South Korea Box Office for The Aeronauts (2019)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $578,026 | Details |
| Worldwide Box Office | $6,628,721 | Details |
| Further financial details... | ||
Synopsis
In 1862, daredevil balloon pilot Amelia Wren teams up with pioneering meteorologist James Glaisher to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and furthering scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below them. But they face physical and emotional challenges in the thin air, as the ascent becomes a fight for survival.
Metrics
Movie Details
| Production Budget: | $80,000,000 |
| South Korea Releases: | June 10th, 2020 (Wide) |
| Video Release: | December 20th, 2019 by Amazon Studios |
| MPAA Rating: | PG-13 for some peril and thematic elements. (Rating bulletin 2597 (Cert #52306), 9/25/2019) |
| Running Time: | 101 minutes |
| Keywords: | Field Scientists, World Record Attempt, IMAX: DMR, Biography |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Amazon Studios, Mandeville Films, Popcorn Storm, One Shoe Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Limited and VOD Releases: Limited Releases Take to the Sky
December 6th, 2019
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December should be a prime month to release an Awards Season contender, one that will last in theaters potentially for months. However, while there are at least a couple of films on this week’s list that could win awards, none of them look like they will thrive in theaters. Some like The Aeronauts have just too short of a window between theatrical release and VOD debut.
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2019 Preview: December
December 1st, 2019
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Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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The Aeronauts Trailer
August 29th, 2019
Historical drama starring Eddie Redmayne and Felicity Jones opens December 6 ... Full Movie Details.
In 1862, young widow Amelia Wren and ambitious scientist James Glaisher mount a balloon expedition to fly higher than anyone in history. This is a journey to the very edge of existence, where the air is thin and the chances of survival are slim. As their perilous ascent reveals their true selves, this unlikely pair discover things about each other—and themselves—that help them find their place in the world they have left behind.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/06/05 | 23 | $7,775 | 2 | $3,888 | $9,486 | 1 | |
| 2020/06/12 | 3 | $277,523 | +3,469% | 534 | $520 | $384,967 | 1 |
| 2020/06/19 | 7 | $73,574 | -73% | 258 | $285 | $529,434 | 2 |
| 2020/06/26 | 15 | $12,395 | -83% | 42 | $295 | $555,911 | 3 |
| 2020/07/03 | 20 | $5,376 | -57% | 18 | $299 | $569,800 | 4 |
| 2020/07/24 | 21 | $7,649 | 5 | $1,530 | $578,994 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| China | 11/13/2020 | $2,070,000 | 37052 | 37052 | 42276 | $3,190,000 | 12/3/2020 |
| Hong Kong | 12/6/2019 | $132,558 | 0 | 0 | 0 | $232,749 | 1/5/2020 |
| Lithuania | 12/6/2019 | $2,035 | 5 | 5 | 7 | $3,202 | 10/19/2022 |
| North America | 12/6/2019 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 12/6/2019 | $56,049 | 59 | 59 | 136 | $112,566 | 1/2/2020 |
| Russia (CIS) | 12/5/2019 | $69,907 | 448 | 448 | 693 | $114,170 | 10/19/2022 |
| Slovenia | 12/6/2019 | $217 | 2 | 4 | 8 | $3,778 | 1/7/2020 |
| South Korea | 6/10/2020 | $7,775 | 2 | 534 | 864 | $578,026 | 8/7/2020 |
| United Kingdom | 11/1/2019 | $0 | 0 | 577 | 1341 | $2,394,230 | 2/5/2020 |
| Worldwide Total | $6,628,721 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Felicity Jones | Amelia Wren |
| Eddie Redmayne | James Glaisher |
Supporting Cast
| Phoebe Fox | Antonia |
| Himesh Patel | John Trew |
| Rebecca Front | Aunt Frances |
| Robert Glenister | Ned Chambers |
| Anne Reid | Ethel |
| Tom Courtenay | Arthur Glaisher |
| Lewin Lloyd | Charlie |
| Tim McInnerny | Airy |
| Vincent Perez | Pierre Rennes |
| Thomas Arnold | Charles Green |
| Lisa F. Jackson | Poppy |
| Elsa Alili | Antonia’s Daughter |
| Connie Price | Antonia’s Daughter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tom Harper | Director |
| Tom Harper | Story by |
| Jack Thorne | Story by |
| Jack Thorne | Screenwriter |
| Tom Harper | Producer |
| David Hoberman | Producer |
| Todd Lieberman | Producer |
| Jack Thorne | Executive Producer |
| Richard Hewitt | Executive Producer |
| George Steel | Director of Photography |
| Alexandra Byrne | Costume Designer |
| David Hindle | Production Designer |
| Christian Huband | Production Designer |
| Mark Eckersley | Editor |
| Steven Price | Composer |
| Julie Harkin | Casting Director |
| Louis Morin | Visual Effects Supervisor |
| Jennifer Wynne | Unit Production Manager |
| Adam Lock | First Assistant Director |
| Jamie D. Allen | Key Second Assistant Director |
| Miranda Jones | Post-Production Supervisor |
| Adam Kirley | Stunt Coordinator |
| Jack Peters | Associate Producer |
| Annie Godin | Visual Effects Producer |
| Marnie Paxton-Harris | Script Supervisor |
| Lee Walpole | Supervising Sound Editor |
| Sophie Hervieu | Set Decorator |
| Alice Sutton | Art Director |
| Tom Williams | Sound Mixer |
| Kelly Allum | First Assistant Editor |
| James Panting | First Assistant Editor |
| Bradley Farmer | Music Editor |
| Charlotte Finlay | Costume Supervisor |
| Richard George | Supervising Location Manager |
| Emma Collinson | Location Manager |
| Emma Woodcock | Location Manager |
| Emma Jane Richards | Location Manager |
| Mike Dawson | Special Effects Supervisor |
| Andy Kennedy | Sound Designer |
| Saoirse Christopherson | Sound Effects Editor |
| Jeff Richardson | Dialogue Editor |
| Sarah Elias | Foley Editor |
| Philip Clements | Foley Mixer |
| Stuart Hilliker | Re-recording Mixer |
| Lee Walpole | Re-recording Mixer |
| Adam Kirley | Second Unit Director |
| Alice Syed | Production Supervisor |
| Jim Spencer | Line Producer |
| Nick O'Hagan | Line Producer |
| Valentina Coccia | Production Manager |
| Danny Turner | Production Manager |
| Georgina Gunner | Costume Supervisor |
| Sheena Wichary | Costume Supervisor |
| Gareth Cousins | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.