Portugal Box Office for A Idade das Sombras (2016)
Theatrical Performance (US$) | ||
Portugal Box Office | $984 | Details |
Worldwide Box Office | $54,500,169 | Details |
Home Market Performance | ||
North America DVD Sales | $46,142 | Details |
North America Blu-ray Sales | $44,477 | Details |
Total North America Video Sales | $90,619 | |
Further financial details... |
Synopsis
The 1920s, when Korea has fallen under Japanese rule. Lee Jung-chool, a Korean police captain in the Japanese police force, is given a special mission to infiltrate the armed resistance fighting for Korean independence. He approaches Kim Woo-jin, a leader of the resistance. These two men who stand on opposite sides of their historical era, each knowing the identity and intentions of the other, become close without revealing their inner thoughts. Meanwhile intel is being leaked on both sides, and no one knows who the informants are. Members of the resistance meet in Shanghai to obtain explosives that will be used to destroy facilities of the Japanese Headquarters in Seoul, while the Japanese police follow them and gather in Shanghai. The pursued and the pursuers, locked in an operation where each side uses the other and is thrown into a confusion of secret enmity and conciliation. Meanwhile, a train carrying explosives passes the border and heads towards Seoul…
Metrics
Movie Details
Production Budget: | $8,600,000 |
Portugal Releases: | March 17th, 2017 (Wide), released as A Idade das Sombras |
Video Release: | May 2nd, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | Not Rated |
Running Time: | 140 minutes |
Keywords: | Set in Japan, Resistance Fighter, Undercover, 1920s, Set in Korea |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Warner Bros., Grimm Pictures, Warner Brothers Korea, Harbin Films |
Production Countries: | Republic of Korea |
Languages: | Korean |
Home Market Releases for May 2nd, 2017
May 2nd, 2017
We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D.
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Limited and VOD Releases: Dirty 30 is Apt Description
September 23rd, 2016
Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week.
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International Box Office: Bridget Jones’s Baby Bounces its way to Top Spot with $29.00 million
September 22nd, 2016
Bridget Jones’s Baby struggled when it opened in theaters here, but it earned first place internationally with $29.00 million on 4,866 screens in 39 markets. It opened in its native U.K. with $10.53 million. This is a record opening in the U.K. for its production company, genre, and for the month of September. It is also more than it made here during its opening weekend, despite the U.K. market being five or six times smaller than the domestic market. The film also earned first place in Australia with $2.76 million on 483 screens over the weekend for a total opening of $3.68 million. This is also much better than its debut here, albeit not by as large a margin. The film cost $35 million to make and it has already made more than that worldwide. If it has legs, it will top $100 million internationally, which will be enough to cover its production budget, while it should ensure profitability, eventually.
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International Box Office: Star Trek opens just Beyond Age Of Shadows with $16.6 million
September 14th, 2016
There were two films that could lay claim to top spot on the international chart. Star Trek Beyond has the better claim earning $16.6 million over the weekend in 40 markets for totals of $161.5 million internationally and $318.1 million worldwide. Its biggest debut came from Mexico, where it pulled in $1.29 million over the weekend for a four-day opening of $1.43 million. This was enough for first place. The film also remained in first place in China with $11.41 million over the weekend for a two-week total of $53.66 million.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/03/17 | - | $984 | 4 | $246 | $984 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/4/2016 | $7,119 | 12 | 12 | 12 | $7,119 | 11/7/2016 |
New Zealand | 10/28/2016 | $2,445 | 7 | 7 | 7 | $2,932 | 10/31/2016 |
North America | 9/23/2016 | $165,685 | 33 | 33 | 97 | $540,268 | 8/23/2022 |
Portugal | 3/17/2017 | $984 | 4 | 4 | 4 | $984 | 3/22/2017 |
South Korea | 9/7/2016 | $62,672 | 22 | 1444 | 5041 | $50,929,784 | 12/30/2016 |
Turkey | 5/19/2017 | $0 | 0 | 0 | 0 | $2,156 | 1/1/2019 |
United Kingdom | 3/24/2017 | $16,750 | 0 | 0 | 0 | $16,750 | 9/17/2018 |
Rest of World | $3,000,176 | ||||||
Worldwide Total | $54,500,169 | 8/23/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Song Kang-ho | Lee Jung-chool |
Supporting Cast
Yoo Gong | Kim Woo-jin |
Han Ji-min | Yeon Gye-soon |
Shingo Tsurumi | Higashi |
Uhm Tae-goo | Hashimoto |
Shin sung rok | Jo Hwe-ryung |
Byung-hun Lee | Jung Chae-san |
Kim Dong-young | Ha Chul-joo |
Lee Seol-goo | Oh Nam-won |
Cameos
Park Hee Soon | Jang-ok |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kim Jee-woon | Director |
Lee Ji-min | Screenwriter |
Park Jong-dae | Screenwriter |
Kim Jee-woon | Producer |
Choi Jae-won | Producer |
Yang Jin-mo | Editor |
Ji Yong Kim | Director of Photography |
Choi Jeong-hwa | Co-Producer |
Lee Jin-Sook | Co-Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.