Russia (CIS) Box Office for Aftermath (2017)
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| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $243,431 | Details |
| Worldwide Box Office | $434,353 | Details |
| Home Market Performance | ||
| North America DVD Sales | $756,444 | Details |
| North America Blu-ray Sales | $552,504 | Details |
| Total North America Video Sales | $1,308,948 | |
| Further financial details... | ||
Synopsis
Two strangers’ lives become inextricably bound together after a devastating plane crash. A story of guilt and revenge after an air traffic controller’s error causes the death of a construction foreman’s wife and daughter.
Metrics
Movie Details
| Russia (CIS) Releases: | April 7th, 2017 (Wide) |
| Video Release: | June 6th, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | R for a scene of violence. (Rating bulletin 2445 (Cert #50664), 10/5/2016) |
| Running Time: | 92 minutes |
| Keywords: | 2000s, Revenge, Lawyers, Accidental Death, Vigilante, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Depression, Early / Simultaneous Video-on-Demand release |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Emmett Furla Oasis Films, Protozoa Pictures, Lionsgate Premiere, Grindstone Entertainment Group, Oak Productions Inc, Hat and Coat Productions, The Fyzz Facility |
| Production Countries: | United States |
| Languages: | English |
Limited and VOD Releases: Sign Your Name. Here
April 7th, 2017
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It is a busy week for limited releases with more than a dozen titles on this week’s list. This includes a quartet of releases with good reviews and loud buzz. Gifted’s reviews are good, but likely not good enough for limited release. That said, it has a shot at becoming a sleeper hit. Their Finest is a stellar British World War II dramedy, but the cast is more famous in the U.K. than here. Your Name is arguably the best film on this week’s list and it is a monster hit worldwide. However, it is playing in over 300 theaters and that might turn out to be too many. This leaves Colossal as the film with the best shot at mainstream success. Its reviews are not the best, but the combination of reviews, cast, buzz, and commercial viability is.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/04/07 | 12 | $141,107 | 420 | $336 | $141,107 | 1 | |
| 2017/04/14 | 14 | $27,921 | -80% | 265 | $105 | $216,892 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Bulgaria | 4/7/2017 | $14,901 | 0 | 0 | 0 | $36,775 | 2/26/2019 |
| China | 12/1/2017 | $102,142 | 0 | 0 | 0 | $143,636 | 8/16/2018 |
| North America | 4/7/2017 | $0 | 0 | 0 | 0 | $0 | |
| Russia (CIS) | 4/7/2017 | $141,107 | 420 | 420 | 685 | $243,431 | 1/1/2019 |
| South Korea | 4/13/2018 | $0 | 0 | 0 | 0 | $4,459 | 5/1/2018 |
| Spain | 4/28/2017 | $6,052 | 8 | 8 | 8 | $6,052 | 5/5/2017 |
| Worldwide Total | $434,353 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Arnold Schwarzenegger | Roman |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Elliott Lester | Director |
| Javier Gullon | Screenwriter |
| Darren Aronofsky | Producer |
| Scott Franklin | Producer |
| Eric Watson | Producer |
| Randall Emmett | Producer |
| George Furla | Producer |
| Peter Dealbert | Producer |
| Arnold Schwarzenegger | Producer |
| Martin Richard Blencowe | Executive Producer |
| Mark Stewart | Executive Producer |
| Javier Gullon | Executive Producer |
| Wayne Marc Godfrey | Executive Producer |
| Robert Jones | Executive Producer |
| Barry Brooker | Executive Producer |
| Stan Wertlieb | Executive Producer |
| Ted Fox | Executive Producer |
| Steven Saxton | Executive Producer |
| Vance Owen | Executive Producer |
| Ryan Black | Co-Executive Producer |
| Tim Sullivan | Co-Producer |
| Anthony Callie | Co-Producer |
| William B. Steakley | Line Producer |
| Pieter Vermeer | Director of Photography |
| Akin McKenzie | Production Designer |
| Nicholas Wayman-Harris | Editor |
| Bic Owen | Costume Designer |
| Mark Todd | Composer |
| Mary Vernieu | Casting Director |
| Lindsay Graham | Casting Director |
| Mary C Russell | Unit Production Manager |
| Jeremy Phoenix | First Assistant Director |
| Jared Briley | Second Assistant Director |
| Billy Lucas | Stunt Coordinator |
| Arnaud Lannic | Associate Producer |
| Christophe Lannic | Associate Producer |
| Michael J Urann | Associate Producer |
| Sarah Horton | Script Supervisor |
| Marlowe Taylor | Sound Mixer |
| Ken Gorrell | Special Effects Coordinator |
| Sean Brennan | Art Director |
| Melisa Jusufi | Set Decorator |
| Karri Farris | Make up |
| Alan Tuskes | Special Make-up Effects |
| Vincent Guastini | Supervisor and Art Director |
| Nick Deroo | Location Manager |
| LaVonna Cupid | Casting Associate |
| Jaceson Mann | Casting Assistant |
| Brian Douglas | Still Photographer |
| Brendan Maghran | Assistant Editor |
| Beau J Genot | Post-Production Supervisor |
| Robert Kellough | Supervising Sound Editor |
| Craig Henighan | Supervising Sound Editor |
| Jill Purdy | Supervising Dialogue and ADR Editor |
| Robert Kellough | Sound Designer |
| Craig Henighan | Re-recording Mixer |
| Todd Iorio | Visual Effects Supervisor |
| Logan Aries | Visual Effects Producer |
| Karen Heston | Visual Effects Supervisor |
| Jon Mooney | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.