Australia Box Office for 45 Years (2015)
Theatrical Performance (US$) | ||
Australia Box Office | $662,852 | Details |
Worldwide Box Office | $14,275,594 | Details |
Further financial details... |
Synopsis
While preparing for their 45th anniversary, Kate and Geoff’s marriage is shaken with a discovery that calls into question the life they’ve built together.
Metrics
Movie Details
Australia Releases: | February 19th, 2016 (Wide) |
Video Release: | June 7th, 2016 by Paramount Home Video |
MPAA Rating: | R for language and brief sexuality. (Rating bulletin 2399 (Cert #50142), 11/11/2015) |
Running Time: | 95 minutes |
Keywords: | Wedding Anniversary, The Past Catching up with You, Romance, Set in Norfolk, Romantic Drama, Death of a Girlfriend / Boyfriend, Relationships Gone Wrong |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Film4, BFI, Creative England, The Bureau |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for June 14th, 2016
June 14th, 2016
It is a much slower week than it was last time. In fact, the only two reviews this week were for releases that came out last week. That doesn't mean we don't have any good releases and there are a few contenders for Pick of the Week. Of these, Hello, My Name is Doris is the one I'm most interested in buying and the Blu-ray, while not loaded with extras, is the Pick of the Week. I'm also giving an honorary Puck of the Week to Dark Matter: Season 1, which is a Canadian Sci-fi series.
(On a side note, Amazon's list of new releases is a mess with a bunch of Game of Thrones and Star Trek titles, most of which don't even have images. This made sorting through the new releases a lot harder.)
More...
Home Market Releases for June 7th, 2016
June 8th, 2016
The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet.
More...
Theater Averages: Eye has Sky-High Opening with $22,761
March 16th, 2016
Eye in the Sky opened on first place on the per theater chart with an average of $22,761 in five theaters. This opening, plus its reviews, suggest it could do well in wider release. Likewise, Hello, My Name is Doris earned an average of $21,246 in four theaters while its Tomatometer Score is 90% positive. It could also earn some measure of mainstream success. City of Gold did very well for a documentary with an average of $15,740, also in four theaters. The overall number one film, Zootopia, earned an average of $13,415. Remember was the latest A24 to do well with an average of $10,245 in two theaters.
More...
2015 Awards Season: Oscar Preview
February 28th, 2016
It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD.
More...
2015 Awards Season: Oscar Highlight: Best Lead Actress
February 26th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Lead Actress is not generating a lot of buzz, but one actress has been constantly winning and is the overwhelming favorite.
More...
Theater Averages: Mermaid Nearly Cracks $1,000,000
February 24th, 2016
The Mermaid led the way as far as limited releases were concerned with $985,000 in 35 theaters for an average of $28,144. The film has broken records in China, which we will talk about more tomorrow with the international top five. The Embrace of the Serpent was next with an average of $16,985 in three theaters over the weekend, while it earned an average of $20,721 during its five-day opening. The only other film in the $10,000 club was Deadpool with an average of $15,172. On a related note, Warner Bros. has announced an R-rated Blu-ray for Batman v. Superman. The is the wrong lesson to learn from the success of Deadpool.
More...
Theater Averages: Panda Eats the Competition with an average of $10,438
February 3rd, 2016
There was only one film in the $10,000 this week, Kung Fu Panda 3, which earned an average of $10,438. The best limited release was Rabin The Last Day, which opened with $7,940 in one theater.
More...
Weekend Estimates: The Revenant wins chilly weekend with $16 million
January 24th, 2016
With the weekend jam-packed with new releases and Oscar hopefuls, and thrown off course by Winter Storm Jonas, it’s perhaps fitting that a tale of battles against the elements will come out on top. The Revenant will be down 50% from last weekend’s MLK Holiday-inflated number to $16 million, but that will be enough to leapfrog over Ride Along 2 and into first place. The Leonardo DiCaprio film, which remains a good bet for a fistful of Oscars, although perhaps not the major prize, has $119 million to date. Also overtaking Ride Along 2 to move back to second place is Star Wars: The Force Awakens with $14.26 million for a weekend and $879.3 million in total to date. With $1.06 billion internationally, the film is drawing close to becoming the third film to earn over $2 billion worldwide.
