Portugal Box Office for Toda a Beleza e a Carnificina (2022)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $15,905 | Details |
| Worldwide Box Office | $1,684,612 | Details |
| Further financial details... | ||
Synopsis
A story about internationally renowned artist and activist Nan Goldin told through her slideshows, interviews, photography, and footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
Metrics
Movie Details
| Portugal Releases: | March 30th, 2023 (Limited), released as Toda a Beleza e a Carnificina |
| Video Release: | February 28th, 2023 by Decal |
| Running Time: | 117 minutes |
| Keywords: | Biographical Documentary, Biography, Artists, Photography, Corporate Malfeasance, Pharmaceuticals, Prescription Drug Abuse |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Participant Media |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/03/31 | 18 | $4,993 | 9 | $555 | $5,134 | 1 | |
| 2023/04/07 | - | $1,255 | -75% | 2 | $628 | $10,128 | 2 |
| 2023/04/14 | 18 | $1,799 | +43% | 3 | $600 | $14,993 | 3 |
| 2023/04/21 | - | $259 | -86% | 2 | $130 | $15,905 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/9/2023 | $9,389 | 25 | 25 | 91 | $73,549 | 8/7/2023 |
| France | 3/15/2023 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 5/25/2023 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 2/12/2023 | $0 | 0 | 0 | 0 | $0 | |
| Japan | 3/29/2024 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 1/19/2023 | $37,846 | 39 | 39 | 143 | $190,227 | 2/18/2023 |
| New Zealand | 5/4/2023 | $0 | 0 | 4 | 18 | $16,181 | 6/28/2023 |
| North America | 11/23/2022 | $28,803 | 3 | 48 | 357 | $500,082 | 8/16/2023 |
| Portugal | 3/30/2023 | $4,993 | 9 | 9 | 16 | $15,905 | 4/26/2023 |
| South Korea | 5/15/2024 | $0 | 0 | 0 | 0 | $0 | |
| Spain | 3/10/2023 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 1/27/2023 | $109,072 | 61 | 61 | 61 | $277,794 | 2/13/2023 |
| Rest of World | $610,874 | ||||||
| Worldwide Total | $1,684,612 | 8/16/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Laura Poitras | Director |
| Laura Poitras | Producer |
| Howard Gertler | Producer |
| John Lyons | Producer |
| Nan Goldin | Producer |
| Yoni Golijov | Producer |
| Jeff Skoll | Executive Producer |
| Diane Weyermann | Executive Producer |
| Clare Carter | Executive Producer |
| Alex Kwartler | Executive Producer |
| Hayley Theisen | Executive Producer |
| Amy Foote | Editor |
| Joe Bini | Editor |
| Brian A. Kates | Editor |
| Olivia Streisand | Archival Co-Producer |
| Shanti Avirgan | Archival Producer |
| Megan Kapler | Co-Producer |
| Dawn Sutter Madell | Music Supervisor |
| Nan Goldin | Photography and Slideshows |