Argentina Box Office for 360 (2012)
| Theatrical Performance (US$) | ||
| Argentina Box Office | $149,372 | Details |
| Worldwide Box Office | $4,141,251 | Details |
| Further financial details... | ||
Synopsis
A businessman facing tempted to be unfaithful to his wife sets into motion a series of events which ripple around the globe with dramatic consequences, set against the backdrop of international banking crisis, the domino-effect of the Arab Spring, the threat of global flu pandemics and Euro-Zone instability..
Metrics
Movie Details
| Argentina Releases: | September 6th, 2012 (Wide) |
| Video Release: | November 6th, 2012 by Magnolia Home Entertainment |
| MPAA Rating: | R for sexuality, nudity and language. (Rating bulletin 2223, 5/16/2012) |
| Running Time: | 113 minutes |
| Keywords: | Early / Simultaneous Video-on-Demand release, Ensemble, Romance, Split Screen, Life on the Outside, Relationships Gone Wrong, Infidelity, Sex Crimes, Modern Adaptation |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Studios, Dor Film, O2 Filmes |
| Production Countries: | Austria, Brazil, France, United Kingdom |
| Languages: | English |
Celeste and Jesse Kill the Competition on the Per Theater Chart
August 7th, 2012
Celeste and Jesse Forever opened in four theaters and earned just over $100,000 for an average of $26,946. This suggests a strong potential to expand. Killer Joe did expand going from three to fourteen theaters, but its theater average dipped roughly 8% to $11,647. That's an amazing hold and bodes well for the film's future.
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Limited Releases are a real Catch
August 3rd, 2012
There are seven limited releases on this week's list, but only two of them are earning overall positive reviews. None of them are earning more than 80% positive reviews, which is the level I normally associate with success in limited release. Does that mean none of them have a real shot at box office success? Hopefully not, but it could be an uphill climb for most of them. Sushi: The Global Catch is earning overall positive reviews and might find an audience, while Celeste and Jesse Forever has earned the best reviews and should perform the best at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2012/09/07 | 2 | $72,741 | 24 | $3,031 | $72,741 | 1 | |
| 2012/09/14 | 6 | $21,387 | -71% | 22 | $972 | $110,748 | 2 |
| 2012/09/21 | 11 | $14,489 | -32% | 21 | $690 | $131,958 | 3 |
| 2012/09/28 | 13 | $6,990 | -52% | 13 | $538 | $145,896 | 4 |
| 2012/10/05 | 15 | $1,753 | -75% | 5 | $351 | $148,671 | 5 |
| 2012/10/12 | 18 | $187 | -89% | 1 | $187 | $149,372 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/6/2012 | $72,741 | 24 | 24 | 86 | $149,372 | 12/29/2018 |
| Austria | 8/24/2012 | $55,382 | 27 | 28 | 117 | $220,114 | 12/11/2015 |
| Belgium | 8/15/2012 | $10,231 | 7 | 7 | 42 | $85,197 | 12/11/2015 |
| Brazil | 8/17/2012 | $288,740 | 130 | 130 | 293 | $1,525,678 | 12/12/2015 |
| Estonia | 12/7/2012 | $4,015 | 2 | 2 | 2 | $4,015 | 12/12/2015 |
| France | 7/25/2012 | $170,240 | 70 | 70 | 70 | $170,240 | 12/11/2015 |
| Germany | 8/16/2012 | $73,992 | 70 | 75 | 354 | $553,937 | 12/11/2015 |
| Hong Kong | 11/15/2012 | $28,254 | 7 | 7 | 12 | $51,290 | 12/12/2015 |
| Hungary | 4/18/2013 | $14,389 | 15 | 15 | 30 | $27,491 | 12/30/2018 |
| Latvia | 10/19/2012 | $4,456 | 1 | 1 | 3 | $13,871 | 12/29/2018 |
| Lithuania | 9/28/2012 | $1,696 | 1 | 2 | 6 | $13,442 | 12/12/2015 |
| Netherlands | 8/16/2012 | $14,873 | 19 | 19 | 36 | $132,301 | 12/11/2015 |
| North America | 8/3/2012 | $12,186 | 2 | 12 | 47 | $100,343 | |
| Peru | 12/13/2012 | $21,100 | 9 | 10 | 27 | $64,996 | 12/30/2018 |
| Poland | 12/26/2012 | $102,940 | 62 | 62 | 151 | $301,266 | 12/30/2018 |
| Portugal | 8/23/2012 | $32,347 | 11 | 11 | 60 | $150,229 | 12/12/2015 |
| Switzerland | 7/25/2012 | $18,541 | 8 | 8 | 8 | $20,029 | 12/11/2015 |
| Thailand | 4/19/2012 | $0 | 0 | 3028 | 3187 | $10,744 | 12/6/2015 |
| Turkey | 8/17/2012 | $0 | 0 | 54 | 230 | $355,352 | 12/29/2018 |
| United Kingdom | 8/10/2012 | $40,136 | 35 | 35 | 87 | $159,839 | 12/11/2015 |
| Uruguay | 9/7/2012 | $11,027 | 3 | 3 | 14 | $31,505 | 12/29/2018 |
| Worldwide Total | $4,141,251 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Anthony Hopkins | Older Man |
| Ben Foster | Tyler |
| Dinara Drukarova | Valentina |
| Gabriela Marcinkova | Anna |
| Jamel Debbouze | Algerian Man |
| Jude Law | Michael Daly |
| Johannes Krisch | Rocco |
| Juliano Cazarre | Rui |
| Lucia Siposova | Mirka |
| Maria Flor | Laura |
| Marianne Jean-Baptiste | Fran |
| Mark Ivanir | The Boss |
| Moritz Bleibtreu | Salesman |
| Rachel Weisz | Rose |
| Vladimir Vdovichenkov | Sergei |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Fernando Meirelles | Director |
| Peter Morgan | Screenwriter |
| Andrew Eaton | Producer |
| David Linde | Producer |
| Danny Krausz | Producer |
| Emanuel Michael | Producer |
| Chris Hanley | Producer |
| Adriano Goldman | Cinematographer |
| John Paul Kelly | Production Designer |
| Monika Buttinger | Costume Designer |
| Daniela Skala | Make-up and Hair Designer |
| Daniel Rezende | Editor |
| Mark Holt | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.