More...
2015 Awards Season: Oscars - Nominations
January 15th, 2016
The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
More...
2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
More...
Theater Averages: Revenant Remains Potent with Average of $111,957
January 5th, 2016
The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters.
More...
Theater Averages: Revenant Arrives with a Lively Debut of $118,640
December 29th, 2015
The Revenant had the best theater average of the week and the second best opening theater average of the year with $474,560 in four theaters for an average of $118,640. The only film to open in 2015 with a better theater average was Steve Jobs with an average of $130,381. It struggled during its wide expansion. Hopefully that won't happen here. The Hateful Eight was next with an average of $46,107 in 100 theaters. The overall number one film, Star Wars: The Force Awakens, was next with an average of $36,092. This would have been the fourth best opening weekend average for a wide release all year. 45 Years opened with an average of $21,925 in three theaters over the weekend and an average of $30,119 over its five-day opening. Daddy's Home was the second wide release in the $10,000 club with an average of $11,844. Mr. Six just missed the $10,000 club over the weekend with an average of $9,562 in 30 theaters; however, it earned an average of $12,500 over its four-day opening.
More...
Limited and VOD Releases: Eight Reasons to Love Limited Releases
December 25th, 2015
While there are a massive number of wide releases / wide expansions this week, there are very few limited releases. Generally by this time of year, the competition from previously released Awards Season contenders is just too much. The only type of film that can truly thrive is one that has a lot of pre-release buzz. This year, this includes The Hateful Eight, which has the widest opening on this week's list and expands truly wide next week, as well as The Revenant, which expands wide early in January.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/19 | 13 | $146,970 | 41 | $3,585 | $146,970 | 1 | |
2016/02/26 | 13 | $116,600 | -21% | 41 | $2,844 | $340,461 | 2 |
2016/03/04 | 20 | $58,470 | -50% | 44 | $1,329 | $460,509 | 3 |
2016/03/11 | 20 | $55,680 | -5% | 49 | $1,136 | $556,409 | 4 |
2016/03/18 | 24 | $25,971 | -53% | 43 | $604 | $608,214 | 5 |
2016/03/25 | 27 | $18,329 | -29% | 24 | $764 | $632,303 | 6 |
2016/04/01 | 34 | $8,944 | -51% | 17 | $526 | $662,000 | 7 |
2016/04/08 | 34 | $9,142 | +2% | 13 | $703 | $666,340 | 8 |
2016/04/15 | 40 | $4,934 | -46% | 9 | $548 | $689,683 | 9 |
2016/04/22 | 41 | $4,103 | -17% | 8 | $513 | $695,921 | 10 |
2016/04/29 | 50 | $1,879 | -54% | 5 | $376 | $689,679 | 11 |
2016/05/13 | 65 | $850 | 5 | $170 | $662,852 | 13 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/13/2016 | $43,836 | 14 | 16 | 80 | $135,142 | 11/30/2018 |
Australia | 2/19/2016 | $146,970 | 41 | 49 | 299 | $662,852 | 6/9/2016 |
