 22nd, 2004 (Wide) |
Video Release: | June 8th, 2004 by Universal Home Entertainment |
MPAA Rating: | PG-13 for sexual content, language, crude humor and some drug references. |
Running Time: | 90 minutes |
Keywords: | Romance |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Jersey Films |
Production Countries: | United States |
Languages: | English |
DVD Releases for June 8, 2004
June 7th, 2004
Every week films get a second chance at success from the home market; or, in some cases, a first chance at success. Last week there were nearly 700 new releases, but the list of releases this week is just a third the length. However, in many ways it's a much stronger week with three or four candidates for DVD pick of the week. Some of the candidates were the multiple Oscar winning Mystic River - Buy from Amazon and the hilarious SCTV - Buy from Amazon. But in the end I went with The Dead Zone - The Complete Second Season - Buy from Amazon, one of the best Stephen King adaptations in the past decade, although I'll probably end up buying all three anyway. More...Passion's Top Draw
April 6th, 2004
Another 7 openings helped keep The Passion of the Christ in top spot with $25.4 million. And the same pattern is holding true, the smaller the market the better the result. In Spain it opened to $3.2 million, about on par with Gothika's opening at the end of February. In South Korea it opened first with $2.3 million, significantly below the local productions that have been taking tops spot for most of the year. So far the film has earned just over $80 million internationally and over $400 million worldwide.
More...
International Audiences do a Double Take
March 30th, 2004
With no new wider releases the top five international box office finished in the same order as last weekend. The Passion of the Christ again topped the week thanks to number one openings in many markets and even a few records. The biggest slice of its estimated $16 million take came from the U.K. where it finished first, sort of. Including previews its $3.6 was strong enough for first place; if you don't include previews then it drops to third place behind the debut of Dawn of the Dead and the second weekend of Starsky and Hutch. The film again had strong results in small markets breaking records in Argentina and Venezuela. Total international run now sits at $58.7 million in 36 markets, good, but certainly not comparable to its domestic total. More...Passions Rise Internationally
March 23rd, 2004
The Passion of the Christ had mixed openings during its fourth weekend in international release. In Latin America is performed very well, where it made two thirds of its $15 million weekend take, breaking records in Chile and Central America along the way. On the flip side it could only manage a paltry $2.3 million in Germany, half of first place Brother Bear and on par with Gothika's opening earlier in the year. It would have been more impressive if the situation was reversed. After all, record breaking performances throughout Latin American won't earn as much as a blockbuster performance in Germany. Overall Passions has pulled in $32.3 million in 19, mostly smaller markets. More...Polly Wants the Number One Position?
March 16th, 2004
Without an international breakout hit, the domestic slowdown is still affecting the international box-office. This week a single massive opening in a major market could have put a film in the top five. Unfortunately, that didn't happen. But a string of strong openings helped push Along Came Polly into first place with $12.4 million. It's still early in its international run, but with $40.2 million so far and with some big markets left it should beat its domestic total. More...Box Office Woes extend Overseas
March 9th, 2004
The earlier domestic box office slow down is starting to affect the international box office as no movie could manage $10 million or more at the box office. Compare that to last week when three movies managed that feat. Even winning 11 Oscars didn't help Lord of the Rings: Return of the King's international box office as it dropped 15% to $9.4 million, although that was enough for it to reclaim the weekly crown. Overall its international total is now just shy of $680 million while its worldwide total is nearing $1.05 billion. More...Million Dollar Dates
February 18th, 2004
Mixed would be the best way to describe the weekend results. With the exception of the number one film, all movies beat Friday's predictions. However, the overall box office was again failed to match last year's pace. Valentine's Day and President's Day helped the 3-day total increase by more than 10% from last weekend, but it was down 14% from last year. The four-day total fared better, but by a barely noticeable margin dropping 13%. More...Valentines Day / President's Day Double Shot
February 13th, 2004
With both Valentine's Day and President's Day occurring this weekend, there are twice as many reasons to see a movie. And with only one movie opening wide, it should open huge. Holdovers should also perform well given the extra day, but they will have a hard time living up to last year. More...The Barbers Finish on Top while the Hockey Stars fail to win Gold
February 9th, 2004
February started out strong, at least compared to January, with two of the three wide releases performing strongly. And even though we saw a sharp 17% increase from last weekend, 2004 continues losing ground to 2003. It fell 8% from last same weekend last year and maintaining its year to date decline of 8%. And next week 50 First Dates will need a near record performance lest 2004 drop even further back. More...Serving Notice
February 3rd, 2004
There was a surprise upset this weekend for top spot on the charts. But even with the number one film beating expectations by more than $12 million, the overall box office still couldn't meet expectations. Total box office was done 5.2% from last weekend, dropping below the $100 million mark. Year to date 2004 was already down 6% from last year and this weekend didn't help the cause; it dropped 18.4% from last year, but just 5.2% from last Superbowl weekend.
