Portugal Box Office for 2:22 - Hora Fatídica (2017)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $67,085 | Details |
| Worldwide Box Office | $4,604,523 | Details |
| Home Market Performance | ||
| North America DVD Sales | $52,167 | Details |
| North America Blu-ray Sales | $45,081 | Details |
| Total North America Video Sales | $97,248 | |
| Further financial details... | ||
Synopsis
New York City air traffic controller Dylan Branson is the embodiment of a guy at the top of his game, until one day at 2:22pm, a blinding flash of light paralyzes him for a few crucial seconds as two passenger planes barely avoid a midair collision. Suspended from his job, Dylan begins to notice the increasingly ominous repetition of sounds and events in his life that happen at exactly the same time everyday. An underlying pattern builds, mysteriously drawing him into Grand Central Station everyday 2:22pm. As he’s drawn into a complex relationship with a beautiful woman who works in an art gallery, Sarah, disturbingly complicated by her ex-boyfriend Jonas, Dylan must break the power of the past, and take control of time itself.
Metrics
Movie Details
| Portugal Releases: | August 4th, 2017 (Wide), released as 2:22 - Hora Fatídica |
| Video Release: | September 26th, 2017 by Magnolia Home Entertainment |
| MPAA Rating: | PG-13 for violence and some sexuality. (Rating bulletin 2472 (Cert #51009), 4/19/2017) |
| Running Time: | 99 minutes |
| Keywords: | Set in New York City, Romance, Early / Simultaneous Video-on-Demand release, Time Travel, Voiceover/Narration |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lightstream Pictures, Walk the Line Entertainment, Wild Eddie Productions, Ingenious Media, 2929 Productions, Screen NSW |
| Production Countries: | Australia, United States |
| Languages: | English |
Theater Averages: Little Hours has Large $30,780 Opening
July 6th, 2017
The Little Hours led the way on the theater average chart with an average of $30,780 in two theaters. This is Gunpowder and Sky’s first release, which makes its first place finish even more impressive. Last week’s winner, The Big Sick, held on well in second place with an average of $23,267 in 71 theaters. The only other film in the $10,000 club was the overall first place film, Despicable Me 3, which earned an average of $15,993.
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Limited and VOD Releases: Hours of Entertainment
June 30th, 2017
It is not a great week for limited releases, as there are none that are expected to earn any measure of mainstream success. Okja is earning the loudest buzz, but it is playing on Netflix, so its box office chances are close to zero. The Little Hours has the best cast and its reviews are over 80% positive, but black comedies rarely do well in theaters. Finally, The B-Side is earning some of the best reviews, but documentaries rarely escape the art house circuit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/08/04 | 12 | $23,658 | 21 | $1,127 | $23,658 | 1 | |
| 2017/08/11 | 13 | $10,742 | -55% | 22 | $488 | $50,405 | 2 |
| 2017/08/18 | - | $3,423 | -68% | 11 | $311 | $63,410 | 3 |
| 2017/08/25 | - | $775 | -77% | 2 | $388 | $67,085 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/23/2018 | $2,202 | 3 | 3 | 3 | $2,202 | 2/26/2018 |
| China | 1/26/2018 | $3,935 | 0 | 0 | 0 | $355,375 | 8/7/2018 |
| Italy | 6/30/2017 | $347,989 | 0 | 0 | 0 | $1,205,606 | 10/23/2018 |
| Mexico | 7/14/2017 | $395,171 | 0 | 0 | 0 | $789,159 | 10/12/2018 |
| Netherlands | 7/7/2017 | $124,136 | 48 | 49 | 280 | $680,130 | 8/21/2017 |
| North America | 6/30/2017 | $294 | 3 | 3 | 3 | $422 | 7/23/2019 |
| Portugal | 8/4/2017 | $23,658 | 21 | 22 | 56 | $67,085 | 8/30/2017 |
| Russia (CIS) | 6/30/2017 | $284,119 | 463 | 463 | 926 | $661,848 | 1/1/2019 |
| Turkey | 6/30/2017 | $49,252 | 110 | 110 | 214 | $139,100 | 2/26/2019 |
| Rest of World | $703,596 | ||||||
| Worldwide Total | $4,604,523 | 7/23/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Michiel Huisman | Dylan Branson |
| Teresa Palmer | Sarah Barton |
Supporting Cast
| Sam Reid | Jonas Edman |
| John Waters | |
| Richard Davies | |
| Maeve Dermody | Sandy |
| Kerry Armstrong | |
| Remy Hii | Henny |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Paul Currie | Director |
| Todd Stein | Screenwriter |
| Nathan Parker | Screenwriter |
| Todd Stein | Story by |
| Steve Hutensky | Producer |
| Paul Currie | Producer |
| Jodi Matterson | Producer |
| Bruce Davey | Producer |
| Bill Mechanic | Executive Producer |
| Jackie O’Sullivan | Executive Producer |
| Garrett Kelleher | Executive Producer |
| Michael Burton | Executive Producer |
| Todd Wagner | Executive Producer |
| Ben Cosgrove | Executive Producer |
| David Fountain | Executive Producer |
| Kel West | Executive Producer |
| Charlie O'Carroll | Executive Producer |
| David Whealy | Executive Producer |
| Todd Stein | Executive Producer |
| Lawrence Inglee | Executive Producer |
| Ralph Kamp | Executive Producer |
| Barbara Gibbs | Co-Producer |
| Gary Woodyard | Editor |
| Sean Lahiff | Editor |
| William Hoy | Editor |
| Lisa Gerrard | Composer |
| James Orr | Composer |
| David Eggby | Director of Photography |
| Michelle McGahey | Production Designer |
| Lizzy Gardiner | Costume Designer |
| Deborah Aquila | Casting Director |
| Tricia Wood | Casting Director |
| Christine King | Casting Director |