Austria | 9/18/2015 | $0 | 0 | 25 | 86 | $148,882 | 11/10/2015 |
Brazil | 10/29/2015 | $17,457 | 7 | 17 | 103 | $138,503 | 6/9/2016 |
Croatia | 11/12/2015 | $1,849 | 4 | 4 | 4 | $1,849 | 12/30/2018 |
Denmark | 10/8/2015 | $0 | 0 | 12 | 12 | $190,835 | 11/10/2015 |
Finland | 12/18/2015 | $32,936 | 27 | 28 | 178 | $335,313 | 6/9/2016 |
France | 1/27/2016 | $415,630 | 105 | 118 | 223 | $827,543 | 6/9/2016 |
Germany | 9/10/2015 | $202,430 | 74 | 110 | 537 | $1,044,405 | 11/3/2015 |
Hong Kong | 4/14/2016 | $18,025 | 2 | 2 | 2 | $24,050 | 6/9/2016 |
Hungary | 10/1/2015 | $8,295 | 0 | 0 | 0 | $8,295 | 12/30/2018 |
Italy | 11/5/2015 | $143,341 | 20 | 82 | 250 | $835,212 | 6/9/2016 |
Lebanon | 2/18/2016 | $2,108 | 2 | 2 | 7 | $9,379 | 12/31/2018 |
Lithuania | 3/4/2016 | $0 | 0 | 22 | 41 | $2,145 | 6/9/2016 |
Mexico | 12/25/2015 | $23,961 | 14 | 14 | 26 | $82,493 | 6/9/2016 |
Netherlands | 9/24/2015 | $126,262 | 39 | 72 | 486 | $1,187,111 | 12/1/2015 |
New Zealand | 3/18/2016 | $45,370 | 28 | 30 | 173 | $291,150 | 6/9/2016 |
North America | 12/23/2015 | $65,775 | 3 | 251 | 1,308 | $4,250,507 | |
Portugal | 12/31/2015 | $9,030 | 5 | 5 | 27 | $78,760 | 6/9/2016 |
Russia (CIS) | 12/4/2015 | $3,952 | 16 | 16 | 35 | $8,365 | 12/31/2018 |
Slovenia | 9/3/2015 | $3,580 | 1 | 3 | 10 | $22,395 | 10/16/2015 |
South Korea | 5/5/2016 | $40,549 | 42 | 42 | 100 | $160,234 | 6/29/2016 |
Spain | 12/18/2015 | $93,582 | 29 | 42 | 214 | $600,934 | 6/9/2016 |
Sweden | 12/4/2015 | $0 | 0 | 27 | 89 | $357,526 | 6/9/2016 |
Switzerland | 10/1/2015 | $61,970 | 18 | 21 | 39 | $164,655 | 10/13/2015 |
Taiwan | 1/15/2016 | $7,006 | 5 | 5 | 23 | $38,698 | 6/9/2016 |
Thailand | 1/21/2016 | $5,624 | 10 | 10 | 15 | $11,493 | 6/9/2016 |
Turkey | 9/25/2015 | $3,144 | 8 | 8 | 32 | $14,627 | 12/31/2018 |
United Arab Emirates | 2/18/2016 | $2,926 | 2 | 2 | 2 | $2,926 | 12/31/2018 |
United Kingdom | 8/28/2015 | $508,750 | 68 | 103 | 574 | $2,639,315 | 6/9/2016 |
Worldwide Total | $14,275,594 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Charlotte Rampling | Kate Mercer |
Tom Courtenay | Geoff Mercer |
Supporting Cast
Geraldine James | Lena |
Dolly Wells | Charlotte |
David Sibley | George |
Sam Alexander | Chris the Postman |
Richard Cunningham | Mr. Watkins |
Hannah Chambers | Travel Agent |
Camille Ucan | Cafe Waitress |
Rufus Wright | Jake |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Andrew Haigh | Director |
Andrew Haigh | Screenwriter |
Tristan Goligher | Producer |
Christopher Collins | Executive Producer |
Lizzie Francke | Executive Producer |
Tessa Ross | Executive Producer |
Sam Lavender | Executive Producer |
Richard Holmes | Executive Producer |
Vincent Gadelle | Executive Producer |
Kahleen Crawford | Casting Director |
Joakim Sundstrom | Supervising Sound Editor |
Nicole Stafford | Make-up and Hair Designer |
Suzie Harman | Costume Designer |
Rachel Dargavel | Line Producer |
Sarah Finlay | Production Designer |
Jonathan Alberts | Editor |
Lol Crawley | Director of Photography |