More...
Yikes. Just yikes.
January 30th, 2004
It's been a while since the prospects for catching a good movie at the theatres was this bad. And it's not like there's lack of wide releases this week. There are three of them. Three wide releases with combined reviews of only 17% positive. In fact, the box office race for top spot should prove more interesting that any of the movies trying to get there. More...Effective Marketing
January 26th, 2004
There seems to be a pattern developing for 2004. The number one movie surprises, but the overall box office is lower than expected. This week was no different. The total box office was down from last weekend's 3-day total, which is not surprising as last weekend was a long weekend. But it dropped by a massive 24.7%. The performance compared to last year that is more troubling. Before the weekend 2004 was 7% behind 2003 and at first glance this weekend was almost flat compared to last year, down less than $200,000 or just 0.002%. But this weekend last year was Superbowl weekend, so the performance is really more equivalent to a 10% drop.
More...
That 70s Showdown
January 23rd, 2004
Two movies staring That '70s Show alumnus open this weekend, and while neither of them will be recognized with any major awards, they probably won't light up the box office either. In fact, next weekend isn't looking that spectacular either. The box office should pick up again in February. More...Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2004/01/23 | - | $1,969,195 | 200 | $9,846 | $1,969,195 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/22/2004 | $1,969,195 | 200 | 200 | 200 | $1,969,195 | 4/2/2020 |
North America | 1/16/2004 | $27,721,185 | 2,984 | 3,052 | 18,406 | $88,073,507 | 4/30/2013 |
Rest of World | $83,001,708 | ||||||
Worldwide Total | $173,044,410 | 4/2/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ben Stiller | Ruben |
Jennifer Aniston | Polly Prince |
Supporting Cast
Philip Seymour Hoffman | Sandy |
Debra Messing | Lisa |
Hank Azaria | Claude |
Bryan Brown | Leland Van Lew |
Alec Baldwin | Stan Indursky |
Jsu Garcia | Javier |
Michele Lee | Vivian Feffer |
Bob Dishy | Irving Feffer |
Cheryl Hines | Catering Manager |
Kevin Hart | Vic |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Hamburg | Director |
John Hamburg | Screenwriter |
Danny DeVito | Producer |
Michael Shamberg | Producer |
Stacey Sher | Producer |
Jane Bartelme | Executive Producer |
Dan Levine | Executive Producer |
Seamus McGarvey | Cinematographer |
William Kerr | Editor |
Nick Moore | Editor |
Theodore Shapiro | Composer |
Randall Poster | Music Supervisor |
Andrew Laws | Production Designer |
Martin Whist | Art Director |
Mary Saisselin | Set Designer |
Gregory A. Berry | Set Designer |
Don Diers | Set Decorator |
Cindy Evans | Costume Designer |
Geoffrey Patterson | Sound |
Darren King | Supervising Sound Editor |
Greg Curtis | Special Effects Coordinator |
Alex Daniels | Stunt Coordinator |
Joann Fregalette Jansen | Choreography |
Anne Fletcher | Choreography |
Anders Bard | Associate Producer |
Daniel Silverberg | Assistant Director |
Alex Daniels | Second Unit Director |
Larry Blanford | Second Unit Camera |
Kathleen Chopin | Casting |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.